Ohio - Nude Photography
to
3,581
1,834
1
1
2
Overall Height
to
Overall Width
to
1
1
1
1
1
1
2
Item Ships From: Ohio
Madison Wisconsin, 1973
Located in Fairlawn, OH
Madison Wisconsin, 1973
Silver gelatin photograph, 1973
Signed and dated in ink lower right corner (see photo)
Titled in in on reverse (see photo)
Condition: Excellent
...
Category
1970s American Modern Ohio - Nude Photography
Materials
Silver Gelatin
Classic
By Guenter Knop
Located in Fairlawn, OH
Classic
Silver gelatin print on photographic paper, 2006
Signed in pencil and dated in pencil on verso (see photo)
Condition: Excellent
Image size: 12 78 x 9 1/2 Inches
Sheet size: 1...
Category
Early 2000s Contemporary Ohio - Nude Photography
Materials
Silver Gelatin
Related Items
Nude Male Model, Unique Silver Gelatin Print.
By Andy Warhol
Located in Cotignac, FR
Unique Silver Gelatin print from circa 1977 by Andy Warhol.
Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used this technology not only as an...
Category
1970s American Modern Ohio - Nude Photography
Materials
Silver Gelatin
Nude Male Model, Unique Silver Gelatin Print
By Andy Warhol
Located in Cotignac, FR
Unique Silver Gelatin print from circa 1977 by Andy Warhol.
Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used t...
Category
1970s American Modern Ohio - Nude Photography
Materials
Silver Gelatin
Kate #7, Vintage Black and White Photography of Nudes
By Leonard Freed
Located in New york, NY
Kate #7, 2002 by American photographer Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on vers...
Category
Early 2000s Contemporary Ohio - Nude Photography
Materials
Silver Gelatin, Photographic Film, Photographic Paper
Never Let the Same Snake Bite You Twice, Silver Gelatin Black and White Nude
By Savannah Spirit
Located in Los Angeles, CA
Savannah Spirit
Never Let the Same Snake Bite You Twice
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
2010s Contemporary Ohio - Nude Photography
Materials
Silver Gelatin, Black and White
Kate #9, Vintage Black and White Photograph of Erotic Nude
By Leonard Freed
Located in New york, NY
Kate #9, 2002 by Leonard Freed is an 8” x 10” signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photo). Model, photographer, and yogini Kate ...
Category
Early 2000s Contemporary Ohio - Nude Photography
Materials
Silver Gelatin, Photographic Film, Photographic Paper
Sunbathing in Capri by Slim Aarons (Nude Photography, Portrait Photography)
By Slim Aarons
Located in Brighton, GB
For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries.
Please bear in mind that all prints are produ...
Category
20th Century American Modern Ohio - Nude Photography
Materials
Photographic Paper, Color, Lambda, C Print
H 16 in W 20 in D 0.1 in
Waiting, Silver Gelatin Black and White Nude Photography
By Savannah Spirit
Located in Los Angeles, CA
Savannah Spirit
Waiting
Silver gelatin on Ilford multigrade paper, signed, edition of 5
Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch:
"When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since.
To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection.
The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there.
Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning.
Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture.
During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..."
- Katie Peyton Hofstadter
Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...
Category
2010s Contemporary Ohio - Nude Photography
Materials
Black and White, Silver Gelatin
Mel Fellini
By George Platt Lynes
Located in London, GB
Silver gelatin print, studio stamp (verso), 20cm x 23cm, (45cm x 46cm framed). The photographed behind museum quality, UV and non-reflective glass.
A titan of American 20th century photography, Platt Lynes took his first photographs as a young artist living in New York and Paris in the 1920s. He maintained an interest in the male figure throughout his career and was part of a close-knit group of artists, including Paul Cadmus, Jared French, Margaret French...
Category
1950s American Modern Ohio - Nude Photography
Materials
Silver Gelatin
Dance Study: Askia Swift
By Howard Schatz
Located in Lawrence, NY
#11 of 24, signed, dated and numbered
edition of 24 across all sizes
Howard Schatz gave up a career as a retinal surgeon and a clinical professor to follow his passion for photography. Schatz first established a following in the 1990s with two collections of underwater photography, Water Dance and Pool...
Category
1990s American Modern Ohio - Nude Photography
Materials
Archival Pigment
Villa Vera Racquet Club Pool by Slim Aarons
By Slim Aarons
Located in Brighton, GB
For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries.
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Currency fluctuations may cause the price to change.
This is a contemporary print from the Getty Archive using Slim Aarons negatives.
Please contact the gallery for information about other print sizes.
All prints feature a Slim Aarons blindstamp, and are accompanied by a Slim Aarons Certificate of Authentication issued by Getty.
16 x 20" print.
Limited Edition Estate Stamped Print.
Edition of 150.
Printed Later.
"Villa Vera...
Category
20th Century American Modern Ohio - Nude Photography
Materials
C Print, Lambda, Color, Photographic Paper
George Tooker, Paul Cadmus, Monroe Wheeler, and George Platt Lynes on a Beach
Located in London, GB
Silver gelatin print, with numeric notation and stamp of collection of Jon Anderson (verso), 12cm x 18cm (41cm x 44cm framed). Jon Anderson was Paul Cadmus' partner of 35 years.
The picture depicts the artists Paul Cadmus and George Tooker, the photographer, George Platt Lynes, and publisher, Monroe Wheeler.
The painter Paul Cadmus (1904 - 1999) and married artists Jared (1902 - 1989) and Margaret French (1906 - 1998) comprise the photographic collaborative known by their acronym, PaJaMa. Beginning in 1937, and over the course of nearly two decades, the trio collectively staged photographs set against the backdrops of Fire Island, Provincetown, and Nantucket, among other locations. Their psychologically and sexually charged images often served as studies for the artists' subsequent paintings and works on paper. The statuesque quality of the figures and the stillness of each scenario are key characteristics of PaJaMa’s photographs...
Category
1940s American Modern Ohio - Nude Photography
Materials
Silver Gelatin
H 16.15 in W 17.33 in D 0.79 in
Burlesque Series, Catherine D'Lish in Champagne Coupe II Tease-O-Rama, Hollywood
By Richard Heeps
Located in Cambridge, GB
Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...
Category
Early 2000s Contemporary Ohio - Nude Photography
Materials
C Print, Silver Gelatin, Color, Photographic Paper
Free Shipping
H 25.6 in W 37.41 in D 0.04 in