Giorgio Facchini Sculptural Kinetic Orbital Necklace In 18Kt Yellow Gold

Sculptural earrings designed by Giorgio Facchini (Pesaro 1947-). Gorgeous one of kind pair, of kinetic earrings, created by the Italian master jeweler, artist and sculptor, Giorgio ...

Orbital necklace designed by Giorgio Facchini (Pesaro 1947-). A statement abacus pendant, created by the Italian master jeweler, artist and sculptor, Giorgio Facchini. This is a one...

Sculptural ring designed by Giorgio Facchini (Pesaro 1947-). Rare and unique Spatialism sculptural ring, created in 2012 by the Italian master jeweler, artist and sculptor, Giorgio Facchini. Conceived as an unique edition (1/1 ) with very modernist look and crafted in solid yellow gold of 18 karats, with high polished surfaces, This marvelous piece is composed by three elements, attached all together from the back, with two screws. The main focus element is a big disc, carved from natural black onyx with a weight of about 70 carats. This ring is accented on top, with an abstracted free-form element, that float and emerge. Have a total weight of 30.6 Grams and the actual size is 7.25, is sizeable. The top view diameter is 38 mm (1.49 inches) and raise 16 mm over the finger. Engraved, with the artist's signature, "G. FACCHINI 2012" and stamped with the Italian control assay hallmark, ".750". Giorgio Facchini, born in Fano, Pesaro, Italy in 1947. His art education was in Fano and Venice, where he specialized in the creation of sculpted conceptual jewelry...

An important earrings designed by Giorgio Facchini (Fano, Pesaro 1947-). Rare sculptural pieces from the Memphis period, created in the 1980's by the Italian master jeweler, artist and sculptor, Giorgio Facchini. These convertible long earrings, are made as an unique edition of one (1/1 ), with a modernist look. They was carefully crafted in solid yellow gold of 18 karats and suited with omega backs for fastening clips. The posts option for pierced ears can be easily added. These gorgeous pieces were conceived as a convertible day and night pair, the baluster totem shaped drop elements are detachable. Embellished, with carvings of natural gemstones, such; black jade, blue lapis lazuli and translucent white Agathe. They have a combined weight of 55.4 grams, just the upper part pieces have 16.9 grams. The total drop measures is 108 mm (4.25 inches) and 17 mm (0.67 Inch) at the widest part. Engraved, with the signature, "G. Facchini" and stamped with the Italian assay control hallmarks from the city of Pesaro, "G. Facchini .750 *28PS". Giorgio Facchini, born in Fano, Pesaro, Italy in 1947. His art education was in Fano and Venice, where he specialized in the creation of sculpted conceptual jewelry...

