Michigan - Landscape Drawings and Watercolors
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Item Ships From: Michigan
Girl in The Garden, Wonderful English Watercolor Flowers, Roses, Surrey Cottage
Located in Grand Rapids, MI
Benjamin D. Sigmund (English, 1857 - 1947)
Signed: B. D. Sigmund (Lower, Left)"
" Girl in the Garden ", c. 1890s
Watercolor on Paper
10 1/2" x 14 1/2"
Housed in its original 2" ...
Category
Late 19th Century Michigan - Landscape Drawings and Watercolors
Materials
Watercolor
(Abstract Landscape with Trees) Untitled, 2001, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 2001. Paper Size: 11 x 14 inches. Provenance: Estate of Ian Hornak, East Hampton, New York.
IAN HORNAK (January 9, 1944 – December 9, 2002...
Category
Early 2000s Contemporary Michigan - Landscape Drawings and Watercolors
Materials
Ink, Archival Paper
(Abstract Tropical Landscape) Untitled, 2001, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 2001. Paper Size: 9 x 12 inches. Provenance: Estate of Ian Hornak, East Hampton, New York.
IAN HORNAK (January 9, 1944 – December 9, 2002)...
Category
Early 2000s Contemporary Michigan - Landscape Drawings and Watercolors
Materials
Ink, Archival Paper
(Abstract Landscape with Angel) Untitled, 2001, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 2001. Paper Size: 9 x 12 inches. Provenance: Estate of Ian Hornak, East Hampton, New York.
IAN HORNAK (January 9, 1944 – December 9, 2002)...
Category
Early 2000s Contemporary Michigan - Landscape Drawings and Watercolors
Materials
Archival Paper, Ink
(Abstract Landscape) Untitled, 1965, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1965. Paper Size: 11 x 14 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s graduate studies...
Category
1960s Modern Michigan - Landscape Drawings and Watercolors
Materials
Archival Paper, Charcoal
(Abstract Mythological Landscape) Untitled, 2001, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 2001. Paper Size: 11 x 14 inches. Provenance: Estate of Ian Hornak, East Hampton, New York.
IAN HORNAK (January 9, 1944 – December 9, 2002...
Category
Early 2000s Contemporary Michigan - Landscape Drawings and Watercolors
Materials
Ink, Archival Paper
(Abstract Still Life) Untitled, 1965, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1965. Paper Size: 11 x 14 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s graduate studies...
Category
1960s Modern Michigan - Landscape Drawings and Watercolors
Materials
Archival Paper, Charcoal
Boys Fishing From a Log, Watercolor by Chet Reneson, Old Lyme, Connecticut
Located in Grand Rapids, MI
Chet Reneson (American, Born 1934)
Signed: Reneson (Lower, Right)
" Boys Fishing From a Log "
Watercolor on Paper
22 5/8" x 30 1/8"
Loose sheet, in excellent original condition.
Reneson’s work has been featured on the covers of Sporting Classics, Gray’s Sporting Journal, Sports Afield and several others. He is a past member of the Old Lyme Art Association and the Connecticut Watercolor Association. He was the Atlantic Salmon...
Category
20th Century Michigan - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Two Setters in a Landscape, Circa 1918, Hunting Dog Art, Period Dog Portrait
By Edmund Osthaus
Located in Grand Rapids, MI
Edmund Henry Osthaus (American, 1858-1928)
Signed: Edmund Osthaus (Lower, Right)
" Two Setters in a Landscape ", circa 1918
Watercolor on paper laid on board
26" x 39 1/2"
House...
Category
Early 20th Century Other Art Style Michigan - Landscape Drawings and Watercolors
Materials
Watercolor
Charles Culver Landscape Winter Road Watercolor Signed & Dated
Located in Detroit, MI
The idyllic atmosphere of this country scene falls within a couple of styles one being regionalism, an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting scenes of rural and small-town America primarily in the Midwest and frequently associated with Grant Wood and Thomas Hart Benton. The other style is romanticism wherein the scene depicted is a more desired or dramatic version of what actually is. “Untitled (Winter Road)” is a quiet country scene depicting a road leading into the distance either going to or coming from a local farm. The snow does not particularly seem fresh suggesting a melt and the coming of spring.
This piece has been professionally reframed with acid-free matting and conservator glass.
In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.”
Charles...
