USA - Art

Artist: Sophia Vari, Greek (1940 - ) Title: Gree's Head Year: 1985 Medium: Bronze Sculpture, Signature and number inscribed with foundry stamp Edition: 1/6 Size: 7.25 x 7 x 6 in....

Medium: Bronze Edition 3/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

Medium: Natural Bronze Signed on left side of bronze base Edition 1/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

Edition of 9

Edition of 9

Artist: Antoine Poncet, Swiss (1928 - ) Title: Cororeol Medium: Polished Bronze Sculpture, Signature 'A.P.' inscribed Edition: 2/6 Size: 41 in. x 21 in. x 5 in. (104.14 cm x 53.34 cm...

oil on canvas

This iconoclastic sculpture links two of the twentieth century’s most renowned figures: President John Fitzgerald Kennedy and Salvador Dalí. Cast in wax and decorated with paperclip...

Ignacio Gana Mermaid Gold Bronze on granite base Signed and numbered by artist Available in two sizes: 23 x 12 x 11 inches, From a series of 10 48 x 27 x 21 inches, From a series o...

Ignacio Gana Chocolate Girl 48 x 21.5 x 18.75 inches Bronze on granite base Series of 10 Signed by artist Currently on display at Art Angels Ignacio Gana Sculpture Bronze Sculpture

White field painting with blue, pink, and purple cloud-like forms and gold accents. Signed and titled by artist on the back.

William F. Boogar, Jr. Seagull Lamp 1946 Bronze approx. 15 1/4" High x 6 1/2" Wide Signed and Dated Bottom WILLIAM F. BOOGAR, Jr., the Provincetown sculp...

Elizabeth Waggett Beyond Night and Day, 2019 71 x 36 inches canvas size Oil on Belgian linen with 22 k gold and UV varnish This piece is unique Signed by artist Unframed Elizabeth W...

Medium: Patinated bronze mounted on a marble base. Edition: 7/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is styli...

Medium: Bronze mounted on a marble base. Edition: 3/5 Signed verso "Ritchie 3/5" Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculp...

Medium: White bronze mounted on a marble base. Edition: 1/8 Signed verso "Ritchie 1/8" Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze ...

Medium: Patinated bronze mounted on a marble base. Edition: 1/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries...

Medium: Natural bronze mounted on a marble base. Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

Bronze pours from salvaged military scrap form a forest of leaf-like natural elements, undulating and seeming to grow out from an unseen ground. The bronzes are formed by a gestural ...

STEPHEN ANTONAKOS "Terrain" #23, 2013 Gold leaf on Tyvek Gold sheet 24" x 24" Board 33" x 29" Framed in white wood and Plexiglas

STEPHEN ANTONAKOS "Terrain" #21, 2013 Gold leaf on Tyvek Gold sheet 10" x 8" Board 16" x 14 5/8" Framed in white wood and plexiglas

STEPHEN ANTONAKOS "Terrain" #20, 2013 Gold leaf on Tyvek, crumpled Gold sheet 10" x 8" Board 16" x 14 5/8" Framed in white wood and plexiglas

STEPHEN ANTONAKOS "Terrain" #19, 2013 Gold leaf on Tyvek Gold sheet 10" x 8" Board 16" x 14 5/8" Framed in white wood and plexiglas

STEPHEN ANTONAKOS "Terrain" #5, 2011 gold leaf on Tyvek Gold sheet 17” x 14” Board 23” x 20” Framed in white wood and plexiglas

STEPHEN ANTONAKOS "Terrain" #4, 2011 gold leaf on Tyvek, crumpled Gold sheet 17” x 14” Board 23” x 20” Framed in white wood and plexiglas

STEPHEN ANTONAKOS "Terrain" #3, 2011 gold leaf on Tyvek, crumpled Gold sheet 17” x 14” Board 23” x 20” Framed in white wood and plexiglas

STEPHEN ANTONAKOS "Terrain" #1, 2011 gold leaf on Tyvek Gold sheet 17” x 14” Board 23” x 20” Framed in white wood and plexiglas

