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One-of-a-kind, Unglazed Porcelain Wall-Mounted Sculpture by Jenny Min

About the Item

A pitcher, a cup, a tin of canned fish and an oyster shell on a plate make up "The Artist Diet", a unique, wall-mounted sculpture in smooth, matte, unglazed porcelain by Jenny Min, a New York-based artist and ceramicist. Jenny Min’s work, “The Artist’s Diet” is a memorial to the artist’s milieu. Its intimate form and familiar subject matter offers sincerity through participation. Adequately capturing the fluidity of culture and the tensions inherent, the simplicity inspires contemplation. The arbitrariness and necessity of choice imbibe the work as Min moves beyond metaphor responding to hunger with Melancholia, muses, and Van Honthorst. Min’s stylization embodies vulnerable elements transforming them to become hope. Making “The Artist’s Diet” an artifact of time and context pulsating with energy. Artist Information: Jenny Min is a ceramicist based in New York City. She utilizes a perspective of discovery and symphonic tension that mirrors her experiences. In 2009, Min graduated from New York University and studied at Steinhardt School of Art for ceramics. After graduation, Min moved to Florence, Italy to learn under the tutelage of master potter Romano Pampaloni. For the better part of a decade she would develop a precision-based throwing technique that appreciates the pressure of perfection and the discovery in surprise — a philosophy that values the contextual balance of imposing upon and reacting to the medium. Min returned to New York City in 2016 and in that same year started her practice working out of Greenwich House Studio. She would go on to do residencies back in Italy at Capoldio in 2018 and at Rights of Passage, a Barnard College-sponsored residency in Pittsfield, Massachusetts. Infused in Min’s work is an openness to discovery and a continual re-discovery of the effective ratio between creative chaos and control. Undergirding this whole approach is an innate assumption that “Everything is Good.” So with each vessel, sculpture, and plate, Min wrestles with subject, materials, and herself. This intimate introspection and raw celebration are portrayed in the texture of her work as each object is appreciated for its “is-ness” rather than its societal role.
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