Items Similar to A Pair Of White Marble Portrait Roundels of 'Morning' and 'Evening'
Want more images or videos?
Request additional images or videos from the seller
1 of 12
A Pair Of White Marble Portrait Roundels of 'Morning' and 'Evening'
About the Item
A Pair Of White Marble Portrait Roundels Of Female Portraits Representing 'Morning' and 'Evening', By Madison Colby (American, 1842-1871).
White statuary marble.
'Morning' signed ’M. Colby’.
Italy, Circa 1868.
These large portrait roundels representing ‘Morning’ and ‘Evening’ are expertly carved in Carrara marble by the American neoclassical sculptor Madison Colby, whose career was cut tragically short by his premature death at the age of 29.
By 1867, Madison Colby was working in Florence and was certainly known to the famous American neoclassicist sculptor Hirmam Powers. It is probable that these roundels were executed in Florence. Colby returned to the USA in 1869 to exhibit his sculpture, and moved to San Francisco where his roundels representing ‘Morning’ and ‘Evening’ were exhibited at the Snow & Roos Gallery and Currier & Winter picture store, alongside other works entitled ‘Loves Dream’ and ‘Childhood’.
‘Mr. Colby, a young sculptor, has on exhibition at Currier & Winter’s, a small collection of marbles executed in bas-relief. They are remarkable for delicacy of finish and pure and clearly-defined conception, with, perhaps, but little originality. “Morning” and “Evening”, companion pieces, are of course female heads. The face of “Morning” is characterised by an eager, uplifted look, and has a delicate spirituelle contour; the head is gracefully posed upon the strong, beautiful throat, such as now, alas, is known only in the company of the gods. The floating hair ripples away from the forehead and falls in wavy masses behind the rounded shoulders; her beautiful hands are overflowing with fresh roses. The face of “Evening” is more voluptuous and in its outlines and introspection is vaguely delineated in its quieter expression.'
(Hilda Roosevelt", Art Review, January 1871. "Hilda Roosevelt" was the nom-de-plume of the author and art critic Harriett “Hattie” L. Van Dolson (1841-1918), who was a close friend to Bret Harte, of whom Colby would sculpt a portrait bust in 1871).
We are grateful to Steven D. Branting, Institutional Historian , Lewis-Clark State College, Lewiston, Idaho, for his research which informs this expertise with reference to another pair of roundels of ‘Morning’ and ‘Evening’ signed ‘M. Colby. Sculpt.’ which were discovered at the Lewiston National Bank, in 1965.
Born of New Hampshire stock in April 1841, Madison Colby enlisted with the 21st Massachusetts Infantry in July 1861, fighting at Antietam. He was critically wounded at Fredericksburg in December 1862 and spent many months in military hospitals in Washington, D.C., and Portsmouth, Rhode Island. After demobbing in 1864, Colby returned to Boston and advertised himself as a portrait painter and sculptor.
By 1867, he was working with fellow American sculptors Thomas Ball, Hiram Powers, and Larkin Mead in Florence, Italy, returning to Boston in early 1869. He married in October that year and for health reasons immediately embarked for San Francisco, where he set up his studio in the Mercantile Library Building.
In November 1869, the Snow & Roos Gallery, San Francisco, exhibited two works by Colby ̶ “Morning” and “Evening, of which the critic Hilda Rosevelt wrote that “they are remarkable for delicacy of finish and pure and clearly-defined conception.”
In 1871 Colby turned his attention to a bust of California author Bret Harte, which was described as “one of the best portraits we have ever seen in sculpture.” The editor of The Art Review (January 1871) continued by saying, “Colby has, in this work, cut, in deep letters, upon the obdurate, adamantine rock of fame, his own name at an equal altitude with that of any American sculptor. Colby was dying from tuberculosis by the time the Harte bust was completed. He succumbed on 17 February 1871 in Oakland. A letter to The Art Review (May 1871) read in part: “Poor Colby has left a widow without anything save the honour of being the relict [sic] of one so rich in genius and gifts which availed him nothing because of his ill health.”
Approximate Dimensions:
Diameter of Roundels : 45 cm 18 inches
Weight of Roundels: 23 kg 50.7058 lbs
Height of Frame : 63 cm 25 inches
Width of Frame : 63 cm 25 inches
Depth of Frame: 13 cm 5 inches
- Dimensions:Height: 24.81 in (63 cm)Width: 24.81 in (63 cm)Depth: 5.12 in (13 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1868
- Condition:Wear consistent with age and use.
