Set of Ten Japanese Art Deco Lacquer Trays

A set of four Japanese shallow footed bowls or dishes in red lacquer with predominantly gold Makie design circa 1920s-1930s Taisho period. Each was decorated with hiramakie painting of different motifs, mostly gold, black and pewter color. One with a temple drum...

A fan shape black lacquer tray from Japan circa 1910-30s, late Meiji to early Showa era. Elaborated decorated with a bundle of yomogi blossom in a very fine Maki-e technique using both gold and silver powders. There is a Japanese symbol on the top left, which represents yomogiu, stemming from yomogi (蓬), a wild plant that belongs to the chrysanthemum family and widely grown in Japan. This name yomogui is from a scene in the Tale of Genji...

A large square lacquer presentation tray (likely for kimono) predated 1950 of the Showa period. Elaborately decorated with Maki-e that depicts the prunus blossom, bamboo and needle p...

A Japanese lacquer box with lid and an inner tray decorated with Maki-e on a dense nashiji background. The fine box was likely made circa 1920-30s during the Tashio period and likely...

Japanese Lacquer Rhino Sculpture by Someya Satoshi (1983-). A hand-molded lacquer sculpture that depicts a fantasy beast "Rhino". The artist uses century-old traditional techniques and symbols but with an innovative contemporary energy that borders mysticism, shamanism and surrealism. Found objects were equally treated as part of the meticulous designs as the elaborate Maki-e and shell inlays. According to the press of Honolulu Museum of Art: "Someya Satoshi has been described as “one of the most significant contemporary lacquer artists working in Japan today.” (Japan Times, 12 Dec. 2013) His work combines objects of daily use, such as bathing buckets, serving trays, and soup bowls, with a wide array of natural materials, including animal bones, horns and antlers, sand, stones, leaves and branches. In the process, he implements a range of traditional lacquer methods passed down from pre-modern eras, such as the kanshitsu or “dry lacquer” technique, the origins of which date to Japan’s Nara period (710–784). After creating his forms, he embellishes them with designs inspired by calligraphy, traditional Japanese textile patterns, and even contemporary manga or comic books. His work defies ordinary definitions of lacquer art and successfully challenges the perceived limits of this extremely difficult and, in some ways, most conservative of traditional Japanese art forms". His work was exhibited in US such as Honolulu Museum of Art, Minneapolis Institute of Art, Morikami Museum etc. For a complete resume of the artist, see the artist's page in Imura Art Gallery. Reference: For a very similar Bull Sculpture see Hard Bodies Contemporary Japanese Lacquer...

A large rectangular tray with scalloped corners and slightly raised gallery rim circa late 19th century to early 20th century (end of Meiji period). The center image showcases a live...

Antique Negoro lacquer wares were produced at the Negoro-ji temple complex in Izumi Province. The red layers of lacquer on Negoro wares are intended to ...

As beautiful as it is practical, this Japanese Meiji-period lacquered tray is distinguished by its exceptional craftsmanship. It exhibits a phenomenal artistry as the entire tray is ...

This is a wonderful collection of 6 mid-20th century Japanese Lacquer Trays. There is one pair of oxblood red with highlights; one pair of matched oil spot trays and one near pair of...

Hailing from illustrious Meiji-period Japan, this lacquer tray showcases the mastery of Japanese craftsmen. Precious materials are precisely inlaid in the lacquer base, creating an a...

Pair of antique Japanese Lacquer Trays, Taisho period (1912-1926) beautifully decorated with a miniature landscape of pea pods on the vine and a gold cricket set...

The set of 10 Japanese lacquer trays was made in Japan in the year of Meiji 36. It's 1903 and almost 120 years old. There is the only one that got opened for displaying and the rest ...