Three Framed Engravings of Architectural Panels from the Vatican after Raphael

Large antique print with two religious engravings. The upper image depicts the adoration of the Shepherds. The lower image depicts the adoration of the Magi. This print originates from a work illustrating the complete series of Vatican frescos painted...

This original print is Johann Georg Wille's copper engraving of a Sappeur of the Swiss Guard from 1779. Wille was a notable artist and engraver known for his portraits and engravings during the 18th century. The piece depicts a half-length portrait of a soldier in the uniform of the Swiss Guard, likely in service in Italy, perhaps even in Rome, given the connection of the Swiss Guard with the Vatican. The soldier is portrayed as a sapper or pioneer, carrying out specialized military tasks. The dimensions of the paper and the technique used (copper engraving on paper) give a sense of the physical aspects of the artwork. The condition report indicates some minor damage but an overall good state, with some restoration work done. It's fascinating how historical artworks like this engraving can provide insights into military attire, cultural connections, and artistic techniques of the time. More details: Johann Georg Wille (1715 Königsberg, Giessen - 1808 Paris): "Sapeur des gardes suisses" Portrait of a man wearing a feather-trimmed fur hat and a sash worn over his uniform, breast piece with profile to the left, 1779. Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Dessine et gravé par Wille Graveur du Roi". At the lower part inscribed in the printing plate: "SAPEUR DES GARDES SUISSES ...". Keywords: Soldier; Uniform; Man; Soldier portrait...

Wonderful image after Raphael Fine Steel engraving. Published C.1850 Unframed.

Wonderful image after Raphael Fine Steel engraving. Published C.1850 Unframed.

This hand-colored engraving is based on Raphael's "The Hours of the Day and the Night". Created in Paris, circa 1805 with a black background and red border. There are twelve in the o...

A large, nicely-framed Italian hand-colored engraving in tones of terracotta and black (17th century, with more recent matte and frame) by Pietro Bartoli. The engraving depicts the mosaic ceiling in the church of Santa Costanza outside of Rome, which was studied by the ecclesiatical archaeologist Giovanni Ciampini. The mosaic ceiling no longer exists, but is known through various depictions of the artwork, such as this engraving. The images include Christian imagery including the sacrifice of Cain and Abel and possibly Noah building the ark. The upper row of mosaics is believed to represent scenes from the New Testament, with caryatids dividing the ceiling into twelve segments. The engraving is captioned in Latin: "Opus Musiuum olim in tholo Templi, quod vulgo creditur Bacchi, nunc Sancte Constantie extra Portam Piam cariatides, et Telamones in duodecium dividant Segmenta, ubi plura autumnales ferias, et piscationis Genium demostrant, iuxta interpretionem Ciampini qui mediatatem exhibet Veterum monum." In the 17th century, the church of Santa Costanza was known as the "Temple of Bacchus," and was the site of rowdy Bacchic festivals until Pope Clement XI banned the rites in 1720. Pietro Santo...