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Item Ships From: Asia
Ed Ruscha - A Particular Kind of Heaven
By Ed Ruscha
Located in Central, HK
Ed Ruscha
A Particular Kind Of Heaven, 1983
Offset lithograph on paper
24 × 36 1/5 in 61 × 92 cm
Category
2010s Asia - Landscape Prints
Materials
Paper
David Shrigley - Untitled (It Was Worthwhile Doing This), 2022
By David Shrigley
Located in Central, HK
David Shrigley
Untitled (It Was Worthwhile Doing This), 2022
80 x 60 cm
Off-set lithography
Printed on 200g Arctic Volume paper
Category
2010s Asia - Landscape Prints
Materials
Lithograph
Abstract India Edition 3/5 Linocut Print Green Blue Turquoise Architectural
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration B, Lino-cut on Drawing paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Landscape Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Multiverse, Flowers Takashi Murakami Limited Edition Signed Print Colour Flowers
By Takashi Murakami
Located in Bristol, GB
Offset print, cold stamp and high gloss varnishing
Edition of 300
Diameter: 71 cm (27.9 in)
Signed and numbered on front
Condition on request
Images of edition numbering are for ill...
Category
21st Century and Contemporary Contemporary Asia - Landscape Prints
Materials
Paper, Offset
Jeff Koons’s Gazing Ball (Monet Waterlilies)
By Jeff Koons
Located in Seoul, SO
Jeff Koons
Gazing Ball (Monet Water Lilies), 2018
Archival pigment print on Innova rag paper, glass
38 3/5 × 37 4/5 in 98 × 96 cm
Edition of 20, 5 AP
Artist Frame
Comes with Certi...
Category
2010s Asia - Landscape Prints
Materials
Glass, Archival Pigment
Sunset India Orange Golden Light Lake Palace Bird Nature Wildlife Photograph
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
28" x 42" unframed (71cm x 107cm) 2022
Edition 1/10
*Should you wish the photographs to be printed...
Category
2010s Contemporary Asia - Landscape Prints
Materials
Archival Ink, Archival Paper
Henri Matisse - The Open Window, Collioure (Framed), 1905
By Henri Matisse
Located in Central, HK
This print features a reproduction of The Open Window Collioure (1905) by Henri Matisse, the world-reknowned French artist. It’s mounted and laminated for protection from dust and UV...
Category
2010s Asia - Landscape Prints
Materials
Wood, Paper
Henri Matisse - La Gerbe Framed Print
By Henri Matisse
Located in Central, HK
This print features a reproduction of La Gerbe (1953), by Henri Matisse, an artist whose work is renowned globally. It's mounted and laminated for protection from dust and UV rays, ...
Category
2010s Asia - Landscape Prints
Materials
Wood, Paper
David Shrigley - Tornado of Nonsense (2021)
By David Shrigley
Located in Central, HK
David Shrigley
Tornado of Nonsense (2021)
80 x 60 cm
Off-set lithography
Printed on 200g Arctic Volume paper
Category
2010s Asia - Landscape Prints
Materials
Lithograph
David Shrigley - Please Remove Your Brain From My Jar, 2020
By David Shrigley
Located in Central, HK
David Shrigley
Please Remove Your Brain From My Jar, 2020
70 x 50 cm
Off-set lithography
Printed on 200g Munken Lynx
Category
2010s Asia - Landscape Prints
Materials
Lithograph
Patrick Hughes - Night and Day, 2023
By Patrick Hughes
Located in Central, HK
Patrick Hughes - Night and Day, 2023
Medium: Archival Inkjet on Somerset Satin Enhanced 330gsm Paper
Edges: Cut
Year: 2023
Edition: 60
Size: 40cm x 69.8cm
Signature: Hand-signed and...
Category
2010s Asia - Landscape Prints
Materials
Satin Paper
Patrick Hughes - Mondrainbow, 2018
By Patrick Hughes
Located in Central, HK
Patrick Hughes - Mondrainbow, 2018
Medium: Archival Inkjet on Somerset Satin Enhanced 330gsm Paper
Edges: Cut
Year: 2018
Edition: 50
Size: 49.5cm x 60.5cm
Signature: Hand-signed and...
