Edwardian Travelling Curling Tong Heater by A & J Zimmermann, 1903

Edwardian Sterling Silver Epergne Made in London in 1903 In very good condition, the vases have flared tops. The holder has a filled base for stability. The base is covered with gre...

This beautiful Edward VII piece is in excellent condition. The handles have a lovely twisted design and there are delicate engravings. Hallmarked: Made by William Hutton & Sons Ltd i...

Sterling Silver Sugar Caster/Mufineer/Dredger by Barker Brothers Silver In good vintage condition, this is a beautiful piece. Hallmarked: Made in England S1. Made by Barker Brothers...

Sterling Silver Sugar Sifter/Caster/Mufineer/Caster by A Taite & Sons from 1966 In good vintage condition, this has a square pedestal foot, baluster shaped body with reeded bands. I...

In good vintage condition, this is a beautiful piece. It has a lovely rounded form, a pedestal foot and a finial on top. Hallmarked: Made by Barker Ellis Silver Co in Birmingham in ...

Pair of Sterling Silver Bonbon Dishes by Holland, Aldwinckle & Slater from 1903 In good vintage condition, these are beautiful dishes that would look lovely on any table. Hallmarked...

‘Tequila Lore’ is a set of bold and eye-catching bar accessories that celebrates Mexico’s culture, folklore and famous tipple—tequila. This made-to-order collection is steeped in meaning and depicts the creatures found in the country’s centuries-old myths and fables. Highly practical, the set includes knives, tongs, cocktail strainers, measurers and salt shakers—all essential tools needed to create exceptional cocktails interpreted in the most artistic way. The complete set, including bar tools and glasses, is presented in a bespoke leather case. Rabbit Ice Tongs - Sterling silver ice tongs with rabbit skull...

A fine antique Edwardian purse or evening bag. In sterling silver. By William B. Kerr & Co. The purse has a small chain and opens with a button. The interior has two pockets on ei...

DEAKIN & FRANCIS, Piccadilly Arcade, London Our Travel Size Luxury Shoehorns are made from the finest cow horn and are approximately 13 inches long and are finished off with a charm...

One of the most sacred and revered images of the Virgin, the iconography refers to an event which took place on November 27th, 1165 during the assault on the city of Novgorod. In an effort to save the city, the citizens of Novgorod brought the icon of Our Lady of the Sign to the city wall and when one of the arrows struck the icon, tears formed on the image. The Bishop of Novgorod proclaimed that this was a sign that the Virgin was entreating her Son to spare the city. Novgorod was spared and the image, known as Znamenie, became highly venerated in Russia as a powerful protection symbol. This beautiful travel icon...

An important Faberge chalcedony, gold and enamel bell push, enamelled translucent blush and pearl grey with sunburst guilloche background, with circular cabo...

Fox Essex glass scent bottle designed by Tiffany & Co. An exceptional very rare piece, created during the Edwardian period at the Tiffany Studios, back in he 1905. This fabulous scent bottle has been carved from translucent rock quartz and mount with an oversized Essex glass reverse carved piece depicting the enameled three dimensional head of a fox. Both parts are mounted with hinged round frames crafted in solid yellow gold of 18 karats with high polished finish. Fitted with a push opening button, an invisible hinges and an interior gold screw lid. The head of the fox is magnificent, very well carved with realistic details and exceptionally painted. Weight: 137.50 Grams, (88.14 Dwt). Measurements: 34 mm by 40 mm by 80 mm (1.34 x 1.57 x 3.15 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "TIFFANY & CO.". The gold parts has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as over 18k gold .770/.999 assay. Essex Glass Essex crystal pieces are formed from a rock crystal cabochon (polished domes of rock crystal with a flat base), an image or motif is then reverse carved into the flat base, and then painted, to give them impression of a three dimensional object or image encapsulated in the cabochon when viewed from above. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolor rendering of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. This process of carving into the back of the cabochon is sometimes referred to as reverse intaglio, not be to mistaken with intaglio, which is designed to be viewed from the same side on which it is carved, unlike Essex crystal. Particularly when the image is of something which is itself small in reality, such as an insect, they can be very convincing when created by skilled craftsman. Thomas Cook was believed to be responsible for introducing them to Britain from the continent in the 1860s, and there were initially sold by Hancock’s in London. During the same period the artist William Essex, was a great favourite of Queen Victoria, and known for his enamel painting and miniatures. It would seem that the public put two and two together and came up with five, in that they believed these exquisite miniature painted jewels could only have been created by such a celebrated talent as Essex, and the name stuck despite him having nothing to do with their creation. Interestingly, William Bishop...