Two 19th Century Aquatints by William Bennett and Frederick Christian Lewis
View Similar Items
1 of 10
Two 19th Century Aquatints by William Bennett and Frederick Christian Lewis
About the Item
- Creator:William Bennett (Artist)
- Dimensions:Height: 23.75 in (60.33 cm)Width: 27.13 in (68.92 cm)Depth: 1 in (2.54 cm)
- Sold As:Set of 2
- Style:George IV (Of the Period)
- Place of Origin:
- Period:
- Date of Manufacture:Published 1824
- Condition:
- Seller Location:Miami, FL
- Reference Number:Seller: K3971stDibs: LU87121310328
You May Also Like
- Early 19th Century Aquatint Engraving of Grey Momus, John Frederick Herring Snr.By John Frederick Herring Sr.Located in Dallas, TXPresenting a fabulous and very rare, original early-19th century chromolithograph engraving after a painting by John Frederick Herring Snr., engraved by Ch...Category
Antique Early 19th Century English Early Victorian Prints
MaterialsPaper
- 19th Century EAS Douglas Hunt Scene Aquatint EngravingLocated in Dallas, TXPresenting a lovely late 19th century, EAS Douglas hunt scene aquatint engraving. Hand colored and originally painted by Edward Algernon Stuart Douglas (1...Category
Antique Late 19th Century English Victorian Prints
MaterialsPaper
- Early 19C Aquatint Engraving of Launcelot by John Frederick Herring SnrBy John Frederick Herring Sr.Located in Dallas, TXPresenting a fabulous and very rare, original early-19th century Chromolithograph Engraving after a painting by John Frederick Herring Snr, engraved by Cha...Category
Antique Mid-19th Century English High Victorian Prints
MaterialsPaper
- Early 19th Century Pair of Engravings, 'George IV Visiting Dublin' by R. HavellBy Robert HavellLocated in Dublin 8, IEEarly 19th century pair of engravings - 'George IV visiting Dublin' After Joseph Haverty RHA (1794-1864) 'The Triumphant Entry of George IV into Dublin'. 'His Majesty's Arrival', 'His Majesty's Embarkation'. A pair of coloured aquatints by Robert Havell. These prints record the visit of George IV to Ireland in 1821, when official business was overshadowed by the Kings' wish to visit Slane Castle. These are rare first state prints before the flags were re-engraved to fly at half mast for the death of Queen Caroline. This pair of aquatint prints by Robert Havell, are based on paintings by Joseph Haverty, a close friend of 'The Liberator', Daniel O'Connell. Haverty based his depictions on sketches made by John Lushington Reilly, whom Haverty has thoughtfully included in the embarkation scene. The figure of Reilly can be found in the central foreground sketching on horseback. The 18 day visit by George IV began on August 12th 1820, the Kings 59th birthday, and a mere three weeks after his coronation. The visit was arguably the first time a British monarch had visited the country without an accompanying army, in the traditional sense at least. George IV's visit was universally greeted with rejoicing from the populace. One of the first to extend his warmest welcome was Daniel O'Connell, who saw the visit as welcome support in his endeavours to achieve Catholic Emancipation...Category
Antique Early 19th Century Irish George IV Prints
MaterialsPaper
- 1807 William Daniell, Kingfisher, Ornithology, Hand Coloured AquatintBy William DaniellLocated in Norwich, GBDesigned and engraved by William Daniell for his work “Interesting Selections from Animated Nature.” Published by Cadell & Davies, London. Aquatint...Category
Antique Early 1800s English Georgian Prints
MaterialsPaper
- 1807 William Daniell, Chameleon, Reptile, Hand Colored AquatintBy William DaniellLocated in Norwich, GBDesigned and engraved by William Daniell for his work “Interesting Selections from Animated Nature.” Published by Cadell & Davies, London. Aquatint...Category
Antique Early 1800s English Georgian Prints
MaterialsPaper
