Vintage Diamante Dangling Pieces Necklace Circa 1990s

Vintage EP Matte Gold Tone Link Long Necklace Dangling Heart Circa 1990s. This is such a chic piece that may have little curb appeal but comes alive when worn. It can be worn long or short. Can be worn as a lariat and doubles. A million ways. Looks great with a t shirt or a black turtle neck...

Vintage St John Crystal Collar Necklace Circa 1990s. A classic necklace collar with baguettes that make up a domed and rounded necklace. Now, I...

Vintage St John Black Crystal Collar Necklace Circa 1990s. A classic necklace collar with round stones that make up a domed and rounded necklac...

Vintage Diamante Pave Panther Necklace Circa 1980s. This double panther necklace is so well made and looks fine. I love to find things that look fine. It has black cabochons on the ...

Vintage Gold Tone Crown Diamante Earrings Circa 1990s. These great earrings have a crown at the top and then have round diamantes going all the way down. This is a rigid piece and ...

Vintage Maison Gripoix White, Crystal and Faux Turquoise on Gold Chain Necklace. 3 Different Emblems On Gold Chain with Dangling White Piece in the Middle. 22"-24" L. Dangling Middle is 3" L. Each Piece is 2" by 2" Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress. However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”. Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

This Tiffany & Co necklace is from the Atlas collection and dates back to approximately the 1990s. It is 18 carat yellow gold and weighs 70.4 grams. The necklace measure 15.5 inches ...

This fabulous authentic vintage Cartier collar necklace features 4 rows of geometric links crafted in 18k yellow gold. Made in France circa 1990s. Measu...

Vintage 1980’s 14K Yellow Gold Italian Macaroni Necklace - The Italian made necklace has a double wide macaroni design link that is 8.2mm wide and 16...

Vintage 1990’s 14K Yellow Gold Wide Herringbone Necklace - The Italian made herringbone necklace is 8mm wide and 20 inches long and features a large lobster...

A long Vintage Anne Klein Chain of the most spectacular proportions and excellent quality. Crafted in silver plated metal. The statement sized links...

Vintage 1990’s 14K Yellow Gold Italian Panther Link Necklace - The Italian made necklace features a statement clasp that can be worn in front as well a...