USA - Art

Inside/Outside is an acrylic paint on canvas with embroideries over the painting. It is a fully hand embroidered work that displays bodies in a space both from inside and outside vie...

This piece by Billy Al Bengston is titled "The Alamo-Yellow". It measures 36" x 34", it is lacquer paint on dented aluminum and was completed in 1969. Bill...

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Ar...

Nestor Arenas (Cuba, 1964) 'Yellow Structure II', 2021 etching, aquatint on paper 27.2 x 21.3 in. (69 x 54 cm.) Edition of 10 ID: ARN-102 Unframed

In the frame: approx 17" x 12: inscribed and dated 1903. Oil on paper.

This is an duaiv watercolor original. The condition of watercolor is good. Frame is in good shape as well. Measures 19x17

As Molina developed a deeper connection to the art world, he began to notice a positive correlation with this emotions. As he shares, art is “like a therapy in the way of expressing ...

Bill Graham revisited his old Bronx neighborhood in August, 1986 and, appalled to see that the drug culture had effectively wiped out the local culture, f...

Butterfly Édouard Dermit, French (1925–1995) Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19.5 x 25 inches Siz...

Artist: Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with ...

FOSTER, Joseph K. [edited by] [31] pp. w/ 24 plates Crown Publishers, Inc. 1957 14 1/4" x 10 5/8" VG/ VG

Artist: Larry Zox Medium: Serigraph Title: Scissors Jack Year: 1978 Edition: XIV/XXX Sheet Size: 29 1/2" x 39" Signed: Hand signed in pencil

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday. Bonnard particularly used the model of Japanese art in a series...

woman in straw hat with eyes closed

Red Rock Canyon River, Modernist Landscape in Watercolor on Paper A vibrant watercolor landscape with a river running through a red rock canyon, by California artist, Lucile Marie Johnston (1907-1994, American). Signature, "Lucile Johnston 1976" at the bottom left. Presented in a beige mat with foam core backing. Mat size: 22"H x 28"W Paper size: 15.25"H x 22.25"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

Hand signed in pencil and numbered from the limited original edition. Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turkish Empire Hovhannes "Jean" Semerdjian (Armenian: Հովհաննես "Ժանսեմ" Միրիջանի Սեմերջյան, 9 March 1920 – 27 August 2013), also known as Jean Jansem, was a French-Armenian painter. Jansem's artworks are internationally known, and are part of museum collections throughout France, Japan and the United States. A Foreign member of the National Academy of Sciences of Armenia (2002). He was awarded by the Ordre des Arts et des Lettres in 1953 and by the Knight of the French Legion of Honour in 2003. The President of Armenia awarded Jansem a Medal of Honor for his “reinforcement of Armenian-French cultural ties.” Hovhannes Semerdjian was born in 1920 in Bursa, then in the Ottoman Empire. In 1922, his family fled to Greece. He spent his childhood in Thessaloniki. They arrived to Issy-les-Moulineaux suburb of Paris, France in 1931 when he was 11 and that is when he begin to paint. The first professional schools for Jansem became the academies of Montparnasse (1934–1936). He studied in the Ecole des Arts Decoratifs. His teachers were Maurice Brianchon, Raymond Legueult and Roland Oudot. Jansem also studied at the Sabatie studio for a year. Early paintings by Jansem were mainly on national issues. Known for his washy representational paintings of figure, landscape, marine and genre scenes of European subjects: fishermen and children of Greece, bullfighting in Spain, Italian landscapes and markets, scenes of Venice and French France village marketplaces and landscapes, nude women, still lifes, and figures, Jansem painted with a variety of media that included gouache, watercolor, ink, and oil painting in a stylized and textural aesthetic. had individual exhibitions in Paris, New York, Chicago, London, Tokyo, Rome, Brussels, Lausanne, Beirut etc. His work was shown by the prominent Wally Findlay Galleries in New York, Paris, Palm Beach and Beverly Hills (they show many important artists including Gaston Sebire, Henri Maik, Gen Paul, Jean Pierre Cassigneul, Jean Dufy, Gustavo Novoa, Nicola Simbari, Dietz Edzard, Suzanne Eisendieck, Constantin Kluge, Louis Valtat, Michael Vollbracht...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 2003 Signed, numbered a...

Blue Nude. Inspired by Matisse. Part of my "Nude in Interior" series Original, signed. 50x70cm / 20x28in actual size ink, graphite, tempera on paper Shipping rolled in a tube from ...

Bernard Payet was born in Lyon in 1950 and spent all his childhood in France. He studied and trained at the Academie ALPA of Lyon from 1974-1976, having been inspired by his visits t...

Artist: Varvarov Anatoly Viktorovich Title: Higher than Clouds, Sise: 39.5x47.5 inches, (100x120 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. What's higher than the clouds? This happy...

Japanese Garden: Orange, 1996 Tom Baldwin created the series of inkjet prints "Japanese Gardens" in 1996 on his computer, using then-nascent graphics tech...