Alfred Barye (1839-1882) "Lion and Antelope" Bronze Approx. 7.5H x 9W x 4D inches Signed "BARYE.ALF" and Inscribed under base "NO. 23 LION AND ANTELOPE" The son of a goldsmith, Parisian born Antoine-Louis Bayre was a sculptor of animal subjects and acclaimed, not only for his apparent skill, but as the founder of what became known as the French Animaliers School. Among his patrons were representatives of the state government and royalty including the Duke of Orleans and the Dukes of Luynes, Montpensier and Nemours. Well compensated financially, he was able to buy the best of materials and hire the country's most skilled foundry craftsmen. The foundry he hired was owned by Ferdinand Barbedienne, and casts from this period were stamped with the letters, FB. However, he did not make a lot of money from his work because he was such a perfectionist that often he would not sell his work because he thought it was not 'quite right'. In 1848, he declared bankruptcy, and his molds and plaster casts were sold along with the copyrights. Bayre's specialty was aroused, angry seeming wild game such as lions and tigers and elephants, but he also did equestrian groups and mythology figures. In order to do realistic depictions of animal anatomy, he spent much time at the Jardin de Plantes in Paris. His early training was as an apprentice to a metal engraver, but being drafted in the army in 1812, ended that education. In 1832, he had established his own studio, and unique at that time was his method of cold stamping his bronze casts, so that each one had a special number. He had his first entry, The Milo of Croton...

Lazzaro Donati (Italian 1926-1977) "La Regina" Bronze Signed on Base Size: approx 19 x 9 x 9 inches Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone." He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint." When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!" But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...

Artist: Anthony Quinn Title: Song of Zorba Year: 1984 Medium: Bronze sculpture on marble base, signature and year inscribed Size: 24 in. x 20 in. x 9 in. (60.96 cm x 50.8 cm x 22.86...

Clark Bronson Born 1939 Utah Artist Image Size: Height 9 1/2'' Base Length 11 1/2'' Width 12 1/2" Medium: Bronze "Wild Wings" Canada Geese Biography C...

Brick and 14k gold electroplated styrofoam

Brick and 14k gold electroplated styrofoam

Mixed media with glitter on paper in artist's gold leaf frame 4.25 x 3.25 inches, paper size 12.5 x 8.75 x 1.75 inches, framed NFS.

Albert-Ernest Carrier-Belleuse (French, 1824-1887) "Leda and the Swan" c .1858 Bronze w/Gold Patina 18 x 24 x 14 Signed "A. Carrier" Based upon a c...

Text portion is the poem "The Sound of Trees" by Robert Frost: I wonder about the trees. Why do we wish to bear Forever the noise of these More than another noise So close to our dw...

Linda Ridgway's formal education includes an M.F.A. from Tulane University and a B.F.A. from Louisville School of Art. She was trained as a printmaker but has since expanded her tech...

Linda Ridgway's formal education includes an M.F.A. from Tulane University and a B.F.A. from Louisville School of Art. She was trained as a printmaker but has since expanded her tech...

Text reads: "He turned out the light and went into Jem's room. He would be there when Jem waked up in the morning." - Harper Lee "To Kill A Mockingbird"

Artist: Ernst Neizvestny, Russian (1926 - 2016) Title: Centaur Year: 1973-89 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 7 Size: 84 x 65 x 36 in. (213.36 x 1...

Polar bear riding on a sled, dressed as Pierrot from Commedia dell'arte

Hippo Ballerina on tiptoes. Edition of 9

Story from Aesop's Fables. Edition of 9

Bronze with Platinum Leaf From Boky Hackel-Ward’s Figurative Poetry Collection, this bronze was directly inspired by a poem entitled Mea Culpa taken from Paul Géraldy’s book Toi et ...

Bronze with Platinum Leaf Based on Boky Hackel-Ward’s self-portrait, this sculpture is not only about what can happen to us when we get lost in a love that seems to be grander than ...