Europe - Chairs

Fabulous, RARE set of 6 original Mario Bellini for Cassina 414 Cab Armchairs! Complete set, in beautiful leather. Worldwide custom shipping available--We will custom package and ...

Chair designed by Erik Gunnar in 1934-1937. Relaunched in 1983. Manufactured by Cassina in Italy. The Göteborg chair is Erik Gunnar Asplund’s poetic...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Nice Gerrit Rietveld 'Crate' chair. This chair is designed in 1934, however, we think this is a Cassina edition from the 1970s. This chair is made out of ash wood and has a colorless lacquer. 'Gerrit Rietveld designed the 'crate' series of furniture built from standardized pine boards – cheap material for packing crates – which were soon well-known as ‘crate furniture’. 'From 1935 on the progressive designs appeared at Metz & Co, where furniture by Rietveld had already been sold since 1930. The crate desk...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of exploration, focused on creating an archetype of the basic elements of a chair, and its potential uses within the home. A idea-based design, where Franco Albini expressed the concept of “substance in form”, increasing the volume of the wooden parts where they join with others. Following various enhancements, the definitive version of the chair was awarded the prestigious Compasso D’Oro prize by the Italian Industrial Design Association (Associazione per il Disegno Industriale/ADI). The frame represents a synthesis where the seat and the back are two geometric planes suspended on an understated wood structure, the sides reminiscent of trestles. Luisa is a timeless piece, the outcome of skill, both in terms of technique and of materials. This world exclusive Cassina re-issue, has been made possible thanks to the company’s extraordinary...

Chair designed by Erik Gunnar in 1934-1937. Relaunched in 1983. Manufactured by Cassina in Italy. The Göteborg chair is Erik Gunnar Asplund’s poetic...

Splendid Cassina chair model " leggera" Gio Ponti design ,first version with upholstered seat, forerunner of the model "superleggera "arrived only a few years later, with the adoptio...

Vico Magistretti "Carimate" dining chairs for Cassina, black lacquered wood and straw seat, Italy, 1960, set of six. The "Carimate"chair is one of Vico Magistretti’s most famous c...

A world icon of neo-plasticist design this chair armchair called Rood Blauwe (Red and Blue) by its Dutch designer Gerrit Thomas Rietveld, Cassina production in the 1960s.

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, foun...

Outdoor Chairs designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair ha...

Designed by Toshiyuki Kita in 2000. Manufactured by Cassina in Italy. The price given applies to the chair as seen in the first picture. Please ask for pricing in other materials/col...

Set of Three Stackable Chairs, model Ombra Tokyo designed by Charlotte Perriand in 1954. Relaunched by Cassina in 2009. Manufactured by Cassina in Italy. With the Ombra Tokyo chair...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The small armchair, dubbed Luisa, is the fruit of a fifteen-year process of explora...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair ha...

Vico Magistretti "Carimate" dining chairs for Cassina, red lacquered wood and straw seat, Italy, 1960, set of twelve. The "Carimate" chair is one of Vico Magistretti’s most famous c...

Afra & Tobia Scarpa "925" easy chairs for Cassina, plywood and red leather, Italy, 1966, set of two. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut and leather. The low chair is inspired by a sketch made in 1943...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Afra & Tobia Scarpa "121" dining chairs for Cassina, black leather, Italy, 1965, set of fourteen. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Sc...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2012. Manufactured by Cassina in Italy. Armchair with structure in polished trivalent ...

Vico Magistretti "Carimate" dining chairs for Cassina, black lacquered wood and straw seat, Italy, 1960, set of twelve. The "Carimate" chair is one of Vico Magistretti’s most famous...

Outdoor chairs designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the...

Italinan Mid-Century Modern White fabric and wood chairs by De Carli for Cassina, 1958 Pair of chairs with solid wood, elegant and rounded structure. The seat and back are padded and...

Outdoor chairs designed by Rodolfo Dordoni in 2020. Manufactured by Cassina in Italy. The Dine Out collection of furniture is designed to add a touch of sophisticated style to the...

Chair model 110 designed by Ico Parisi for Cassina on 1955 in solid wood. The chair is in really perfect original conditions, also the original upholstery is in nice conditions.

A wonderful set of twelve original, early Gio Ponti Leggera Model 646 dining chairs, Cassina, Italy, 1950s. In restored condition with new ...

Set of twelve chairs model "Leggera 646" designed by Gio Ponti. This is the first "Leggera" edition that was edited by Cassina in 1951. Made of solid ashwood structure, the seat and ...

A wonderful set of teak dining chairs designed by Farina Morez Ruggero. Originally designed for a restaurant in the northern Italian town of ...

Mario Bellini "CAB 413" dining chairs for Cassina, black leather, Italy, 1977, set of eight. The "CAB" is the world's first free-standing cowhide design chair, informed by the relat...

Set of four chairs model "Leggera 646" designed by Gio Ponti. This is the first "Leggera" edition that was edited by Cassina in 1951. Made of solid ashwood...

These 2 chairs are designed by Mario Bellini for Cassina in 1973. The Model Tentazione is the small version of the armchair. It can be used in the Living room and also as a dining ch...

This pair of "Model 849" armchairs was designed by Gianfranco Frattini in the 1950s and manufactured by the Italian company Cassina. The pieces consist of up...

This pair of "Model 830" armchairs was designed by Gianfranco Frattini for the Italian company Cassina in the 1950s. Both pieces are upholstered in dark green fabric and are supporte...

Model 802 armchair - Design by Carlo de Carli, manufactured by Cassina, Italy, 1954. The wooden frame with foam upholstery rests on elastic ribbons. The a...

Gio Ponti (1891-1979) Set of four dining chairs, model "leggera" Manufactured by Cassina Italy, 1951 Measurements 82.55 cm x 44.45cm x 45.72 cm. 32.55 in x 17.5 in x 18 in. Litera...

An incredible and very rare rocking chair (has been attributed to Gio Ponti in the past and shows a strong and striking resemblance to his designs) in walnut, rubber and fabric for C...

This set of four "Model 696" chairs was designed and manufactured by Ufficio Tecnico Cassina in the 1950s. They consist of conically shaped woo...

Italian modern black leather chairs CAB 413 by Mario Bellini for Cassina, 1980s Set of six chairs mod. CAB 413 in black leather with armrests. The leather upholstery has visible stit...

Set di 2 poltroncine eleganti e raffinate disegnate da Ico Parisi per Cassina Italia. Poltroncine modello 814, Le poltrone poggiano su una struttura in legno massello con incastri e ...

Set of six Cab 412 side chairs in patinated brown leather by Mario Bellini for Cassina. The Cab chair is built up as a tubular frame over which thick saddle leather is fitted; the l...

Set of four Cos chairs designed in 1994 by Spanish designer Josep Lluscà for Cassina, Italy. Cherry wood structure and black leather. Signed with Cassina label.

Chair model 121 by Afra & Tobia Scarpa for the editor Cassina. Creation 1965. This chair is one of the iconic pieces of the couple who won several design prizes and worked with the ...

Italian modern black wood chairs Carimate by Vico Magistretti for Cassina, 1970s Set of four chairs mod. Carimate in black lacquered wood with glossy ...

Iconic set of eight leather and wood chairs model 121 by Afra e Tobia Scarpa for Cassina. Italy, 1965. Very comfortable seats. Literature.: Giuliana Gramigna, “Repertorio del Design ...

Mario Bellini "CAB" 413 dining chairs for Cassina, hazelnut leather, Italy, 1977, set of eight. The "CAB" is the world's first free-standing cowhide design chair, informed by the re...

Gianfranco Frattini was one of the most influential designers of Italy’s mid-century movement. He graduated in architecture at Politecnico di Milano, as a student of Gio Ponti, and w...

Afra & Tobia Scarpa "121" dining chairs for Cassina, red leather, Italy, 1965, set of eight. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scarpa's typical double trestle structure with the characteristic rounded joint. The straightforward and minimal design is like a cubical volume; the supports, on the other hand, are slender, anatomically shaped surfaces. The seat and back are shaped in plywood and attached by bolts to crosspieces along the center that offer extreme comfort. The back has a cut in the lower part, required due to the presence of a reinforcement that reacts to torsion stress, which is strongest at this point. We can do custom restoration and special reupholstering. Our atelier guarantees the excellence of Italy through the traditional art of craftsmanship. We do offer a dedicated customization service thanks to our team of expert craftsmen and artisans. Contact Modernab Gallery...

Set of 6 chairs Mod. " Leggera " designed by Gio' Ponti for Cassina 1951, black stained wood and original upholstery of the time, Italy.

Set of eight Model 121 dining chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer Cassina in 1967. They feature black leather upholstery and a walnut ...

Set of 2 armchairs Designer Ico Parisi for Cassina Italy. Armchairs mod 814 Italia design. This armchairs stand on a solid wood frame with interlocking joints ...

Mario Bellini 412 "CAB" dining chairs for Cassina, vintage edition in China red leather, Italy, 1978, set of eight. One of the most iconic Bellini's...

Italian mid-century Bouclè fabric and steel Tulu chairs by Takahama for Cassina, 1968 Pair of Tulu chairs with rectangular seat, padded and co...

Huggable darling of the Postmodern office or living room. The K06 01 Aki chair by Toshiyuki Kita for Cassina adds a punch of comfortable style, informal and playful, yet capable of b...

  This set of four chairs, two of them with and two of them without armrests, was designed and manufactured in the 1950s by the Italian company Cassina. All four chairs are in very g...