Sculptural necklace designed by Liuba Wolf. Extremely rare sculptural necklace, created in Sao Paulo Brazil by the artist Liuba Wolf, back in the 1970. This fantastic piece is a one of a kind and has been crafted with concretism art patterns in solid rich yellow of of 18 karats with textured surfaces. The main pendant is completely chiseled with irregular hammered finishes and sharp edges It is fitted with a removable chain in suite, which is composed of twenty six geometric links of different lenght and a security hook lock. Weight: 108.52 Grams, (69.57 Dwt). Size: The lenght of the chain is 25 Inches, (63.5 Cm). Measurements: The main sculpture pendant is 55 mm by 71 mm by 10 mm (2.16 x 2.79 0.39 Inches). Hallmarks: Stamped with the designer artist name, the mark for the assay of the gold, the edition number and signed, "LIUBA .750 1/30 1/50". Edition: Brazil Sao Paulo 1/30 for the pendant and 1/50 for the geometric chain, the authorized edition was only of 30 and 50 pieces, respectively but the production was never completed and only the number 1 of each one was made. Both pieces are stamped with the edition numbers. Liuba Wolf She born as Liuba Boyadjieva in Sofia Bulgaria in 1923. She was raised in a privileged, cultivated milieu by a writer mother and industrialist father who (he also played the violin) instilled in her a taste for music. The artist received a humanistic education, studying Greek and Latin and mastering the piano. When her family moved to Geneva, she attended art school and developed a special interest in sculpture. Later, she studied in Zurich under Germaine Richier (1904-1958), a renowned artist of the Paris School. This contact with Germaine Richier had a strong impact on Liuba Boyadjieva’s education as a modern sculpture and left a deep imprint on her understanding of sculpture. In those years, in Zurich, she was also in contact with a group of important artists, like, among others, Marino Marini and Arthur Honnegger. At the end of the war, when Richier reopened her atelier in Paris, Liuba moved to the French capital and continued her studies with her teacher until 1949. Her social circle in France included Zadkine, Viera da Silva, Alberto Magnelli, among others. She traveled often throughout Europe and visited the most important museums. Liuba Boyadjieva came to Brazil, married the industrialist and collector Ernesto Wolf in 1958, and lived between São Paulo and Paris, keeping studios in both cities. She became a naturalized Brazilian citizen. She developed a personal way of working her sculptures and achieved full artistic maturity. In the 1960s and 1970s, Liuba Wolf exhibited her work in several cities around the world and achieved international recognition. In 2001, on the occasion of her exhibition at Achim Moeller Fine Art. Rizzoli (New York) published a book celebrating Wolf’s art and featuring Sam Hunter’s essay “Liuba: At the Edge of Abstraction.” Among the central features of Liuba Wolf’s work are her expressive power, the surface’s play between the smooth and the textured, and rusticity. Verticality is another key characteristic, as well as the gesturalism of the forms. Figurative early on in her career, Wolf’s works became abstracted starting in the 1950s, but there always remained an archaic memory that referred back to primitive archetypes. Some critics, like Sam Hunter, see in those shapes a reference to pre-Columbian realities. Another highlight is a degree of surrealism in Wolf’s abstraction, yet critics mostly underscore the fact that she situated her sculptures at the border between abstraction and figuration, as well as the force of imagination in the conception of the works. On more than one occasion Liuba Wolf said that her forms are born from the subconscious. For her, they are “bugs”, animals, but they can also be plants or roots. They could be totems, in a symbiosis between the animal and the plant worlds, according to another observer, artist Emmanoel Araújo. Liuba Wolf stated once in an interview that her work “finds inspiration in natural shapes.” The exhibition at the Lasar Segall...

A Kinetic necklace pendant brooch designed by Pol Bury (Belgium 1922-2005). An exceptional, very rare and probably an unique sculptural piece of Cine...

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Glass enamel in a unique presentation and design, using array of colors that will never fade. METAL: 18KT yellow gold Grams:2 Item: 43500010kat Chain included WHAT YOU GET AT STAMP...

A one-of-a-kind jade, enamel, and 18 karat gold pendant, by Giorgio Facchini, 2016. This pendant measures 2.25" L x 1" W. Signed G. Facchini and stamped 750. Giorgio Facchini was...

Carrera Y Carrera has built its its famous name on figurative designs, an obsession with surface finishes, and a compelling way of seeing beauty in art and nature. This 18 karat yell...

DISCO is a contemporary pendant necklace in 18kt yellow gold and banded rodochrosite. Rarely found in its pure state, Rhodochrosite is a predominantly rose-red coloured mineral. The more common “banded” form is adorned with linear patterns in stunning hues that range from pink, cherry-red and yellow to grey, cinnamon-brown and white. A work of perfection crafted by nature, it is further enhanced when backlit, some areas becoming translucent, others as transparent as rock crystal. For this collection, a simple polished disc of the crystal is attached to a minimalistic bail that allows it to slide along the gold chain of the necklace or around the gold circles of the earrings, spinning hypnotically on itself in the process. Disco—the Italian word for a disc shape—also means a record, a disc with a hole in the middle, just like these mini pendants. More universally, Disco refers to the 1970s music stylistically based on psychedelic soul… which brings us full circle back to Rhodochrosite’s psychedelic motifs! Adjustable length at 395 and 420mm. DISCO Earrings...

Stunning Antique 18Kt yellow gold ball and locket necklace - 16" ball chain 50 7.25mm gold balls with gold spacers strung on foxtail with gold ball hidden clasp with 1/4" gold bail a...