Lapis Lazuli Necklaces

Eleven exceptionally rare carved gemstones are featured in this museum-quality Victorian necklace and the majority of the intaglio gems date to ancient Ro...

Designed as a marquise shape surmount suspending a cross pendant of carved lapis lazuli Opaque ultramarine blue with gold pyrite flecking and decorated with vine motif appliqué Sil...

14k gold medallion pendant with lapis lazuli and rose diamonds set on silver. 0.15ct – G/H – SI Detailed description the size of the pendant is 5.5 cm long by 3.3 cm wide weight 1...

Baby rings were popular sentimental jewelry items in the 19th and early 20th centuries. Babies wore them for their christenings, or for photos, or (ickily) for their funerals, or mot...

Designed as a beaded multi-gem strand with scarab and bird motif stations Comprised of turquoise, carnelian, and lapis lazuli barrel beads Opaque light blue, medium blue, and transl...

Necklace features a swagged central station with twisted wire terminating as two rams' heads. With textured horns and fur - suspending a lapis lazuli teardrop shaped bead from a flor...

A one-of-a-kind set of Victorian (ca1880s) jewelry! This very unique set includes a pendant, a pair of dangling earrings, and two buttons. The pendant and earrings are crafted in 18k...

A Victorian lapis, half pearl and diamond pendant, in the form of a stylised Latin cross, set with twelve square cabochon-cut lapis and embellished with four fleur-de-lis clusters of...

Here we have an antique pendant or brooch that was crafted from solid 14k yellow gold during the Victorian era. The brooch was made in the Etruscan Revival style and features a magni...

Saint Cecelia chatelaine pendant by Froment-Meurice. A gold and silver pendant in the Renaissance Revival style, the main element composed of an ornately carved openwork architectural structure in the form of an altarpiece, the central niche surmounted by a cupola set with pearls, with scroll and scalloped details to the interior and suspending a fleur-de-lis, containing a figure of Saint Cecelia playing a viola da gamba with two dancing putti to either side, flanked by two smaller raised pedestals issuing fleur-de-lis, each set with a putto (one playing a harp, the other playing a triangle), suspending a double swagged gold chain set with pearls, with two further chains suspending on one side a circular lapis lazuli seal in a trumpet form mount and on the other a watch winder, the whole accented with blue enamel and set to the reverse with a hinged band loop, approximately 9.5cm in total length. Tested yellow gold and silver, French, circa 1850. François Désiré Froment-Meurice (1802-1855) was one of the most important French jewellery and silversmiths of the nineteenth century, described by Victor Hugo as the Cellini of his age. He exhibited in a number of International Exhibitions, where Queen Victoria and Prince Albert were among his clients. The Renaissance Revival, as seen here, and the Gothic Revival were his two major decorative styles. This piece is also typical of his penchant for placing a silver figure, usually female, within a yellow gold architectural mount. The central figure and flanking putti are identical to those found on two brooches by Froment-Meurice, one in the Birmingham Museum and one in the Schmuckmuseum Pforzheim. Another brooch by Froment-Meurice, in the collection of the Victoria and Albert Museum, features a similar central figure, but this time as an angel with wings, in a silver oval blue enamelled frame. These examples also bear a similar gold and blue enamel architectural mount, and differ only in the surrounding and pendulant embellishments. Saint Cecelia is the patroness of music, whose feast day is celebrated each November. A Roman maiden, she was amongst the earliest and most famous of the Roman martyrs, reputedly beheaded in 230 AD under the Emperor Alexander Severus. Throughout history, Saint Cecelia has inspired musicians and poets alike, appearing in John Dryden...