Category
2010s Asia - Landscape Prints
Materials
Satin Paper
Patrick Hughes - Please, 2018
By Patrick Hughes
Located in Central, HK
Patrick Hughes - Please, 2018
Medium: Archival Inkjet on Somerset Satin 330gsm Paper
Edges: Cut
Year: 2018
Edition: 30
Size: 68cm x 50cm
Signature: Hand-signed and numbered
Category
2010s Asia - Landscape Prints
Materials
Satin Paper
Robert Longo - Untitled, 2021
By Robert Longo
Located in Central, HK
Robert Longo
Untitled, 2021
Moab Entrada Natural paper
9 3/5 × 12 2/5 in | 24.5 × 31.5 cm
Edition of 150 + 5AP
Category
2010s Asia - Landscape Prints
Materials
Paper
Animal Landscape Black White Big Cat Photograph Cheetah Africa Nature Wildlife
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
22 x33" unframed (84cm x 56cm) 2022
Edition 1/10
*Should you wish the photographs to be printed at...
Category
2010s Contemporary Asia - Landscape Prints
Materials
Archival Paper, Archival Ink
Animal Landscape Large Photograph Nature Tiger India Forest Wildlife Night
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper
44" x 65" unframed (112cm x 165cm) 2017
Edition 3/8
*Should you wish the photographs to be printed ...
Category
2010s Contemporary Asia - Landscape Prints
Materials
Archival Ink, Archival Paper
Guldflod
Located in Central, HK
Camilla Engström
GULDFLOD, 2021
Digital print on 310g Photo Rag paper
31 1/2 × 23 3/5 in 80 × 60 cm
Edition of 100
Category
2010s Asia - Landscape Prints
Materials
Paper
Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green Australia
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Landscape Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange Australia
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me."
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Landscape Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
In the Floating World - Portfolio of 16
By Yoshitomo Nara
Located in Tokyo, 13
LOT:20221109N01
Reworked woodcut, Fuji Xerox copy
Each signed, dated and numbered
Each edition 9 of 50
Each 41.5 x 29.5 cm
Publisher: Tomio Koyama Gallery, Tokyo
Provenance: Phillips Auction...
Category
1990s Asia - Landscape Prints
Materials
Woodcut
Sunset Taj Mahal Orange golden light atmospheric Nature Landscape India Palace
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
28" x 42" unframed (71cm x 107cm) 2022
Edition 1/10
*Should you wish the photographs to be printed...
Category
2010s Contemporary Asia - Landscape Prints
Materials
Archival Paper, Archival Ink
Le Soleil Rouge (1950) [Red] Limited Edition of 200 by Zao Wou-ki (AGE 41)
By Zao Wou-Ki
Located in Hong Kong, HK
Le Soleil Rouge, color Lithograph on Arches paper
1950 by Zao Wou-ki
Printed by E. and J. Desjobert Paris
signed and numbered
image 48 x 34 cm; sheet 56 x 38 cm
image 18 ⁵⁷/₆₄ x 13 ²⁵/₆₄cm; sheet 22 ³/₆₄ x 14 ⁶¹/₆₄ cm
Edition 48/200
Another copy of the same edition is in the MoMA collection (New York).
Framed
Provenance
Redfern Gallery. Purchased on 20 December 1952 at Redfern Gallery's Zao Wou-ki Exhibition (label at the back)
Literature:
Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plate 41
About the Artist:
Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...
Category
1950s French School Asia - Landscape Prints
Materials
Lithograph, Paper
Landscape Photography Wildlife Trees Animal Nature Butterfly India Forest
By Aditya Dicky Singh
Located in Norfolk, GB
Aditya Dicky Singh, Untitled diptych, photograph on fine-art Hahnemuhle archival paper
Two photographic works, each photograph 44 x 65" unframed (91cm x 135cm). Total size 44" x 130" ( 91cm x 170cm), 2022
*Please note the sizes above are the maximum printable size. Should you wish the photographs to be printed at a smaller size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 2/8
Edition 2/8
Dicky’s images have enthralled many and have given him a following worldwide. Institutions and individuals alike seek out his knowledge on wildlife and habitats. He has lent his expertise, amongst others, to the WWF India, BBC, National Geographic and many respected wildlife photographers.
Aditya Dicky Singh has been photographing in and around Ranthambhore National Park in India for over 20 years. His is an active member of a small band of experts proactively ensuring the health of the Tiger population in the Park and at the same time the survival of the smaller communities whose livelihoods depend on the same land. Through his lens he has documented generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest. His knowledge is vast, not only of big cats but the other flora and fauna that co-exist in this special place.
