Emily Elizabeth Guthrie Smith

Portrait of a Woman

1946

"Fauste and Margarite Leaving Church", a 19th century oil painting by French Realist painter Adolphe-René Lefevre (1834 - 1886). The painting mea...

"The Fruit Carrier by famous contributor to the Pre-Raphaelite Brotherhood, William Cave Thomas Watercolor, ink, & colored pencil on paper Size: 14...

"Le Sentier Idylle (the Happy Path)" by French Romantic painter Lazare Meyer (1847-1935) 51.5 x 31.5 in. - Oil Paint on Canvas Framed A luminous, two figure composition depicting a ...

"Añoranza" Artist: Bartolome Sastre Medium: Oil on canvas Size: 39.5" x 32"

By Bartolome Sastre 46" x 35" Oil on Canvas Part of Sastre's series of candid scenes from his travels to India.

“Amanda's Bus” is a painting by Maxine Price executed in acrylic on board; measuring 25 x 35.5 inches. This painting depicts a girl standing by an abandoned, broken down bus as if s...

Portrait of a well-to-do gentleman in pastel on parchment. Signed left: Marteau L. 1760. French School, possibly by Louis Marteau (1715 – 1804) In a gilded 19th century frame. Dimen...

On the cardboard applied on the frame there is an annotation, belonging to some of the old owners, reporting the names of the portrayed in Kurrent handwriting: "Urgroßvater Ludwig Fr(ei)h(e)r(r) von Keller" "Urgroßmutter Fr(ei)h(e)r(rin) von Keller geb(oren) von Niebecker". So we can deduce that the models were Ludwig Friedrich Heinrich Ferdinand Baron of Keller (1760-1835), a German politician who was the director of the district of Prussia, and his wife Auguste Johanne Henriette Baroness of Niebecker (1760-1832). Their high class provenience is highlighted by the not contained expressive liveliness, by the proud pose imitating movement and by the elegance of the clothes which fabric seems palpable (especially sincere is the evanescent depiction of the pleated veil of the gorget and the adorned with arabesques decoration of the sleeves and the vest). The two pieces can be attributed to John Singleton Copley...

Armando Barrios India, 1955 Pastel on paper 41 x 26 cm 16.1 x 10.2 in. The work is illustrated page 70 No. 0256, in the General Catalog (1930 - 1999) La Pintura Como Razón de Ser, edited by Armando Barrios Foundation, Caracas, Venezuela, 2005. " Armando Barrios was born in Caracas on August 21, 1920. Son of Serapio Barrios and Carmen Rodríguez de Barrios, both of Spanish origin. Since his adolescence he developed a great love for the arts, so from the age of 12 he was already studying at the School of Fine Arts and Applied Arts in Caracas. His searches in the artistic field were initially directed towards the study of the Impressionist and Cubist schools...

French School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. An artist of international caliber who has decided to entrust her return to her homeland to Almach Art Gallery in Milan, while maintaining connections with important galleries, such as Marlborough Fine Art in London and Galerie Koch in Hanover. The artwork represents the famous Velasca Tower in Milan. This artwork was exhibited during the Daniela Gullotta...