Vendome GiltLeavesBranch GoldFilagree Handwired BlackGlass Crystals ClipEarrings

This surrealistic handcrafted faux-sapphire-topped-pearl cluster brooch and clip-earrings set dates to around WWII, when fashion designer Elsa Sch...

While making similar mid-century haute-couture costume jewelry for Christian Dior, designer Max Muller based near Kaufbeuren, Western Germany, created these dramatic clear-crystal si...

Before the brand signature was added in 1947, Miriam Haskell's first designer Frank Hess since 1926 designed these asymmetrical Baroque-style climber earrings with hand-painted white-and-ecru enamel leaves, crystal and glass beads, and Russian-gold gilt metal flowers, which are attached to a thick filigree branch that launched the post-war style of covering wires used to attach roses montees and beads behind an additional filigree plate. A similarly constructed and shaped pale-blue pair of climbers dated 1945 are in the renowned Barbara Berger museum-exhibited costume-jewelry collection. Characteristic of the materials favored by Hess for his designs, the clear rosette-cut rhinestones, intricate gilt-metal decorations, and white round glass beads were handcrafted in France by Parisian Louis Rousselet, who was among the first paruriers for Coco Chanel's couture clothing since the 1920s. In contrast to bold costume-jewelry by Chanel using...

In the 1950s while he operated an eponymous Parisian couture costume-jewelry boutique, Francoise Montague designed these unique handmade ornate pair of sparkly clip earrings featurin...

Marked "Made In France" on their antique brass back-plates like the initial unbranded couture costume-jewelry commissioned by Gabrielle "Coco" Chanel since 1924, these beaded early-handcrafted-clip earrings are arranged with wire in a floral motif featuring button-like mother-of-pearls accented by smaller pieces of lampwork glass with an ecru organic coating that mimics pearl nacre. The pair were designed to accessorize a one-of-a-kind clothing ensemble (likely including cultured-pearl buttons and a brooch) for a client of the pearl-associated French couturier whose earliest jewelry--unlike her fashion-designer peers--sometimes mixed real and faux gems. The glass artistry, clustered arrangement and earring findings are characteristic of one of her Parisian paruriers, Louis Rousselet, who was a lampwork master with a workshop since 1920 specializing in faux-pearl glass beads and wire-work assembly, along with other decorative elements. Since the three-piece flat-brass lever clips without hinge-holes on both sides predate Rousselet's wire-horseshoe clips, they can be dated like the patinated brass hardware to the mid-1920s. The beads of various sizes and shades of white that are wired to these earrings include four round graduating iridescent mother-of-pearl disks, along with lampwork glass replicating four baroque pearls, three round pearls and two seed pearls. There are natural impurities present on the green-and-pink-reflecting cultured pearls, while we can clean dust from the coated-glass crevices upon request. Of note, Chanel did not include a brand signature on any of her couture costume jewelry prior to the mid-1950s. As many of her clients who came to Paris for their couture-clothing fittings were foreign, the coordinated unique jewelry that was expected to leave the country was merely stamped "Made In France" or "France". We acquired these earrings in The States along with similar pair with additional but smaller "petals, berries and leaves" from the same Rousselet commission. Further, Art Deco couture...

Stamped "Made In France" on their antique brass back-plates like the initial unbranded couture costume-jewelry commissioned by French Gabrielle "Coco" Chanel beginning in 1924, these floral-motif wired earrings with early handcrafted brass clips are decorated with button-like cultured mother-of-pearls mixed with Parisian organically-coated lampwork glass, which we photographed in indoor sunlight for the most accurate colors. The pair were designed by Chanel to accessorize a one-of-a-kind clothing ensemble (likely including cultured-pearl buttons and a brooch) for a client of this pearl-associated couturier whose earliest one-of-a-kind jewelry--unlike other 1920s fashion designers--sometimes mixed real and faux gems. The intricate glass artistry, wired clustered arrangement and earring findings are characteristic of one of Chanel's first Parisian paruriers, Louis Rousselet, who was a lampwork master with a workshop since 1920 specializing in faux-pearl glass beads and wire-work construction. As the three-piece flat-brass lever clips without hinge-holes on both sides predate Rousselet's wire-horseshoe clips, they can be dated like the patinated well-worn brass hardware to the mid-1920s. The beads of various sizes and ecru colors that are wired to each earring include five round graduating iridescent mother-of-pearl disks, along with lampwork glass replicating nine baroque pearls, five round pearls and two seed pearls. There are natural imperfections on the green-and-rose-reflecting cultured pearls, while there is some nacre-enamel loss on the glass beads that is not eye visible. On closer view, one of the central round glass beads has a lighter blister, which appears like the texture of some uncultured pearls. Of note, Chanel did not include a brand signature on any of her couture costume jewelry prior to the mid-1950s. As many of her clients who came to Paris for their couture-clothing fittings were foreign, the coordinated unique jewelry that was expected to leave the country was merely stamped "Made In France" or "France". We acquired these earrings in The States along with a similar set with less but larger "petals, berries and leaves", which we priced the same in a different listing despite the slightly greater size and weight of this pair. So we know that they both were created for a single commission of multiple unique earrings with like lampwork-glass shapes and findings to be paired with the ecru mother-of-pearls provided by Chanel. While we have acquired over a dozen pre-signature pieces commissioned by the founder, these are the earliest earrings that we have discovered by Chanel. We have never found a single match to contradict our recognition of her early couture creations nor to attribute them to another designer. Further, Art Deco couture...

The are earrings are formed by a rectangle of diamonds with 6 navette cut diamonds in the center. The total weight of the diamonds is: ct 1.50. The earrings have a clip and pin clo...

The cluster model earrings with pear-cut diamonds and emeralds, with two brilliant-cut diamonds in the center. N ° 10 pear cut diamonds total weight 8.50 ct N ° 2 brilliant cut diam...

The earrings are each made up of 2 rows of baguette-cut diamonds and 2 diamond-cut files, the total weight of the diamonds is ct 2.60. Their shape is semi-circle. The closure is wit...

Drop-shaped pendant earrings, entirely pierced with emerald pave with a total weight of 16.74 ct and diamonds with a total weight of 1.63 ct. The earrings are in burnished 18 Kt whi...

Enchanting blue topaz earrings in 18 carat white gold with diamond details. Esther Eyre has been designing and making precious jewellery for over twenty years. She trained at Kings...

Shield domed earrings in 22 karat gold with granulation and rubies .35carats posts and omega back clips in 18 Karat gold. the earrings are 7/8 o...