Verger Freres 1901 Spaulding & Co Edwardian Watch-Pendant Guilloche 18Kt Diamond

Fabulous Edwardian belle epoque guilloche pendant. An incredible piece, created during the Edwardian belle epoque period, circa 1900's. This piece w...

Edwardian Enamel Pendant Watch By Verger Freres For Tiffany & Co. Very fine and rare pendant watch, created during the Edwardian period in Paris France by Verger Freres for Tiffany ...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Rare pendant Brooch designed by Sonia Younis for Tiffany & Co. An exceptional collector's piece, created in New York city by the designer Sonia Younis fo...

Magnificent late 18th century French pendant. A fabulous and rare master-piece of jewelry, made in France during the Georgian period (1714-1830), circa late 18th early 19th centurie...

An Op-Art pendant watch by George L'Enfant for Rolex Watch Co. A fantastic and extremely rare piece, created in Paris France at the atelier of L'Enfant for the Rolex Watch Co, back in the 1970's. This pendant watch has been crafted in solid yellow gold of 18 karats depicting a design of curvilinear Op-art patterns. It is suited on top, with a movable bale to wear into a chain. The design hides a secret cover that, when pushed, activates the mechanism to open and reveal the watch inside. The watch is a Rolex Cellini, with mechanical winding, plain golden dial and with black arrows. Has a total weight of 64.7 Grams and a measurements of 55 mm by 65 mm (2.16 x 2.56 Inches). Stamped, with French hallmarks, the eagle's head for the assay and guaranty of the 18kt gold, the maker's maitre cartouche GL associated to the atelier of George L'Enfant and signed in full, "ROLEX GENEVE CELLINI...

Elevate your style with this exquisite Edwardian 18kt gold necklace, featuring a stunning pendant. Handcrafted in 1910, this piece showcases a nat...

18kt Gold cammeo Pendant Brooch This Cammeo dama can be used as a pin or as a pendant totally handmade in italy is in 18kt yellow gold

Patek Philippe Manual Winding Porcelain Dial 18kt gold watch. Comes with certificate and Patek Philippe travel pouch. Date of Purchase on Certificate: 2001 Movement: Manual Winding, 1866233/4065435 Calibre: 215 Case Size: 29 mm Movement: Manual Winding Wrist Size: 22 cm (Adjustable) Weight: 57.70 grams total Strap Buckle: 18KT Gold Patek Philippe Buckle Bracelet Material: Original Patek Philippe Leather...

Rolex Presidential 36mm Diamond Red Vignette Diamond Dial RT Diamond 18KT Yellow Gold Watch 18038 This watch is in like new condition. It has b...

Rolex Presidential 36mm Diamond White Dial Custom Diamond 18KT Yellow Gold Watch 18038 This watch is in like new condition. It has been polishe...

Aaron Basha signed pendant made of 18kt white gold with natural brilliant-cut diamonds and enamel Welcome to our jewelry collection, where every piece tells a story of timeless ele...