Europe - Art

Signed and dated impressionist landscape oil on panel by French painter Henri Duhem. This beautiful piece depicts a view of a cottage beside a path that runs along the bank of Lake Geneva in Switzerland. A full moon illuminates the sky overhead. Signature: Signed lower left and dated 1919 verso Dimensions: Unframed: 7.5"x9.5" This painting is not currently framed but a suitable frame can be sourced if required Provenance: The artist's estate Henri Duhem was descended from an old Flemish family and originally practiced as a lawyer. In 1887, his passion for drawing and watercolors finally led him to go to Paris and enroll in the drawing classes of Henri Harpignies. While there, he became friends with Émile...

Amedeo MODIGLIANI (1884-1920) (after) The acrobat Lithograph from a drawing of the artist On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) Limited to 300 ex...

Attributed to Antonio María de la Concepción Reyna Manescau María de la Concepción Reyna Manescau, variously cited as Antonio María Reyna Manescau or simply Antonio Reyna Manescau...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le corp de ferme by Paulémile Pissarro (1884-1972) Watercolour, ink and charcoal on paper 29.7 x 46.8 cm (11 ³/₄ ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Paysage à Chippenfield by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 23 x 33 cm (9 x 13 inche...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

"Ponting: Chris & Gramaphone" by Herbert Ponting Chris the sled dog listens to a gramophone in the Ross Dependency of Antarctica, during Captain Rober...

Femme à la cravatte by Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower right, Ludovic Rodo Executed circa 1910 This work is accompan...

Pötsch was an artist of the Austrian interwar period whose oeuvre can be found between moderate Expressionism and realistic tendencies. With his loosely and dynamically placed brushs...

A very beautiful early 20th century impressionist oil on board still life depicting colourful anemones in a blue vase by Victor Simonin. This important ...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Weiblicher Rückenackt", an original artwork realized by Egon Schiele in 1917. The portfolio, that includes 10 ...

Signed post impressionist landscape oil on board circa 1914 by French painter Paul Elie Gernez. The work depicts figures walking in the shade of trees...

Signed oil on panel circa 1910 by French impressionist painter Marie Duhem. The work depicts two women collecting vegetables beside a woodland at autumn time. The sun glows yellow as...

Smiling Girl is an original modern artwork realized by Arnaldo De Lisio in 1917. Mixed colored oil pastel o board. Hand signed and dated on the lower ma...

Signed impressionist oil on panel circa 1910 by French painter Armand Francois Henrion. This charming work depicts a portrait of a surprised Pierrot - a French clown - with a white powdered face wearing white ruffles and a pink hat. The pierrot is set against a brown background. Signature: Signed lower right Dimensions: Unframed: 7"x5.5" This painting is not currently framed but a suitable frame can be sourced if required Provenance: Private French collection Armand François Joseph Henrion...

Original antique advertising poster - Ferry Boats Zeebrugge Harwich Transports en wagons directs Vervoer met directe wagons. Dynamic design featuring an anc...

Signed post impressionist figurative oil on panel circa 1910 by sought after French painter Henri Le Sidaner. This absolutely stunning piece depicts elegant people taking an evening ...

"Ponting: Ice cave & Terra Nova" by Herbert Ponting The 'Terra Nova' seen from the entrance to an ice cave in an iceberg in the Ross Dependency of Ant...

Trelawney Dayrell Reed Born 1886 Self Portrait Watercolour with bodycolour on card, signed and dated '1912' bottom right Image size: 19 x 25 inches (48.5 x 63.5 cm) Contemporary frame This striking self-portrait by Trelawney Dayrell Reed is undeniably unique. Looking out directly at the viewer, Reed has depicted himself wearing a large dramatic Venetian cape dwarfing his body and taking over the lower half of the picture. The figure is framed with an unusual background of graphic geometric shapes and drapes of fabric that seem to hang off nothing in mid-air. Reed's face and hair is created with, occasionally angular, sweeps of dynamic colour. His use of green shadow employs colour theory to work with the range of flesh tones to create a balanced and coherent palette. Trelawney Dayrell Reed was a historian whose published titles include The Battle for Britain in the Fifth Century. An essay in Dark Age history (1944) and The Rise of Wessex. A further essay in Dark Age history (1947), and worked as a curator at the Pitt Rivers Museum, Farnham, sister to the first Pitt Rivers Museum at Oxford. Reed was also the author of a book about the alehouse game 'Shove Ha'penny', an eccentric volume threaded with peppery asides about urban values ('London is not the centre of Dorset') and the diverse forces considered to be undermining rural life ('cheap press headline, Sunday newspapers and semitic Cinema captions hot from Hollywood'). Artist John Craxton at the age of 17 was picking up antiques...

Original antique advertising poster for the Ligne Allan Service Postal Franco Canadien Havre Canada. Great design depicting an ocean liner a...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris (French) Title: Still Life on a Table (Paris 1910) Nature morte sur une table (Paris 1910), 1910-11 Technique: Ori...

