London - Tray Tables

Large Fornasetti tray . c1950 Printed label Fornasetti Milano,

A vintage Danish side table/serving trolley set on casters with fold-out top and removable serving tray. This convenient and rare piece of mid century design is produced in teak and ...

A fine mid eighteenth century Chippendale supper table, with serpentine tambour front, the top extending with a flap opening to each side, with single drawer to the frieze with origi...

Hugh Wallis. An Arts & Crafts oval copper tray with rope twist edge and chased floral decoration to the centre. Stamped HW in a square. Hugh Wallis was ...

Liberty and Co. Stamped English Pewter 0881. An Arts and Crafts pewter tray. In original unpolished condition.

WAS Benson stamped mark. A very large Arts and Crafts copper lily pad tray.

Margret Gilmour school. An Arts and Crafts Glasgow School brass pin or card tray with Celtic interlaced decoration. Its triangular shape continues with tri-angular Celtic decoration ...

Liberty and Co. A large Arts and Crafts pewter tray with riveted style heart shaped handles. Stamped Tudric 042.

Liberty and Co made by William Haseler. A pair of Arts and Crafts pewter trays with shamrock decoration and hearts to the handles. stamped Made i...

Antique English 19th century Sheraton Revival Mahogany Tray Table. circa 1890. In very good condition commensurate with age.

The 'Real' table is based on the silhouette of a cable reel. Simply stylish yet versatile and very practical. This side table is the perfect addition to ...

Unusual metal and glass serving tray table in waxed steel with polished brass details. Comprising of X-frame folding legs on to which the tray sits atop. The brass rail on the tray is reminiscent of the handrail on the deck of a classic yacht...

Saracinesca table podium by Oeuffice Edition: 12 + 2AP 2013 Dimensions: 75 x 32 x 19 cm Materials: Black oxide steel, solid brass and black marble of ormea. An overlapping col...

Tray table By Fornasetti Milano Lithographically decorated Enamelled steel Flower and bow images Folding black stand Tray and stand with Fornasetti labels Italy ...

Hallmarked in Sheffield in 1927 by Frank Cobb & Co., this incredible, Sterling Silver Table, is quite possibly unique, and is the first example of an all sterling silver table we have ever been able to offer to the market. We have had plated examples before, but in over 40 years we have never seen an all sterling silver example. The tray, which is decorated with a shell and gadroon border, and engraved crest to the centre, can be removed from the base and used on its own for serving, and would make an ideal serving tray for drinks...

Hans Wegner Tray Table with Reversable Top Model 'pp 35' Tray Table With Reversible Top. Solid Ash. C.1970s Dimension: H 48 X D 53.5/61 Cm.

Middle Eastern copper coffee table. Round tray table finely handcrafted, etched, hammered and incised with Moorish designs, faces, l...

This is a truly exceptional antique English Edwardian mahogany and satinwood banded marquetry oval two tier 'etagere', in the manner of Edwards & Roberts, circa 1890 in date. Crafted from the best flame mahogany, note the wonderful grain to the wood and the beautifully inlaid decoration with musical trophies within scrolling foliage and kingwood crossbanding. Masterfully inlaid with Sheraton influences, this etagere has an elegant refined look. The removable glass bottomed tray can be used to serve drinks, etc. It is raised on elegant square section tapering outswept legs with a shaped cross stretcher. The craftsmanship and finish are second to none. THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 86 x Width 90 x Depth 55 Dimensions in inches: Height 2 foot, 10 inches x Width 2 foot, 11 inches x Depth 1 foot, 10 inches Edwards & Roberts was founded in 1845, and had premises at 21 Wardour Street London. By the 1892 they occupied more than a dozen buildings in Wardour Street, where they continued to trade until the end of the century. They became one of the leading London cabinet makers and retailers working in a variety of styles, both modern and revivalist. Their business also involved retailing, adapting and restoring the finest antique furniture and there are many examples of their earlier furniture with later embellishments bearing their stamp. Edwards & Roberts specialised in marquetry, inlay and ormolu. Marquetry is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs. Etagère is a piece of light furniture which was extensively made in France during the latter part of the 18th century. It consists of a series of stages or shelves for the reception of ornaments or other small articles. Like the what-not it was very often cornerwise in shape, and the best Louis XVI examples in exotic woods are exceedingly graceful and elegant. In modern usage, an étagère is often used to refer specifically to a long-legged shelf unit that fits over a bathroom toilet...

This is a truly exceptional antique English Edwardian mahogany and satinwood marquetry oval two tier 'etagere', in the manner of Edwards & Roberts, circa 1890 in date. Crafted from the best flame mahogany, note the wonderful grain to the wood and the beautifully inlaid decoration with musical trophies within scrolling foliage and kingwood crossbanding. Masterfully inlaid with Sheraton influences, this etagere has an elegant refined look. The removable glass bottomed tray can be used to serve drinks, etc. It is raised on elegant square section tapering outswept legs with a shaped cross stretcher. The craftsmanship and finish are second to none. THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 84 x Width 89 x Depth 55 Dimensions in inches: Height 33.1 x Width 35.0 x Depth 21.7 Edwards & Roberts was founded in 1845, and had premises at 21 Wardour Street London. By the 1892 they occupied more than a dozen buildings in Wardour Street, where they continued to trade until the end of the century. They became one of the leading London cabinet makers and retailers working in a variety of styles, both modern and revivalist. Their business also involved retailing, adapting and restoring the finest antique furniture and there are many examples of their earlier furniture with later embellishments bearing their stamp. Edwards & Roberts specialised in marquetry, inlay and ormolu. Marquetry is decorative artistry where pieces of material (such as wood, pewter, or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs. Etagère is a piece of light furniture which was extensively made in France during the latter part of the 18th century. It consists of a series of stages or shelves for the reception of ornaments or other small articles. Like the what-not it was very often cornerwise in shape, and the best Louis XVI examples in exotic woods are exceedingly graceful and elegant. In modern usage, an étagère is often used to refer specifically to a long-legged shelf unit that fits over a bathroom toilet...

Produced by Zanotta, Milan, 1990s. Cast iron base, anti-scratch embossed paint, anthracite color; conical element in replex, anthracite-colored recycled plastic with support rod ...

This exceptionally beautiful and rare silver-inlaid brass tray stand dates from the medieval period, when the Mamluks ruled Egypt and Syria (1250-1517). The Mamluks originated as sla...

This beautiful table was created in England in the Victorian period by the acclaimed cabinetmakers, Edwards & Roberts. The company were based in London, where they established a name for themselves creating fine quality, fashionable pieces in 18th and 19th century English and French styles. This two-tiered table — with its elegant cabriole legs and wonderful floral marquetry designs — is a prime example of fine Edwards & Roberts furniture. The table is supported on four curving cabriole legs, which are set on scrolling gilt bronze feet and mounted with gilt bronze grotesque...

This fine satinwood tea table is made by the highly celebrated Parisian cabinetmaker Francois Linke (French, 1855-1946). The table features a glass tray of rectangular shape which si...

Lapis lazuli, malachite and silvered bronze étagère jewellery case table Italian, 19th Century Height 95cm, width 41cm, depth 29cm The finest materials have been used to craft this...

A faux bamboo wooden tray table with solid brass removable glass tray top.

Robin Day for Hille ‘Tricorne’ tray, 1955 Formed plywood, beech veneer. Original label to underside. Condition: Cosmetically very good condition, but please note that there is some slight curving to the flat base of the plywood. Dimensions, approx..: lenght 35.5cm Reminiscent of the work of Charles and Ray Eames, Robin and Lucien Day...