Category
1940s Naturalistic Michigan - Landscape Drawings and Watercolors
Materials
Watercolor, Paper
"Untitled (Dock Scene)" Watercolor on Paper, Local Scene, Buildings, Water
Located in Detroit, MI
The idyllic atmosphere of this local dock scene falls within a couple of styles one being regionalism, an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting scenes of rural and small-town America primarily in the Midwest and frequently associated with Grant Wood and Thomas Hart Benton. The other style is romanticism wherein the scene depicted is a more desired or dramatic version of what actually is. “Untitled (Dock Scene)” is typical of a small town dock scene from Michigan where Culver lived or from places as far away as Maine, but what makes it important is its easy familiarity: water, gulls or terns, slanting wood shanties, scruffy dirt patches and course grasses. It is not idealized, but does set the tone of fresh air, the scream of birds and the sun on water. This piece has been professionally reframed with acid-free matting and museum glass.
In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.”
Charles Culver...
Category
1940s Naturalistic Michigan - Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Charles Culver Landscape "Late Afternoon Landscape" Watercolor on Paper
Located in Detroit, MI
“Late Afternoon Landscape” is set in the golden light of evening painted in the mid-west town of Utica, Michigan. It has the atmosphere of when work is done and peace and quiet blanket the countryside. The The farm machinery has ceased its racket as has the family dog wandering about for one last sniff. This piece has been professionally reframed with acid-free matting and conservative glass.
In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.”
Charles Culver...
Category
1940s Naturalistic Michigan - Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Charles Culver Watercolor Landscape "Red Hills Near Patzcurao" Signed & Dated
Located in Detroit, MI
The idyllic atmosphere of this Mexican scene is located in Mexico, west of Mexico City and south of Guadalajara. “Red Hills Near Patzcuaro” is set in a golden light. and was one of three paintings by the artist while the artist visited Patzcuaro, Mexico. The humans depicted lend an atmosphere to the painting and an indication of location - dressed in native Mexican peasant dress - without being obtrusive and causing the viewer to concentrate on them. The intense red hills of Patzcuaro are the feature in this painting along with the pinon and juniper trees and the Chamisa shrub. This piece has been professionally reframed with acid-free matting and museum glass.
In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.”
Charles Culver...
Category
1940s Naturalistic Michigan - Landscape Drawings and Watercolors
Materials
Watercolor, Paper
N'e a' Paris-Framed Watercolor. Signed by Artist
By Lucien Delarue
Located in Clinton Township, MI
Watercolor. Signed by the artist. Measures 34.5 x 28.5 inches with frame and matting. Image is in Excellent Condition. Frame and matting show signs of wear due to age and handling an...
Category
Late 20th Century Michigan - Landscape Drawings and Watercolors
Materials
Watercolor
"Song of Songs Illustration" Watercolor, Old Testament Story, Colors
Located in Detroit, MI
SALE ONE WEEK ONLY
"Song of Songs Watercolor" renders an important bibilical story that is celebrated during Jewish Passover. Song of Solomon, also called Canticle of Canticles, or Song of Songs, an Old Testament...
Category
Mid-20th Century Other Art Style Michigan - Landscape Drawings and Watercolors
Materials
Watercolor, Paper
"Afternoon Walk" Original Watercolor On Paper, Pencil-Signed by Artist
Located in Clinton Township, MI
"Afternoon Walk" is an Original Watercolor On Paper by Paul Scarborough. It measures approximately 13 x 15 inches with frame and matting. The painting...
Category
Late 20th Century Michigan - Landscape Drawings and Watercolors
Materials
Watercolor, Paper
St. Petersburg Harbor-Framed Original Watercolor on Paper, Signed by Artist
Located in Clinton Township, MI
St. Petersburg Harbor by Aris Nichols. Original Watercolor on Paper. 11.75 x 16.5 in, Framed. Signed by Artist. Image is in Good Condition. Frame shows signs of wear/cosmetic imperfe...
Category
Late 20th Century Michigan - Landscape Drawings and Watercolors
Materials
Watercolor
Spring Afternoon before the Drought
By Steven Kozar
Located in Three Oaks, MI
Watercolor on paper, signed and dated "Steven Robert Kozar 1988" to bottom right corner, linen mat under plexiglass with silvered wood frame, overall 54 ⅛" x 25 ⅜".
Category
1980s Contemporary Michigan - Landscape Drawings and Watercolors
Materials
Archival Paper, Watercolor
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In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.”
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