Pair of Burmese Kamawa-sa Buddhist Texts Gold Leaf Frames, circa 1850

Complex overlays of brass, iron and copper make this Butterfly garden an interesting execution of metal surfaces. Presented in a heavy wooden frame with a secondary pierced iron arab...

Fiber Wall Art by Jon. B. Wahling (1938 - 2020) similar to Sheila Hicks or Lenore Tawney. "Wahling was dominating the fiber scene in the U.S. by the l...

A large Leroy Setziol wall sculpture commissioned by the United States National Bank of Portland Oregon in 1963 as part of their commitment to the support of the regional art community . The following is taken from the Portland Art Museum's profile of Leroy Setziol for their exhibit in 2015-16 celebrating the 100th year anniversary of his birth "Leroy Setziol" Sept 5, 2015 – Oct 30, 2016 "A composer in wood, Leroy Setziol created lyrical sculpture that honors the beauty of a material strongly identified with the Northwest. The black walnut, teak, fir, and other woods he employed enhanced his complex gridded compositions, bringing them to life. A self-taught, intuitive worker, Setziol visualized his complex carvings using the grid as an armature to frame imaginative shapes. Throughout his career, his sculpture ranged from intimate works to large-scale public commissions. The largest work on display is an elegant, teak, two-panel wall relief from 1991. Twenty-three works are on view, including free-standing sculpture, totems, and a variety of wall reliefs. Setziol’s sculpture gained greater recognition with Portland’s architectural community in 1964 when he was invited by Northwest Regionalist architect John Storrs to carve a series of large-scale relief panels for Salishan Lodge in Gleneden Beach...

A pair of comfortable Lucite lounge chairs manufactured in the 1970s by Hill Industries. The chairs are in excellent condition.

A pair of handcrafted 1960s solid rosewood lounge chairs in the Ming style of James Mont. Acquired from a spectacular 1960s house on the coast of Maine. The quality of the carving ...

An interesting pair of wrought iron basket weave end tables in the style of s Salterini from the late 1960s or early 1970s. The pair of tables are in excellent condition.

Signs of honor were presented as a gesture of gratitude to individuals who had bettered their community or in acknowledge of a respected person’s birthday. The sign would have been h...

Thai Buddhist Votive Plaque, Sukhothai style, cast  in relief from a metal alloy of tin and lead with an iron like surface of a deep brown colour, depicting a relief image of a walking Buddha. His left foot planted firmly on the ground while his right heel is raised. His left hand is held upwards known as the Abhayamudra (the had gesture of reassurance and safety), his right hand hangs at his side, known as the posture of the Buddha in the Descent from the Tavatimsa Heaven. He wears a simple belted robe. Above the image is a two tiered honorific parasol and an arched ornamental doorway supported by a pair of columns with vases...

A pair of oval bronze repose gilt plaques European, possible Italian with later deep red velvet frames. 17.5 inches tall, 13.5 inches wide.  

This early 20th century lattice window panel from China's Shanxi province likely originated in a traditional home with balanced interiors. Both functional and decorative, lattice win...

These large palm leaf wall sculptures bring the tropics into the space. There are three strong hooks for securely hanging them on the wall.

A 19th century northern Chinese sign of honor presented to an esteemed scholar on his 80th birthday. The large characters in the center read (from right...