Russian 1912 St Petersburg Art Deco Presentation Box In 925 Sterling & 14Kt Gold

A snuff gold box designed by Henrik Wigström. Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI style, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well. Weight: 36.65 Grams, (23.49 Dwt). Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches). Hallmarks: Stamped on both parts with Russian marks; the kokoshnik mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with the inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold. Hallmarks: Stamped in the border with German importation marks; the Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold. Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs. Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé. Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone...

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A guilloche enameled pill box designed by David Andersen. Extremely rare early 20th century enamel pill-box, created in Norway during the late Edwardian and art nouveau period at the workshop of David Andersen, circa 1910. This beautiful box was carefully crafted with impeccable details in solid .925/.999 standard silver with gilded interiors finish. Made of rectangular form with curved edges and fitted with a five barrels hinged lid, that can be raised by a simple thumbpiece. Engine turned guilloche decoration topped with applications of translucent silvered-white and light purple enamels and finally embellished with tiny flowers motifs decorations in high relief. Weight: 59.40 Grams, (38.08 Dwt). Measurements: 65 mm by 38 mm and a height of 13 mm (2.56 x 1.50 x 0.51 Inches). Hallmarks: Stamped with French and Norwegian marks, the maker's mark associated to David Andersen inside a cartouche, the mark for the assay of the silver S .925 and stamped twice with the French import mark of the swan, for importation. Very interesting exports and imports marks. Note: The hallmark of a swan facing to the left inside an oval (Osprey-124), was introduced in 1893 for small silver items imported into France. The silver product need to have at least a standard assay of .800/999 or over. The swan mark indicates that the item was produced in a non-treaty country and served as an import identification. The swan mark used until 1970. David Andersen David Andersen was born in 1843 in Østre Toten, Innlandet to Anders Svendsen and Anne Margrethe Gulbrandsdatter, and was the father of goldsmith Arthur David-Andersen. He was one of the most important Norwegian goldsmiths. From 1859 he was in apprenticeship with the jeweler Jacob Tostrup in Christiania (now called Oslo). He spent several periods abroad, in Berlin, Stockholm, Paris and London. During his stay in London he also imported Norwegian filigree works to the United Kingdom. He established his own goldsmith workshop in Christiania 1876, which eventually became a leading company in the goldsmith industry in Norway. A significant part of his filigree works was exported to Great Britain. As of 1899 his company employed 92 men...

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