Michigan - Still-life Drawings and Watercolors
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Item Ships From: Michigan
Untitled (Abstract Still Life with Flowers), 1963, Ian Hornak — Painting
By Ian Hornak
Located in Auburn Hills, MI
Original painting on archival paper, circa 1963. Paper Size: 29.5 x 21 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate...
Category
1960s Modern Michigan - Still-life Drawings and Watercolors
Materials
Archival Paper, Watercolor
Untitled (Abstract Still Life with Flowers), 1963, Ian Hornak — Painting
By Ian Hornak
Located in Auburn Hills, MI
Original painting on archival paper, circa 1963. Paper Size: 29.5 x 21 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate...
Category
1960s Modern Michigan - Still-life Drawings and Watercolors
Materials
Archival Paper, Watercolor
(Abstract Landscape) Untitled, 1965, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1965. Paper Size: 11 x 14 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s graduate studies...
Category
1960s Modern Michigan - Still-life Drawings and Watercolors
Materials
Archival Paper, Charcoal
(Apple Study) Untitled, 1985, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1985. Paper Size: 12 x 10 inches. Provenance: Estate of Ian Hornak, East Hampton, New York.
IAN HORNAK (January 9, 1944 – December 9, 2002...
Category
1980s Contemporary Michigan - Still-life Drawings and Watercolors
Materials
Graphite, Archival Paper
(Modern Still Life) Untitled, 1964, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1964. Paper Size: 14 x 12 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
Category
1960s Modern Michigan - Still-life Drawings and Watercolors
Materials
Ink, Archival Paper
(Abstract Still Life) Untitled, 1964, Ian Hornak — Painting
By Ian Hornak
Located in Auburn Hills, MI
Original painting on archival paper, circa 1964. Paper Size: 10 x 9 inches (oval). Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergrad...
Category
1960s Modern Michigan - Still-life Drawings and Watercolors
Materials
Archival Paper, Watercolor
(Abstract Still Life with Chessboard) Untitled, 1964, Ian Hornak — Painting
By Ian Hornak
Located in Auburn Hills, MI
Original painting on archival paper, circa 1964. Paper Size: 14 x 11 inches (oval). Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergra...
Category
1960s Modern Michigan - Still-life Drawings and Watercolors
Materials
Watercolor, Archival Paper
(Abstract Still Life) Untitled, 1965, Ian Hornak — Drawing
By Ian Hornak
Located in Auburn Hills, MI
Original drawing on archival paper, circa 1965. Paper Size: 11 x 14 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s graduate studies...
Category
1960s Modern Michigan - Still-life Drawings and Watercolors
Materials
Archival Paper, Charcoal
"Untitled (Red Flower)" Watercolor on Paper, Abstract Flower, Signed & Dated
Located in Detroit, MI
Flowers were one of Culver's favorite subject. This stunning portrait of a red flower draws the viewer into its very center as powerfully as any flower portrait by Georgia O'Keeffe. It is the idyllic flower that can be described as in the romantic style wherein the subject depicted is a more desired or dramatic version of what actually is. It is signed and dated by the artist on the lower left. This piece has been professionally reframed with acid-free matting and museum glass.
In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.”
Charles Culver...
Category
1950s Romantic Michigan - Still-life Drawings and Watercolors
Materials
Watercolor, Paper
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