Renaissance Rose Gold Sardonyx Cameo Ring

RENSAISSANCE CAMEO RING Italy? 16th century in a 20th century setting Gold and sardonyx Weight 6.5 gr.; bezel 16.1 x 16.9 x 7.4 mm.; circumference 50.3 mm.; US size 5½; UK size L In this oblong cameo, the bust of a woman wearing a necklace but otherwise nude stands above a blue ground. While her breast faces forward, her head is rendered in a strict profile and her hands gesture to her right. The minimalist gold setting is modern and dates to the twentieth century. Cameos depicting nude female figures became popular in the court circles of sixteenth-century Italy, where newly-formed princely collections of ancient gems served as models for contemporary hardstone artists. Following ancient practice, the artist responsible for the current cameo has cut into two layers of the multicolor agate, creating a background of milky blue that contrasts with the white flesh of the woman above. The sharp profile of the woman’s face likewise recalls the art of the ancient Romans, who often used the profile view for portraits on coins, medals, and engraved gems...

RENAISSANCE CAMEO RING Italy, cameo: second half of 16th century in a late 18th century ring Gold, agate , black enamel Weight 6.3 gr.; bezel 18.8 x 16.9 x 6.5 mm.; circumference 58.4 mm.; US size 8¾; UK size R Cameo of a nude female bust...

Renaissance Cameo Of Galba (?) in Modern Gold Setting Europe, 17th (?) century Onyx and gold Weight: 10.2 g.; circumference: 51.8 mm.; size: US 6, UK...

Renaissance Ring Western Europe, likely Italy, mid-16th c. Gold and traces of black and white enamel Bezel 15 x 3 x 4 mm.; circumference 42 mm.; weight 2.7 gr.; US size 2 ¼; UK size ...

RENAISSANCE MARRIAGE PORTRAIT CAMEO IN MODERN GOLD SETTING Italy (?), 16th-17th century White agate, modern gold setting Weight: 10.8 g.; circumference: 54.4 mm.; size: US 7, UK N ½ Substantial rounded D-section hoop, narrowing at the base supports an oblong collet set with a white agate cameo. The cameo features a female bust behind a male bust in profile facing to the viewer’s left. The man has a curly beard, wears a fillet in his closely cropped hair, and wears a draped toga; the woman is less well defined and wears a palla. Both portraits have flat features. The carving has a metallic quality to its lines which enhances the sheen of the stone. The cameo is in excellent condition; the mount is modern. The Renaissance welcomed a revival in the ancient art of gem carving and cameos achieved renewed popularity. Important patrons, like the Medici, employed artists and goldsmiths to make dozens of beautiful examples that harkened back to antiquity and displayed current fashions. Double portraits of a man and woman, as with this ring, are called marriage portraits. They take their form from cameos of Roman rulers, mythological lovers, and citizen couples. Literature This couple could be a sixteenth-century copy of an ancient gem or it could represent a Renaissnce couple in the guise of a Roman couple. The features do not point to any well-known couples. A double portrait cameo in the Royal Collection (RCIN 65861) provides a nice comparison to this ring and is from the same period. For an ancient example of the double portrait cameo see the Metropolitan Museum’s Germanicus and Agrippina (39.22.18) cameo. Another comparison, see the Bibliothèque Nationale, Paris (a 17th-century cameo with the double portrait of a couple in a three-layered agate, published in Babelon, 1897, n. 1019). For general information on Renaissance cameos...

Portrait Cameo of Emperor Vespasian in a Gold Brooch Agate, gold Italy?, 16th century Weight 10.2 gr.; Dimensions 48.7 × 39 mm. Description: Three-layered agate cameo (black-white-...

Circa 1880 This ornate 19th century Renaissance Revival 14K gold unisex ring features an intricately carved sardonyx cameo of a classical Greco...

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An 18ct yellow gold cameo ring. The 19th century sardonyx cameo, depicting a man with head in profile facing right, having short hair, aquiline nose, an...

This remarkable 14k rose gold agate cameo ring features the portrait of a gentleman, depicted in profile wearing a hat and looking off into the distance. The agate is dark reddish brown, a nice compliment to the rose gold that the stone is set into. The portrait has very high relief and is rendered in impressive detail—the man’s hair...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...

Cameo depicting Alessandro de' Medici, known as (IL Moro or 'The Moor'), c. 16th - 17th century, in later gold ring mount, cameo 2.0cm high, ring size 7