Pre-Columbian Mantle Kilim Type Tapisserie Multicolor Designs - Nazca 200-600 AD

Nazca Tunic/Poncho of stepped design and fringe in yellow ocher, burgundy and brown. Perfect condition, museum quality.

Magnificent Pre-Columbian Nazca Textile Poncho with a Geometric Step Design in Vibrant Ochre, Red, Green and Brown colors with its Original Fringes. Moun...

Complete Pre-Columbian Nazca textile with stepped zig-zag design in yellow, ochre red, and brown/black shades with yellow fringes.

Complete Nazca Unku in vibrant red with blue, green, yellow and white squares forming V design around the brown neck opening. The multicolor squares in stepped design make a diamond ...

Impressive Nazca Cushma of checker works design composed of a red and yellow cross over the green background. A true collector's piece. Provenance: From the Collection of Guill...

Complete Pre-Columbian Textile panel woven in plain weave with interlocking and alternating squares in bright shades, with elongated stepped diamonds, looped fringe on the short ends...

A Proto-Nazca textile fragment from Southern Peru circa 100BC-200AD. The linked munecas ("dolls" in Spanish) figures were woven with fibers likely from l...

Two small fragments of pre-Columbian textiles in shadow box frames. Both have strong geometrical patterns in the style of Nazca culture, located in the southern coast of nowadays Per...

We are delighted to offer for sale this lovely Napoleon III circa 1860 hand made in France, Embroidered Tapestry depicting a lovely detailing summer fishing scene which is very roman...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

An antique pre-Columbia textile fragment likely from Peru Chancay culture in Central coast that thrived in the late Intermediate period/ late Horizon, A.D. 1200-1550. Abstract geomet...

Two framed pre-Columbian textile fragments from Chancay culture (1000AD-1470AD) in nowadays Peru. Both panels are of a similar red background and possibly wove...