Harry Matias Hand-Built Ceramic Mask

Injection Mold Plastic Weight-Lifter that lifts and lowers his arms when plugged in and running. Very Clever period piece, perfect for that weight-lifter in your life! Has a bracket in back that lets you hang it on peg board...

Vintage Martin Luther King Jr. Plaque Cast metal Great color and patina Ready to hang.

Cast aluminum oversized scissors probably used for advertising and or store display. These will add interest to any room, wall, hair salon or fash...

2 be Square Mixed Metals, drilled, and worked areas with Patina. Can Easily hang vertically or Horizontal. Signed and dated backside.

We are very excited to offer Saarinen Inspired Loveseats! Built from existing armchairs, these loveseats are sliced and wood added to enlarge to current size. My very clever Upholste...

Harry Bertoia Bird Frame or High Back Diamond. Black metal frame with 4 rubber bushings that let that chair rock slightly. Newer Knoll cover in the last 10-15 years. Cover is very...

Whimsical handmade pottery Comedy and Tragedy wall mount masks, in deep cobalt blue and creamy off white glaze. Probably studio made circa 1960/1970...

Ditto potters with Antonio Bonamico. The ceramic masks of Seminara are ostentatious and grotesque, with deliberately frightening features to scare away ...

MISTO invites itself into your interior to ward off spells, evil spirits and evil influences. Sophie Dries reinvents the traditional Calabrian mask with her contemporary graphic li...

In Greek mythology, the name CARIDDI (Charybdis in English) belonged to a monster that lived in the sea between Calabria and Sicily and destroyed ships by swallowing them up and spitting them back out, generating dangerous whirlpools in the water. This myth is reinterpreted in the form of a mask, which inverts the traditional convex surface to create a concave volume inspired by the underwater world. The mask invites the gaze into the blue depths of its smooth interior, where an uncanny protrusion emerges in the shape of a nose, a signature motif in Giovanni De Francesco’s artistic production. Each nose-island is different from the others; every mask has a unique beauty accentuated by imperfections, smudges, and uncontrollable colors, invoking the unpredictability of fear. This perception overturns the ferocious symbolism of the legendary monster, rewriting CARIDDI as a welcoming narrative. The artist’s explorations of fear, danger, and the unknown become particularly poignant when placed in the recent historical context of Calabria and the Mediterranean Sea. In the exceptional conditions of the present moment, when hundreds of millions of people are spending more time at home than ever before in living memory, the homeware brand TRAME wants to share the inspiring and supportive influences of these Mediterranean ritual objects with the entire world. The masks, whether the traditional forms or the contemporary design interpretations, reveal a sense of both timelessness and contemporaneity in their aspirational evocation of a social life with more serenity and less fear. Details: - Dimension: approximately 28 H x 22 W x 8 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted CARIDDI Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...

The traditional masks of the Calabrian town of Seminara are intended to chase away evil from the home, dispel fears and gossip with their exaggerated and grotesque features. The mask...

MISTO invites itself into your interior to ward off spells, evil spirits and evil influences. Sophie Dries reinvents the traditional Calabrian mask with her contemporary graphic li...