USA - Art

Archival pigment ink prints with silkscreened high-gloss varnish and diamond dust on Innova 315 gsm paper

Mixed media on canvas. Signed Delu 2012

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

Medium: Oil on Canvas Dimensions: 20.00" x 29.00" Signature: Signed Lower Right

Painting for a Woodstock film's poster.

Signed and dated (at lower right): J. STONE ROBERTS./ 2004.

"Untitled" screenprint by artist Georgy Litichevsky (Georgij Litischewskij) from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families ...

Still life of boxes and geometric shapes

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Shipping should be around $100. New building rises as old building falls and a new Miami is created. Shot on Brickell Avenue. Signed, dated and numbered 3/15 lower left recto , unf...

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

Date: 1944 Medium: Oil on Board Dimensions: 19.00" x 13.00" Signature: Signed Upper Left Advertisement for Gulf Oil, 1944.

Satyr and Pan Life Magazine Cover, April 26, 1923 Benjamin Sayre Cory Kilvert was the son of the mayor of his birthplace: Hamilton, Ontario, in Canada. Kilvert migrated to New ...

Artist

36" x 24" Edition of 5 +2AP Hahnmühle paper matt fibre 200gr. Archival digital pigment print, unframed. Humans are complex. We are made up of many different layers, oftentimes unwi...

Signed on verso

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

Leigh Murphy This original work of art by the award-winning watercolour and oil painter Leigh Murphy wonderfully illustrates her super realist technique of using thin layers to bui...

Medium: Gouache and Ink on Paper Dimensions: 17.50" x 10.75" Signature: Signed Lower Right

Son of painter Angelo Bonfanti, Maurizio Bonfanti attended Bergamo's Liceo Artistico and studied etching at the Accademia di Belle Arti in the same city. Though he enrolled to study ...

Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed Lower Right

Boys' Life, The Boy Scouts' Magazine Cover, February 1922 Harold Anderson studied at the Fenway Art School in his native Boston. Among his instructors were Chase Emerson, Harold Brett, and Arthur...

From the Estate of John McLaughlin. Signed center left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Sotheby's New York . work is elegantly matted and framed with the Sotheby's sticker on verso

Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Pro...

Emerging from a history of innovative West Coast artists, who pioneered the Finish Fetish and Light and Space movements, Casper Brindle has mastered the industrial materials at his d...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the ...

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Bach - English Suite No.2 in A Minor...

he abstract paintings and drawings of Michael Barringer are steeped in contemplation. The Georgia artist creates works as part of a series, often inspired by art history, archaeology...

Eugenio Espinoza Flavor, 2015 Oil base enamel on aluminum, wire and metal bracket 55 x 89 cm., 20.50 x 35 in

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

"Amazing New Discovery" is written in the background. Signed Lower Right. Robert Patterson was born in Chicago and attended the Chicago Art Institute. Among his teachers there and later were Harvey Dunn, Walt Louderback, Ralph Barton...

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

Watercolor on paper

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Signed (at lower right): Louisa Chase

Date: 1956 Medium: Oil and Pencil on Paperboard Dimensions: 18.00" x 15.00" Signature: Signed with the Artist's Initials 'N/R' Lower Right Pan American World Airways advertising campaign Exhibitions West Stockbridge, Massachusetts, Norman Rockwell Museum...

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.

Leora Armstrong grew up on the West Coast of Scotland surrounded by the sea, hills and Scottish weather. It was this changing light of the West Coast, upon the landscape, which happe...

Watercolor on paper

Medium: Oil on Canvas Signature: Signed Lower Right

TECHNICAL INFORMATION Salvador Dali Tristan Et Iseult - The Giant Beliagog 1970 Etching Aquatint 18 x 12 1/2 in. Edition of 125 Pencil signed &...

Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Pro...

A joyful moment preserved. A young woman is about to land on earth. She seems very happy about it. Signed, Dated, number Lower left 3/15 recto, unframed, other size available

Signature: Signed Lower Right Medium: Gouache on Board

Enrique Chagoya Ghostly Meditations (waltzing with the forgotten), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 1...

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

Red Chalk and Brown Ink

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...

Oil on canvas

Homage to Dick Tracey. Pop Art influenced work of amazing, infamous graffiti, pop, street artist. Sprays, enamels, oils acrylics on canvas. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

"San Francisco Bay II" is a serigraph print from 2011 emblematic of Soulié's association with the Neo-Post Pictorialism movement of the 1970s. This v...