This beautifully Diptych has depth and warmth. The size of the photographs offers the sense of well-being that being in contact with nature brings. It is both old and new, timeless and elegant. Reminiscent of Victorian paintings of flora...
Category
2010s Contemporary Asia - Landscape Prints
Materials
Archival Paper, Archival Ink
Vestiges of Edo in Tsukuda - Outline
Located in Koto-Ku, 13
About Vestiges of Edo in Tsukuda (Tsukuda ni Nokoru Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2020
Our first original landscape ukiyo-e depicting Tsukuda, a neighborhood next to Tsukishima station in the east of Tokyo. This artwork highlights the striking contrast between the modern architecture and historical elements, that co-exist in harmony in Tsukuda today. The Japanese title Tsukuda ni Nokoru Edo no Omokage translates to “the vestiges of Edo in Tsukuda” - the word omokage (vestige) refers to the river, an aspect of old Edo that has continued to exist to this day, despite the fact that other things may have evolved or disappeared with time.
When we trace back the history of ukiyo-e, we can see that there have been many foreign ukiyo-e artists who created important shin-hanga works in the 20th century, such as Paul Jacoulet, Elizabeth Keith...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Vestiges of Edo in Tsukuda - Summer
Located in Koto-Ku, 13
About Vestiges of Edo in Tsukuda (Tsukuda ni Nokoru Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2020
Our first original landscape ukiyo-e depicting Tsukuda, a neighborhood next to Tsukishima station in the east of Tokyo. This artwork highlights the striking contrast between the modern architecture and historical elements, that co-exist in harmony in Tsukuda today. The Japanese title Tsukuda ni Nokoru Edo no Omokage translates to “the vestiges of Edo in Tsukuda” - the word omokage (vestige) refers to the river, an aspect of old Edo that has continued to exist to this day, despite the fact that other things may have evolved or disappeared with time.
When we trace back the history of ukiyo-e, we can see that there have been many foreign ukiyo-e artists who created important shin-hanga works in the 20th century, such as Paul Jacoulet, Elizabeth Keith...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Vestiges of Edo in Tsukuda - Autumn
Located in Koto-Ku, 13
About Vestiges of Edo in Tsukuda (Tsukuda ni Nokoru Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2020
Our first original landscape ukiyo-e depicting Tsukuda, a neighborhood next to Tsukishima station in the east of Tokyo. This artwork highlights the striking contrast between the modern architecture and historical elements, that co-exist in harmony in Tsukuda today. The Japanese title Tsukuda ni Nokoru Edo no Omokage translates to “the vestiges of Edo in Tsukuda” - the word omokage (vestige) refers to the river, an aspect of old Edo that has continued to exist to this day, despite the fact that other things may have evolved or disappeared with time.
When we trace back the history of ukiyo-e, we can see that there have been many foreign ukiyo-e artists who created important shin-hanga works in the 20th century, such as Paul Jacoulet, Elizabeth Keith...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Vestiges of Edo in Tsukuda - Winter
Located in Koto-Ku, 13
About Vestiges of Edo in Tsukuda (Tsukuda ni Nokoru Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2020
Our first original landscape ukiyo-e depicting Tsukuda, a neighborhood next to Tsukishima station in the east of Tokyo. This artwork highlights the striking contrast between the modern architecture and historical elements, that co-exist in harmony in Tsukuda today. The Japanese title Tsukuda ni Nokoru Edo no Omokage translates to “the vestiges of Edo in Tsukuda” - the word omokage (vestige) refers to the river, an aspect of old Edo that has continued to exist to this day, despite the fact that other things may have evolved or disappeared with time.
When we trace back the history of ukiyo-e, we can see that there have been many foreign ukiyo-e artists who created important shin-hanga works in the 20th century, such as Paul Jacoulet, Elizabeth Keith...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Vestiges of Edo at Bell Tower - Evening
Located in Koto-Ku, 13
About Vestiges of Edo at Bell Tower (Toki no Kane Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2021
A former castle town situ...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Vestiges of Edo in Tsukuda - Spring
Located in Koto-Ku, 13
About Vestiges of Edo in Tsukuda (Tsukuda ni Nokoru Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2020
Our first original landscape ukiyo-e depicting Tsukuda, a neighborhood next to Tsukishima station in the east of Tokyo. This artwork highlights the striking contrast between the modern architecture and historical elements, that co-exist in harmony in Tsukuda today. The Japanese title Tsukuda ni Nokoru Edo no Omokage translates to “the vestiges of Edo in Tsukuda” - the word omokage (vestige) refers to the river, an aspect of old Edo that has continued to exist to this day, despite the fact that other things may have evolved or disappeared with time.
