Landscape Mobile, Limoges by Roy Lichtenstein

With landscape mobile, Roy Lichtenstein has designed a beautiful "art system" as a table centerpiece. Invoking Alexander Calder's standing mobiles, Lichtenstein termed this piece a "stabile." It is in fact a non-moving object representing a tall tree set in a green basin...

This limited edition, fully functional chopping block by Juan Muñoz offers a disquieting quasi-narrative. The hand motif, seen here in a most literal use, r...

"The Broken Juice Glass" is a limited edition set of four different glasses conceived by Roy McMakin exclusively for Artware editions. For this edition, th...

hand-made resin bear with International Klein Blue (IKB) pigment acrylic box: 10.63 x 7.48 x 19.29 inches edition size: 999 with 199 APs individual number inlaid under the right hind leg signed, numbered, and with two stamped COAs published by Artémus Éditions (2022) mint condition This limited edition is the result of a collaboration between the estates of two renowned French artists, Yves Klein and François Pompon. It is based on the original mould for Pompon’s L’Ours blanc, a cast sculpture of a white polar bear first shown in Paris at the Autumn Salon in 1922. Pompon created this bear a a few times using different media, however the most famous one, created in stone, can be seen at the Musée d'Orsay in Paris. This edition, titled L’Ours Pompon, transforms the bear with Klein's iconic International Klein Blue (IKB) pigment which Klein associated with the immaterial values beyond what can be seen or touched. L’Ours Pompon carries on the tradition in Klein's oeuvre of notable limited edition sculptures of classic historical forms like Victoire de Samothrace...

Much of the work by British artist Rachel Whiteread studies the void or empty space surrounding a given object, and the artist designed "Daybed" with the same interests in mind. This...

An essay about Helen Mirra's solo exhibition at The Whitney Museum of American Art describes her as "not merely a materialist. [Mirra] treats materials as ...

Roy Lichtenstein Ileana Sonnabend Paris 1965: Vintage original folding exhibition announcement/book published on the occasion of Roy Lichtenstein's 1...

Roy Lichtenstein helped usher in the pop art movement in America in the 1960s with his large-scale paintings of comic-book panels and his deadpan renditions of consumer-product adver...

Roy Lichtenstein The Paris Review: 1992 The Paris Review book, featuring an interior spread of Roy Lichtenstein's "__" (1992). Imagery features 8 detailed segments of this esteemed 1992 work. Art book. Offset printed interior images. Measures approximately: 5.5 x 9 inches; soft cover. Approximately 50pgs. Very good overall vintage condition. 1st edition, 1st printing 1992. Unsigned from an edition of unknown. Highly collectible. Related categories: Roy Lichtenstein 1992. Roy Lichtenstein book...

Jean-Michel Basquiat, Keith Haring, Roy Lichtenstein: The Paris Review 1982-1992: Vintage editions of The Paris Review, with one uniquely featuring an...

Christo and More SMS A Collection of Multiples 'William N. Copley, 1968' S.M.S. is an art collection in a box that was available by subscription in 1968. Through February and December, subscribers were mailed six issues containing assorted works of art curated by William N. Copley. The portfolios consist of “original reproductions" by 73 artists including William Copley, Christo, Marcel Duchamp, Roy Lichtenstein, Joseph Kosuth, Walter de Maria, Yoko Ono, Lawrence Weiner, Richard Artschwager, Man Ray, Bruce Nauman, John Cage, Terry Riley and more. S.M.S. included renowned and unknown artists side by side. As form of protest against galleries, S.M.S. made contemporary art affordable and accessible at a modest price of $125.00 per subscription. The portfolios are all kept in their original display covers. Edition of approximately 2,000 published by Letter Edged in Black Press. Volume No. 1 February 1968 Little Box of Earthquake and Cotton (cover), Irving Penn; Black Dress, James Lee Byars; Chicago Project…, Walter de Maria; My Country ‘Tis of Thee, Kasper Konig; Luggage Labels Nancy Reitkopf; Project for a Bridge, Sue Braden; A Postcard for Mother, Richard Hamilton; Two Propositions in Black, Le Monte Young and Marian Zazeela; Store Front, Christo; Sol Mednick; Pharmaceuticals, Julian Levy. Volume No. 2 April 1968 Seven Minute Recording of Contapetrie, a surrealist word game (cover), Marcel Duchamp; The Mirror of Genoveva, Meret Oppenheim; Three Color Separations, Alain Jacquet; A Two-Year-Old Girl Choked to Death Today on an Easter Egg, Ray Johnson; A Proposed Comic Section for the New York Times, Bernard Pfreim; Farwell to Faust, George Reavey; Album, Clovis Trouille; Legal Tender, Bruce Conner; 10 collages, Marcia Hertscovitz; Cynocephalus & Co., Nicolas Calas. Volume No. 3 June 1968 Untitled abstract landscapes (cover), John Battan; Clouds, William Bryant (Bill Copley); Ode to London, Dick Higgens; Two Drawings, Ronnie Landfield; Bush in Hand, Roland Penrose; The Father of Mona Lisa, Man Ray, signed and numbered; Glove, Enrico Baj; Four Titled Abstracts, Joseph Kosuth; Correspondence, H.C. Westerman; Signal Flag Poem, Hannah Weiner; Poppy Nogoods All Night Flight, Terry Riley; Poems, Atograf. Volume No. 4 August 1968 Untitled (cover), Robert Stanley; Drift Study 4:37:4:05:09:50 5 VII 68, La Monte Young and Marian Zazeela; Permanent Parking Decal, Robert Watts; 100 Year Calendar, On Kawara; Lichtenstein Hat, Roy Lichtenstein; Diary: How to Improve the World (You Will Only Make Matters Worse) continued, John Cage; Phenakistiscope, Hollis Frampton...

Il Mobile Umbro by Giuseppe Cantelli. Novara: Istituto Geografico De Agostini, 1997. Reprint from 1972 edition hardcover with dust jacket. 174 pp. Italian text. One in a series of se...