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Late 19th-Century Brooch with Greek Coin, by Louis Wièse

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  • Late 19th-Century Silver and Opal Cape Clasp by Louis Wièse
    Located in Chicago, IL
    Louis Wièse Cape Clasp France (Paris), c. 1890 Silver, opals Weight 102.8 gr.; Length 22.23 cm.; individual clasp diameter(s) c. 44 mm. Two openwork roundels in relief show a Chinese dragon head in cast and chased silver, entwined by a serpentine body with bird’s feet and talons. The eyes are formed of opal cabochons. Both roundels are joined by a wire loop and hook as clasp and eight chain links of twisted wire with intersecting plain loops. Traces of gilt remain. On the reverse along the edge of both roundels is the maker’s mark “WIESE” for Louis Wièse. This beguiling cloak clasp...
    Category

    Antique 1890s French Gothic Revival Brooches

    Materials

    Opal, Silver

  • Late 19th-Century Enameled Brooch with Diamonds by Falize
    By Falize
    Located in Chicago, IL
    Alexis Falize Brooch with depiction of Renaissance Lady France (Paris), c. after 1894 Gold, silver, enamel, diamonds Weight 10.7 gr.; Width 43.6 mm.; Height 22.3 mm. Gold rectangu...
    Category

    Antique 1890s French Renaissance Revival Brooches

    Materials

    Diamond, Gold, Silver, Enamel, 18k Gold

  • Gothic Revival Gold Ring with Joan of Arc by Louis Wièse, Late 19th Century
    Located in Chicago, IL
    Joan of Arc Ring by Louis Wièse (1852-1930) France, c. 1890 Gold Weight 9.3 gr.; Circumference 56.45 mm.; US size 7 3/4; UK size P ½ Cast and chased openwork gold ring with square section hoop, grooved on the lower half and forked at the shoulder to form a triangular frame for a Gothic trefoil...
    Category

    Antique 1890s French Gothic Revival Cocktail Rings

    Materials

    Gold

  • 19th century Water Squirt Ring in Silver and Gold with Rock Crystal
    Located in Chicago, IL
    Squirt Ring West European, 1800-1900 Silver, gold, rock crystal Weight 9.4 gr.; circumference 60.38 mm.; cylinder length 41.2 mm US size 9 ¼ ; UK size S ¼ Fascinating nineteenth century party piece, incorporating an elegant and sparkling ring Description: Squirt ring made of a hollow silver cylinder with four ornamental bands and a cap with plunger. This holds the liquid, and when the plunger is pulled out and pushed back in the squirt mechanism is triggered. At the other end is a hollow ring through which the liquid flows and then squirts out of a small hole on the band next to the gemstone. The gold ring, angled to the cylinder, has a tubular hoop and a gold round-shaped cup bezel with a silver-set, facetted rock crystal gemstone. The ring is fully functionable. The cylinder lies concealed in the palm of the hand. Punched on the cylinder is a swan, the French guarantee mark for the fineness of silver on items of unknown origin (in use from 1893-1970). Along the gold hoop of the ring are four indistinct hallmarks: a helmeted head (?), two rectangular punch marks, one with lower case ‘g’ in the corner, and traces of two illegible punches. Provenance: Yves Brasseur (26 February—11 August 2005), Ghent, Belgium, a collector of rings who was a Belgian fencer of Olympic stature, having competed in this sport in the Olympics in the 1960s. Literature: The earliest account of a squirt ring dates to about 1770 with the description of a diplomatic incident at the Court of Frederick the Great. The French ambassador M. de Guines belonged to the diplomatic corps in Berlin, the capital of the Prussian Empire. His pompous behavior was widely mocked. Prince Dolgorouki, the Russian ambassador was invited to a gala dinner as a guest of honor with his newly wed bride. She was seated next to the French ambassador whom she squirted with water from a mechanism concealed in the palm of her hand, when he was admiring her jewel. He vowed he would throw a glass of water at her if she continued. The ambassador’s wife ignored his warning, and he in fact put his threat into effect. The guests at the dinner were obliged to keep a discreet silence surrounding this embarrassing occurrence. The fashion for such squirt rings appears to have continued into the nineteenth century, although few examples are known. The designs and materials vary: bronze ring with mask of Silenus in the Victoria and Albert Museum. Silenus, the god of wine-making and drunkenness, appears again on a squirt ring in form of a garnet cameo...
    Category

    Antique 19th Century European Solitaire Rings

    Materials

    Rock Crystal, Quartz, Gold, Silver

  • Renaissance Portrait Cameo of Emperor Vespasian in a Gold Brooch
    Located in Chicago, IL
    Portrait Cameo of Emperor Vespasian in a Gold Brooch Agate, gold Italy?, 16th century Weight 10.2 gr.; Dimensions 48.7 × 39 mm. Description: Three-layered agate cameo (black-white-...
    Category

    Antique 16th Century Italian Brooches

    Materials

    Agate, Gold

  • 17th-Century Gold Band Fede Ring with Heart
    Located in Chicago, IL
    Fede Ring with Heart England, 17th century Gold, enamel Weight 1.88 gr.; circumference 44.77mm.; US size 3,1/4; UK size F 3/4 Elaborately decorated posy ring, with messages of love and affection. Gold band, flat on the interior, chased and engraved on the exterior with alternating hearts and rosette motifs. The centerpiece shows two cuffed right hands clasped together holding a heart. Inscribed inside the band in italic script: ‘For love not valer’. Traces of enamel have survived. The ring shows signs of wear through age and is in good wearable condition. The maker’s mark in rectangular punch inside the hoop has the initials ‘SW’, slightly indistinct due to the punch within the curvature of the hoop. Literature: Messages of romantic love on jewelry, and mottoes or inscriptions on plain gold bands go back to the Middle Ages. Beginning in the thirteenth century, ring brooches and rings were given as love tokens and the language of love was expressed in words and amatory motifs. Each element of this ring expresses love and affection, as well as the union of marriage. The clasped hands or ‘mani in fede’ (Italian term for hands in faith), is a motif derived from the Roman ritual of the joining of the right hands during the betrothal ceremony known as dextrarum iunctio. The right hand was considered to be sacred to Fides, the goddess of trust and good faith. The clasped hands as a symbol of love and marriage has continued in both the ceremony and rings through the centuries, even today. The alternating hearts and rosettes underline the love message concealed inside the hoop ‘For love not valer’, only to be known by the giver and recipient. The posy declares that the bond of love is more important than wealth. This fede ring is also a highly elaborate form of posy ring, which are usually simple gold bands with inscription...
    Category

    Antique 17th Century English Band Rings

    Materials

    Gold

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