When we trace back the history of ukiyo-e, we can see that there have been many foreign ukiyo-e artists who created important shin-hanga works in the 20th century, such as Paul Jacoulet, Elizabeth Keith...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Vestiges of Edo at Bell Tower - Noon
Located in Koto-Ku, 13
About Vestiges of Edo at Bell Tower (Toki no Kane Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2021
A former castle town situ...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Vestiges of Edo in Tsukuda - Set of Four Seasons
Located in Koto-Ku, 13
About Vestiges of Edo in Tsukuda (Tsukuda ni Nokoru Edo no Omokage)
Artist: URBANOWICZ Mateusz
Woodcarver: SEKIOKA Senrei III
Printer: ITO Tatsuya
Year: 2020
Our first original landscape ukiyo-e depicting Tsukuda, a neighborhood next to Tsukishima station in the east of Tokyo. This artwork highlights the striking contrast between the modern architecture and historical elements, that co-exist in harmony in Tsukuda today. The Japanese title Tsukuda ni Nokoru Edo no Omokage translates to “the vestiges of Edo in Tsukuda” - the word omokage (vestige) refers to the river, an aspect of old Edo that has continued to exist to this day, despite the fact that other things may have evolved or disappeared with time.
When we trace back the history of ukiyo-e, we can see that there have been many foreign ukiyo-e artists who created important shin-hanga works in the 20th century, such as Paul Jacoulet, Elizabeth Keith...
Category
2010s Edo Asia - Landscape Prints
Materials
Woodcut
Le Soleil Rouge (1950) [Green] Limited Edition of 60 by Zao Wou-ki (AGE 41)
By Zao Wou-Ki
Located in Hong Kong, HK
Le Soleil Rouge, color Lithograph on Arches paper
1950 by Zao Wou-ki
Printed by E. and J. Desjobert Paris
signed and numbered
image 48 x 34 cm; sheet 56 x 38 cm
image 18 ⁵⁷/₆₄ x 13 ²...
Category
1950s French School Asia - Landscape Prints
Materials
Lithograph, Paper
How Does Your Garden Grow , Etching on Paper, by Modern Master Artist "In Stock"
Located in Kolkata, West Bengal
Anupam Sud - Etching on Paper
How Does Your Garden Grow
Edition 2 of 20
14.5 x 17.7 inches (Artwork size) & Paper Size 22.5 x 29.5 inches
2005 ( Unframed &...
Category
Early 2000s Modern Asia - Landscape Prints
Materials
Archival Paper, Etching
Coliseum Ice, fantastical cityscape by Guillaume Cornet, handcoloured silkscreen
By Guillaume Cornet
Located in Dallas, TX
GUILLAUME CORNET (b. 1987, Paris, France)
Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...
Category
2010s Contemporary Asia - Landscape Prints
Materials
Watercolor, Permanent Marker, Screen
David Shrigley - Untitled (It Was Worthwhile Doing This), 2022
By David Shrigley
Located in Central, HK
David Shrigley
Untitled (It Was Worthwhile Doing This), 2022
80 x 60 cm
Off-set lithography
Printed on 200g Arctic Volume paper
Category
2010s Asia - Landscape Prints
Materials
Lithograph
Drie werelden (Three Worlds)
Located in Tokyo, 13
LOT:20230822N01
Artist signed and 'VAEVO’ in pencil in lower left; monogram sign and dated ’VII 55’ on the plate
VAEVO edition of 700
48.0 x 31.7 cm / 36.2 x 24.7 cm (Sheet/Image)
Ca...
Category
1950s Asia - Landscape Prints
Materials
Lithograph
Untitled No.18 from The Yosemite Suite
By David Hockney
Located in Tokyo, 13
LOT:20221111N02
iPad drawing printed on wove paper
Signed by the artist, dated, and numbered
Edition 20 of 25
Provenance: arttree gallery
Category
2010s Asia - Landscape Prints
Materials
Digital
Untitled No.16 from The Yosemite Suite
By David Hockney
Located in Tokyo, 13
LOT:20221111N01
iPad drawing printed on wove paper
Signed by the artist, dated, and numbered
Edition 14 of 25
Provenance: arttree gallery
Category
2010s Asia - Landscape Prints
Materials
Digital
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