The Hamptons - Landscape Prints
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Item Ships From: The Hamptons
“On the Seine, Paris”
By Hans Figura
Located in Southampton, NY
Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...
Category
Early 1900s Academic The Hamptons - Landscape Prints
Materials
Archival Paper, Aquatint
“Flower Picking”
By Myles Birket Foster
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
1880s Impressionist The Hamptons - Landscape Prints
Materials
Lithograph, Watercolor, Gouache
“Tending the Sheep”
By Myles Birket Foster
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
1880s Impressionist The Hamptons - Landscape Prints
Materials
Watercolor, Gouache, Lithograph
“On the Seine, Paris”
Located in Southampton, NY
Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. ...
Category
Early 1900s Academic The Hamptons - Landscape Prints
Materials
Mezzotint, Paper
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“Paysage a Auvers”
By Paul Cézanne
Located in Southampton, NY
Etching by Paul Cezanne printed in 1914 from the original plate executed in 1873. In very good original condition and beautifully matted and framed. Overall framed measurements are 16 by 12 inches.
1873 /1914
Technique: etching in a dark-brown black sepia ink
Image Size: 5 1/4 x 4 3/8" platemark
Signature: unsigned as usual
Edition Size: total of 600, (400 with this wove paper)
Reference: Cherpin 5; Venturi 1161
Paper: buff wove
State: second of 2, after burnishing of the scratch in the upper right
Publisher: Bernheim-Jeune in "Cezanne"
Description
"Paysage a Auvers" was published posthumously in Paris in 1914 in an edition of 600 total impressions by Bernheim-Jeune for inclusion in their publication "Cezanne". Early proofs done in 1873, with the scratch in the upper right corner, are rare. None were signed by Cezanne.
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Raoul Dufy, Georges Braque and Othon Friesz, assisted by the Parisian art dealer Georges Aubry, organised an exhibition in 1906 at the Town Hall in Le Havre to encourage the people of the city to appreciate Modern Art. It was this exhibition that included masterpieces by leading artists such as Henri Matisse, Pablo Picasso, André Derain, Albert Marquet and others who inspired the young Jean Dufy, particularly Matisse and his extraordinary use of light.
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