Revival Drop Necklaces

Iconic 22k yellow gold necklace by Ilias Lalaounis, one of the most prominent Greek designers to date. The necklace is featuring 21 element with a flower and a dangling acorn or bull...

This beautiful necklace is emblematic of the evocative 1920s Egyptian Revival aesthetic and was made in France. Condition Report: Very Good - A slight kink in the chain and a tiny ...

Sautoir necklace designed by Zolotas. Gorgeous dangle necklace, created in Greece by the jewelry house of Zolotas back in the late 20th century. This elegant necklace has been crafted with a mesh of wires made up in solid yellow gold of 18 karats. Designed with two dangle drops elements and an Hercules Knot. Fitted with a push box safety lock and a hinged figure 8 for extra security. Hercules Knot The Hercules Knot was notably a wedding symbol and also represented the virginity of the bride: this coming from the Roman lore that the Knot symbolized the legendary fertility of Hercules - relating to the girdle of Diana (Artemis) which was captured/retrieved from the Amazon Queen Hippolyta. Later on, the Hercules Knot survived its religious uses with the Ancients and was actually still used during medieval times as a common symbol as well as also being Renaissance love tokens. Weight: 139.80 Grams, (89.61Dwt). Size: Totally extended is 36 Inch (91.40 Cm). Measurements: The dangle drops have a lenght of 5.2 and 4.1 inches respectively. Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "ZOLOTAS Z04 18KT". History of Zolotas The firm of Zolotas, was founded in Athens in 1895 by Efthimios Zolotas. The jewelry of Zolotas is very well known for their designs inspired by Greek antiquity. In the 1950, they made the decision to create the trademark and branches out into international markets. It was also during this era that the jewelry House of Zolotas began crafting what would become their ancient Greek signature style. In a gorgeous combination of modern and ancient styles. The high karat gold jewelry was fashioned using traditional techniques and motifs with contemporary flair. The symbols which had been sacred to the Greek culture some thousands of years prior were now manifested in ram, lion, snake and bull jewelry...

Rare and Collectible Diane Love for Trifari Japanese Noh Theatre Mask Pendant from the 1970's. Large collectible face mask pendant in faux bronze finish and crystal marquise eyes on ...

- 19" length - 8.5" drop - Gold and silver tone - Four strand chain - Clasp closure - Unsigned, but attributed to Goldette - circa 1970s - Made in New York CONDITION: Excellent vint...

This is an antique Emerald and Pearl Pendant Necklace set with seven gorgeous green emerald cut rectangular Emeralds in the Renaissance Revival Style. The Emeralds total approximate...