- Seller Location:Brighton, GB
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1964
1stDibs seller since 2014
48 sales on 1stDibs
Typical response time: 1 hour
Associations
The British Antique Dealers' AssociationLAPADA - The Association of Arts & Antiques Dealers
- ShippingRetrieving quote...Ships From: Brighton, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Pair of White Statuary Marble Garden PlantersLocated in Brighton, West SussexA Pair of White Statuary Marble Garden Planters. Carved in carrara marble, each surmounted by a circular shallow basin with egg-and-dart carved rim. The underside carved with beadwo...Category
Antique 19th Century Italian Victorian Planters and Jardinieres
MaterialsCarrara Marble
- A Louis-Philippe Gilt-Bronze ChargerLocated in Brighton, West SussexA Large Louis-Philippe Gilt-Bronze Charger. Of finely cast and chased gilt-bronze with matte and burnished gilding. The dished central basin cast in relief with Neptune driving a c...Category
Antique Mid-19th Century French Louis Philippe Wall-mounted Sculptures
MaterialsBronze
- Pair of Patinated Bronze and Marble UrnsBy Claude Michel ClodionLocated in Brighton, West SussexA fine pair of patinated bronze and rouge griotte marble urns and covers, in the manner of Clodion. Of fine patina each urn has an ovoid shaped body cast in high relief with vine ...Category
Antique 19th Century French Urns
MaterialsGriotte Marble, Bronze
- Pair of Green Breccia and Carrara Marble PedestalsLocated in Brighton, West SussexA Pair of Green Breccia and carrara Marble Pedestals Each has a square top with stepped pediment of fine white carrara marble. The column of unusual green breccia marble stands at...Category
Antique Early 19th Century French Neoclassical Pedestals and Columns
MaterialsBreccia Marble, Carrara Marble
- A Set of Four Large Porphyry Obelisks With Roundels of the Roman EmperorsLocated in Brighton, West SussexAn Important Set of Four Large Porphyry Obelisks. Each obelisk is of square section tapering form with a spiked orb finial and embellished with carved roundels of the twelve Roman...Category
20th Century Italian Neoclassical Obelisks
MaterialsMarble, Porphyry
- Pair of Gilt-Bronze and Rouge Griotte Marble Vases and CoversBy Ferdinand BarbedienneLocated in Brighton, West SussexA Pair of Gilt-Bronze And Rouge Griotte Marble Vases and Covers. By Ferdinand Barbedienne, Paris. Designed in the Neo-Grec style these elegant vases stand atop Rouge Griotte marb...Category
Antique 19th Century French Neoclassical Revival Vases
MaterialsGriotte Marble, Bronze
You May Also Like
- Joseph Gott Portrait Roundel ReliefsLocated in London, GBJoseph Gott (1785-1860) Portrait roundel reliefs of the sculptor's mother & father. Statuary marble, original ebonised frames. Sight size: 16cm diam...Category
Antique 19th Century Wall-mounted Sculptures
MaterialsStatuary Marble
- Marble Relief Portraits of 4 CaesarsLocated in East Hampton, NYMarble portraits of 4 of the 12 Caesars framed in red velvet and in beautiful gilt wood frames....Category
Early 20th Century Wall-mounted Sculptures
MaterialsMarble
- Large Pair of Emile Pinedo of Portrait Medallions on Marble PlaquesLocated in Atlanta, GALarge pair of Emile Pinedo of portrait medallions on marble plaques Emile Pinedo 1840-1916 "MINERVA and MARS," A large pair of portrait medallions on marble plaques Paris, France -...Category
Antique 1850s French Neoclassical Wall-mounted Sculptures
MaterialsMarble, Bronze
- 19th Century White Marble Relief Tondo with Portrait of the Duke of BevilaquaLocated in Berlin, DEItaly, 19th century, white marble in wooden frame, Portrait of the Duke of Bevilaqua of Italy.Category
Antique Mid-19th Century Italian Biedermeier Wall-mounted Sculptures
MaterialsMarble
- Thorvaldsen Neoclassical Roundels - Denmark, c. 1825By Bertel ThorvaldsenLocated in Kinderhook, NYBeautiful pair of c. 1825 repoussé sheet-brass roundels depicting Danish sculptor Bertel Thorvaldsen's 'Day' and 'Night'. As opposites they represent the two halves of a day, and to...Category
Antique Early 19th Century Danish Neoclassical Wall-mounted Sculptures
MaterialsBrass
- 19th Century White Marble Italian Lawyer Portrait ReliefLocated in Milan, ITAn oval Italian Carrara marble relief plaque, a 19th century hand-carved marble manly portrait, depicting the lawyer Francesco Rossignoli presiden...Category
Antique Late 19th Century Italian Busts
MaterialsCarrara Marble