Original antique World War One recruitment poster - Britishers You're Needed Come Across Now - featuring an image on a globe map depicting a ...

GEORGE BISSILL (1896-1973) Two Soldiers Signed l.r.: Bissill Watercolour and pen and ink on buff paper Framed 38.5 by 28 cm., 15 ¼ by 11 in. (frame s...

Work on paper Beige wooden frame with glass pane 85 x 67 x 2,5 cm

Amedeo MODIGLIANI (1884-1920) (after) Lovers : The Kiss Lithograph and stencil after a drawing from the artist Signed in the plate On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) Limi...

watercolour of a vase of wallflowers , still life flowers by Owen Bowen. Dated and signed lower left 1911. Size of image 48 cm by 38 cm whilst overall the s...

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

"Dublin Crowd" by Walshe After signing the Treaty establishing the Free State, Irish politician and Sinn Fein leader Michael Collins (1890 - 1922) addresses the Dublin crowd at College Green...

"Long Live The King" by Hulton Archive 21st June 1911: Workmen putting up decorations at the Royal Exchange to celebrate the Coronation of King George ...

Original antique travel poster - Chemins de Fer de l'Etat La Bretagne Pittoresque billets de vacances et de bains de mer / State Railways Picturesque Brittany holiday and sea bathing tickets featuring scenic artwork by Constant Duval...

Petrarque is a woodcut print realized by Henri Louis Bracons Hand-signed on the lower right in pencil. Numbered on the lower left, the edition of 28/50 prints. Passpartout included...

Original antique World War One poster for the Liberation Loan We have them Subscribed to the London County & Westminster Bank (Paris) Ltd / Emprunt de la Liberation On les a Souscriv...

Greco ou le secret de Tolede is a woodcut print realized by Henri Louis Bracons Hand-signed on the lower right in pencil. Numbered on the lower left, the edition of 27/50 prints. Pa...

Work on paper

Country House is an ink and watercolor drawing realized by Jean Chapin in the mid-20th century. Signature stamp on the lower left margin. Good conditions. Jean Chapin is a Fren...

Country Church is an ink and watercolor realized by Jean Chapin in 1917. Dated on the lower right margin. Hand signed on the back Good conditions. Jean Chapin is a French painter...

Survage,Cubism,1915,france Leopold Survage ( 1879-1968) Work signed lower right Provenance : Gallerie Zlotowski Paris Galerie Guillermo de Osma ,Madrid Private collection In Madrid...

Work on canvas

A beautiful watercolour on paper circa 1910 by Henri Duhem depicting an autumn landscape - with a path weaving through broken fences, yellow flowers and a bare tree, with a cottage i...

A beautiful watercolour on paper circa 1919 by French impressionist painter Henri Duhem depicting a view of Lake Geneva in Montreux, Switzerland with the mountains beyond. Signatur...

Original antique travel poster for Watford featuring a great illustration of market sellers by the British painter and graphic artist Elijah Albe...