Robert Goosens, the French haute-couture parurier who enjoyed reinterpreting ancient and antique styles of jewelry with rock crystal and faux stones, collaborated with Madame Alix Gres, the Parisian fashion and theatrical-costume designer who founded Maison Gres, to make spiral-wire adornments for her couture gowns, such as this handmade hammered brass wire choker necklace with five dropped en-tremblant pendants that are decorated with unique colorful beads and wrapped wire. This necklace dates between 1969-1971 based on similar unsigned spiraled-wire "metal" jewelry without goldsmithing marks in the museum collection of TheMet (see our photo), which acquired it from Maison Givenchy founder Hubert de Givenchy, who was one of the most supportive fans of Gres. Like the legendary sculptural clothing designs of Madame Gres, this necklace was inspired by Greco-Roman costumes, while its sculpted shapes by Goosens reference her signature curvilinear fabric techniques that earned her the sobriquet of "the master of the wrapped and draped dress". Goosens (1927-2016), nicknamed Monsieur Bijou, also made jewelry inspired by other periods of antiquity to compliment the couture clothing of Coco Chanel, Cristobal Balenciaga, Elsa Schiaparelli, Christian Dior, and Yves Saint Laurent. After Goosens collaborated with Gres, he revisited golden spiral designs with Saint Laurent. Similar to the free-flowing fabric manipulated in Gres gowns, this hand-shaped necklace that we photographed in sunlight is a study in motion that drapes across a curvy cleavage. Adding drama to this necklace below its wire choker, the top teetering-wire pendant is a twisted and hammered horizontal double spiral, which is a Hellenistic symbol of life and transformation suggesting the breasts of a goddess of fertility and motherhood. Yet distinctly Goosens, 18 hand-cut and hand-dyed "ancient-Roman-blue" rock-crystal beads are wire-strung to weight a second tier of two separate vertical double-spiral pendants. On each, a wrapped-wire tube divides the blue beads. Between these vertical pendants in two tiers, the central vertical pendants each feature a one-of-a-kind multicolor bead (yellow/blue/red/black/white) in two lengths with abstract organic patterns recalling ancient Italian glasswork. Four more blue beads bracket these larger colorful beads. An additional 10 blue beads and 5 wire tubes decorate the bottom looped wire pendant, as well as the bottom of the wire choker. Like the hammered-wire jewelry designs of modern artist Alexander Calder, the creative complex construction of this necklace surprisingly required no metalsmith techniques, such as soldering or casting, just great skill with a jewelry pliers and hammer. For a bigger picture of couture clothing by Madame Gres during the decade beginning in 1969, she notably designed many museum-collected one-color silk-taffeta draped long gowns with empire waists and simple high collars or geometric cut-outs. Remarkably, the focal points for some of these unique dresses were at the wrists, from where long pouf sleeves voluminously droop around the hands to nearly the floor like two enormous long-petaled flowers. If paired with this equally downward-focused and balanced necklace from this same period, its bold Greco-Roman elements would have pulled a viewer's gaze of the dress from floor to face. Although there is no significant provenance for this necklace, hammered brass and tinted rock crystal were among the few materials repeatedly associated with Goosens from 1969-71. For example, in his overlapping interior-decor collections based on themes of waterlilies or foliage, Goosens hammered gilt brass wire and sheets (see our closeup photo) to represent plant parts or he wired rock-crystal beads to appear as tiny fruits. While the two multicolor glass or resin beads in this necklace are atypical, the combination of blue, yellow and red is a palette that the designer used for other pieces of rock-crystal jewelry and he created many kinds of multicolor faux stones with glass or resin paste, such as faux Tibetan turquoise including black and white. According to journalism based on interviews with Goosens, he often acquired unusual stones and glass for inspiration during his extensive travels exploring museum-collected antiquities. Since Maison Goosens was acquired in 2005 by Maison Chanel, it opened the Parisian showroom Galerie Goosens and associated shops to sell many kinds of reproductions and reimagined works by the founder, which fortunately does not suit the completely handmade elements of this necklace. So this couture piece remains one-of-a-kind. If desiring a vintage haute-couture original by Robert Goosens, we recommend perusing the Maison Goosens website so that a reproduction with a contemporary signature is not mistakenly purchased. Madame Gres (1903-1993) was born Germaine Emelie Krebs, but initially identified her fashion designs with the pseudonym Alix and later Alix Barton...

For any problems related to some materials contained in the items that do not allow shipping and require specific documents that require a particular period, please contact the selle...

This exquisitely detailed pendant displaying "Egyptian Scene" of sterling silver hangs comfortably on a matching sterling silver chain-link necklace. Maker's mark is etched on the back of the pendant. The length of the necklace measures 23 inches. The pendant measures 2 3/8 inches by 1 inch. Total length together is 28 inches. Made in Egypt.

Recalling the stain glass windows of Notre Dame Cathedral in Paris, this 18k gold pendant is decorated with plique a jour (transparent) enamel of vibrant colors, separated by gold cl...

Eygptian Revival Askew London Snake Drop Necklace with enamel cloisonne beads in pale pinks and greens. Silverplated antique finish. The snakes are se...

Vintage 18k Gold Bell Necklace with Malachite These vintage bell necklaces are the perfect way to add a splash of colour to any outfit. Availabl...

This killer and stunning vintage Monet signed sculptural bib necklace has abstractions of design. The textural outline of forms has high polish gold tone ...

This is a spectacular Museum Quality Antique Pendant in the Renaissance Revival style set with Rose Cut Diamonds and a central hanging Baroque Pearl made by the acclaimed British jewelers, Child & Child (1880-1916), of London. The pendant remains in its original fitted velvet, silk and leather box with the Child & Child insignia. The pendant is made of Silver topped with Pink Gold as was the custom of the Renaissance jewelry...

Rare and important Chanel Maison Gripoix Flower Parure referred to as "Bijoux de Fleurs" when first shown in in 1938 and illustrated in Harpers Bazaar in the same year. Our example w...

During the 19th century, the discoveries of ancient archaeological finds influenced and brought on what is referred to as "archaeological revival jewelry," or "Egyptian revival jewel...

The molten look of the gold plated part of this fabulous vintage signed 1970's Napier necklace is very sculptural. It has a warrior meets Egyptian Revival dramatic look with a green ...

A beautiful diamond encrusted pendant recalling Ancient Muscovy densely set with co-centric bands of rose diamonds, mounted in silver and 9k rose gold, t...

French Eygptian Revival Scarab Pendant in patinaed and painted celluloid on silk cord with tassel. Pendant 2.4", Cord 30", Tassel 4". 1930's France. ...