Sonia Delaunay " A Damiers" Textile

"Splotchy" textile by Alexander Calder for Laverne Originals. Hand printed on linen. 26 ft. available The innovative husband-and-wife team Erwin and Estelle Laverne, specialized...

Late 19th or early 20th century Shaker textile with colorful and graphic horizontal bands and scalloped border. Ohio/Pennsylvania origin. Professio...

Whimsical print on canvas by noted artist and textile designer Angelo Testa. Large print depicting dogs and other biomorphic shaped animals.

Beautiful large Donald Sultan print expertly and tastefully framed. Signed, titled and dated and numbered to recto ‘Black and Orange 2018 DS 11/12’. This work is number 11 from ...

Wonderful historical pen and ink illustration on board by Courrèges of his models done for and notated to Diana Vreeland. Great piece of fashion history. Framed in an original plexig...

Interesting modernist, cubist handmade wood cello case from the 1900-1920s. Great folk art object with dovetail joinery and replete with old traveling stick...

Large vintage Textile wall Art. Circa 1970s Features a stretched canvas with a forest inspired design printed in vibrant earth tone colors. ...

Named after the Mesopotamian Goddess of the Moon, SIN, is a handwoven textile wall piece. The piece comes with a metal frame with brass coating. Custom wood frame is available upon ...

A collection of three antique textile fragments displayed in various frames. It consists of a blue on white woven panel presented in a metal frame. The panel depicts dancing human fi...

19th century ancient Egyptian cloth fragment.

Rug, or tapestry, inspired by Sonia Delaunay, with abstract and geometric shapes, in red, black, yellow and beige tones. Hand-woven in Merino wool. Contemporary work of craftsmen. ...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...