Stunning signed and dated modernist oil on canvas by Argentinian painter Alfredo Guttero. The work depicts a portrait of a young Argentinian woman. It is beautifully and the brush strokes make it almost pointillist like. This work has come from the collection of the esteemed Jewish art collector Gaston Prosper Levy and was gifted top him by the painter. Prosper Levy held one of the most important collections of modern French art - many of the works were taken by the Nazis from his home in France in 1940. This work has been assessed by the Art Loss Register and is not recorded on their database. Signature: Signed, dedicated and dated 1918 upper right Dimensions: Framed: 29"x24.5 Unframed: 26"x21.5" Provenance: Original exhibition number to frame The collection of Gaston Prosper Levy Alfredo Nicolás Guttero was born in Buenos Aires on May 26, 1882. He studies music as a child and from an early age he shows his drawing abilities. He starts a law career which he quits two years later to start painting full time. Ernesto de la Cárcova and Martín Malharro encourage him towards this change and, in 1904 he gets a scholarship to travel to France to further his work. His scholarship only lasted a year, but with his family’s help and his work related to decorative art, he manages to stay in Paris until 1917, where he studies under Maurice Denis. He moves to Spain, and towards 1917, he studies in Madrid and La Coruña. Then he moves to Segovia in 1918. In this occasion he takes parts in a collective exhibition of Argentine painters and sculptors, together with artists such as Fray Guillermo Butler and Pablo Curatella Manes, among others. After his passing through Germany, Austria and Italy, in 1925 he settles in Genova where he holds an exhibition of his entire artistic production to date. After 23 years in Europe, on September 26, 1927, Guttero arrives in Buenos Aires, and on October 20, he holds an exhibit at Asociación Amigos del Arte. That same year, the Comisión Nacional de Bellas Artes acquires for the Museo Nacional his piece: Mujeres indolentes (Indolent women). A week later he takes part in the Feria del Boliche de Arte invited by Leonardo Estarico and Atalaya. Upon his return from Genova, he continues his investigation and development of the pictorial techniques denominated by him as “cooked plaster”, a technical procedure based on a paste of plaster with pigments mixed in with glue that the artist generally applied mounted on wooden supports. As of this moment, Guttero starts in Buenos Aies an intensive array of exhibits and other activities which make a big impact on the local cultural scene, apart from continuing with his personal art production. Between 1927 and 1932, the year of his sudden death, Alfredo Guttero takes part, among other projects, in the “3ª Exposición Comunal de Artes Aplicadas e Industriales 1927- 1928”, where he is awarded the Grand Prize in the Sección Pintura Decorativa; and the “X Salón de Otoño de Rosario” (1928) where he gets the Gold Medal for the Figure category; he presents works in the exhibits organized by Ateneo Popular de la Boca (1928); “XVIII Salón Nacional“ (1929) and is awarded the Second Municipal Prize for his work Playa (Beach). In 1929, he organizes the “Nuevo Salón” in Buenos Aires, Rosario and La Plata. He presents his work at the “XIX Salón Nacional de Bellas Artes” where he gets the First Prize in painting with his work Feria (Street market); in September of that same year he inaugurates his fourth individual exhibition at Amigos del Arte and participates in the selection of paintings which will appear in post cards that this institution would print eventually. In 1930 he is named artistic advisor of the Asociación Wagneriana and director of its Plastic Arts Section. That same year he organizes the “Salón de Pintores Modernos. Primer Grupo” in Buenos Aires; exhibits at Amigos del Arte, at the “Salón de Pintores y Escultores Modernos” and at show rooms in Rosario and Santa Fe. In January, 1931 he takes part in the “First Baltimore Pan-American Exhibition of Contemporary Paintings” and is awarded the Museum of Art Award with his piece Anunciación (Announcement), which he later donates to the Museo Nacional de Bellas Artes de Buenos Aires. That same year he organizes exhibits of Miguel Carlos Victorica and Demetrio Urruchúa in Amigos del Arte and, in May, Guttero presents his work at the Salón Centenario de Montevideo, “Primer Grupo Argentino de Pintores Modernos”. In June he directs together with Falcini, courses on Plastic Art and works on stage scenery for the Colón Theater. Also in 1931, he organizes the “Salón de Pintores Modernos” in Amigos del Arte and takes part at the Salón Nacional, being awarded the Eduardo Sívori Prize. On April 15, 1932 they open together with Pedro Domínguez Neira, Raquel Forner and Alfredo Bigatti the Cursos Libres de Arte Plástico (Free plastic art courses). That same year Guttero is awarded the First Municipal Prize for his work Oda (Ode). In November, he is invited to take part in the “Salón de Arte del Cincuentenario de La Plata” and, on December 1, he dies in Buenos Aires at the age of 50. The following year, between October and November, the Dirección Nacional de Bellas Artes organizes...

Original antique British World War One recruitment poster - Join At Once Fight For The Dear Old Flag - featuring an image of the Union Jack f...

Original antique World War One poster for the 4th War loan from Vienna Austria featuring a great illustration of two soldiers in armour facing each other and holding swords with styl...

The Old Man is an original drawing in pencil realized in 1913 by Bernard Bécan (1890-1943), applied on a White Passepartout. Hand-Signed and dated on th...

Original antique anti-Bolshevik propaganda poster featuring artwork by the German designer Heinz Fuchs (1886-1961) depicting a skeleton figure in green stepping over people and house...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

The Joys of the Hairy is a woodcut print realized by Pierre Abadie-Landel (1896-1972) in 1917. This woodcut print is contained in a white passepartout (40x32.5 cm). Good condition....

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

The Old Teacher of Philosophy is an original artwork realized by French Artist Jeanne Bardey (1872 - 1954) Drypoint print. Hand-signed on the lower right in pencil, on up dated 191...

Elisée MACLET (1881-1962) Normandy : The Old Roman Church, c. 1915 Original oil on panel Signed bottom left On board 50 x 65 cm (c. 20 x 26 in) Presented in a golden frame, 69 x 8...

Work on paper Stamp of the workshop of O. Vautier Dimension of the "passe partout" frame 52.5 x 38 cm

Work on paper Sketch of Pierrot tuning his guitar on the back of the artwork

Beautiful signed landscape oil on canvas circa 1910 by sought after French post impressionist painter Victor Charreton. The piece depicts a lone figure trudging through the thick whi...

Original antique World War One poster - French Infantry In Battle / L'Infanterie Francais Dans La Bataille - featuring an image of a French soldier in uniform wearing a winter coat a...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Work on paper Sketch on the back of the work

Iris Kaempferi: No. 58 SHU-FU-RAKU Tokyo, Yoshinoen-Garden, circa 1910. Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed...