Gauteng - Club Chairs

2x 60s 70s easy chair lounge chair Danish Modern Design 70s 60s Object: 2x Easy Chair Manufacturer: Condition: good - vintage Age: around 1960...

1960s extremely sought after Spaghetti set of chairs in mint vintage condition. Seat height: 35cm, height: 66cm, depth: 66cm, width: 66cm.

A Single pre owned modern lounge or club chair by Le Corbusier. Wide Model LC3 in soft black Leather. Triple chrome plated steel frames. Show little to no signs of use. Made in italy...

Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Fangasmic Upholstered Full Swivel Club Chair by CAMERON COLLECTION Wit...

Beautiful pair of patchwork leather chairs with a brushed brass base designed by Sally Sirkin Lewis for J. Robert Scott in the 1980’s. Original...

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

This minimalist and elegant Canasta chair was manufactured by the Italian Arrben manufacture during the 1970s. The base is a chrome-plated structure mad...

Our Uultis team has created this beautiful Stuzi dining chair to decorate your beautiful dining room table with a black fabric and black wood finish. This chair has a beautifully sim...

J. Robert Scott "Wilshire" occasional purple velvet swivel chair, marked. Measures: 31" H x 30" W x 29" D.

( 2 ) Mid-Century Modern swivel tub armchairs. These lounge chairs are upholstered in stylish leather. Swivel bases give added functionality, perfect chairs for any entertainment spa...

Pair of amazing Ludwig Mies van der Rohe "brno" chairs in beige leather. Gavina produced this pair of items for Knoll in Italy during the 1970s. These stunning dining room chairs ha...

The 'Velvet' chair in black was designed from clean and pure lines with the elimination of any kind of excesses so that your greater identity were the colors, in a range of 09 options chosen by the user. By its Minimalist appearance, the color of the structure always accompanies the color of the fabric, guaranteeing visual unity to the product. The backrest height does not exceed the top of tables which reflects its minimalism concept...