Pill Head Study in Orange

Vibrant contemporary nude figure in neon orange on a purple abstract background by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Romero (American, b-1985)...

Antique American modernist interior easel painting. Oil on canvas, circa 1960. Signed on verso. Housed in a period modern frame.

Earth pigment on raw canvas poplar wood frame Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography...

Artist: Slonem, Hunt Title: 10 Series: Bunnies Date: 2022 Medium: Oil on canvas Unframed Dimensions: 40" x 40" Framed Dimensions: 42" x 42" Signature: Signed Edition: Unique

Original “The Joe Louis Story” vintage movie poster (United Artists, 1953). One Sheet (27" X 41"). Sports. Archival linen backed. Starring: Coley Wallace, Hilda Simms, Paul Stewart, James Edwards, John Marley, Dots Johnson, Evelyn Ellis, Carl 'Rocky' Latimer, John Marriott, Ike Jones, P. Jay Sidney, Royal Beal, Ruby Goldstein, Max Baer...

Earth pigment on raw canvas poplar wood frame Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography...

Aubrey Penny Collage "Mind Line" Sussex Series 10-5553, Signed and Dated 1980 Size: 19" x 24" Aubrey Penny (American 1917-2000) was an innovative California abstract artist who work...

Watercolor illustration for a series of commercial seed packets. Printed by Stecher-Traung Lithograph Corporation, Rochester, NY, circa 1935. Some staining from tape to edges.

Archival Pigment Print., Signed by Facsimile. Available in White, Black & Natural frame. Edition of 10: 26 in x 36 in About the Artwork: Lela Brunet is an...

The Infant Jupiter Nursing from the She-Goat Amaltheia (The Birth of Jupiter) Red chalk and wash on off-white paper, c. 1700 Unsigned Attribuuted to Quaini by Dwight Miller, the sch...

This is a 1904 book that has been deconstructed and collaged onto a smooth white surface which is board. Two 12 x 12" boards have been joined. The surface is venetian plaster. The...

Signed lower right, 'Tremewen' for Ian Tremewen (Australian, born 1954), additionally signed, verso, dated 1993 and titled, 'Poster Idea, #9328, Pink Palms, Rainforest Beach' A watercolor and gouache study for a gallery exhibition at the Village Gallery, Lahaina, Maui, Hawaii. Ian Tremewen began showing his watercolors with Village Gallery in 1976 while living on Maui. Born in Montreal and now based in Australia, Tremewen has spent much of his life in the Caribbean and Hawaiian tropics. Tremewen's work reflects the interest he feels for light, space and shadow working in sculpture, contemporary glass and textiles. His abstract interpretation of the amorphic shapes of nature, coupled with his design and composition enable him to present his work with a view that is distinctly his own. Artist's Statement: "As an artist, I can experiment with many aspects and combinations. I've always been fascinated by the psychedelic colours hidden in rainforests. For me, these elements invite abstraction, where a shape, along with colour and texture, defines an object. There now appears to be a refreshing openness emerging in the art world. I feel there is a freedom to stretch and explore ideas and alternatives like never before using mediums and concepts that are expanding the world of art and design.” Solo Exhibitions: Napua Gallery, USA Village Gallery Contemporary, USA Karratha Art Centre, Australia Metro Arts, Australia Gold Coast City Art Gallery, Australia Grand Orbit, Australia Paperworks Gallery, Canada Corporate Art West, USA Budds Beach Gallery, Australia Pandanus Art, Australia Tremewen@Marine, Australia Group Exhibitions: S.H. Ervin Gallery, Australia Ritz-Carlton, USA Contemporary Art Gallery, USA Parliament Building, Australia Gold Coast City Art Gallery, Australia Nordstroms, USA Tattersalls Club, Australia Honolulu Academy of Art, USA Federation...What About the Nation? Museums and Galleries Foundation, Australia Selected Awards: Hui Noeau, USA Suncorp Biennial, Australia S.O.S. Festival, Australia Hawaii Watercolour Society, USA Heritage Art Festival, Australia R.E.I.Q. Bicentennial, Australia Woven Image, Australia Art Maui, USA Courier Mail Art Prize, Australia Tweed Regional Art Gallery, Australia Paradise Art Award, Australia Commissions: Sydney Airports Corporation, Australia Lloyds Of London...

Nick Vedros Mexican Flying Wrestler Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x9in Edition: 12 Signed, dated and numbered by hand on label Stamped ...

"Miguel Castro Leñero (Mexico, 1956) 'Fuera del Radar I', 2020 engraving on paper Intaglio 300 g. 63.6 x 39 in. (161.5 x 99 cm.) Edition of 30 ID: CAM-104"

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Artist: Alexander Calder Medium: Lithograph Title: Cover Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1/2" x 17 1/2" Sheet Size: 15" x 11" Signe...

Susan Kiefer The Meaning Of It All Oil on Canvas Year: 2022 Size: 24x30x1.35in Signed by hand COA provided Ref.: 924802-1052 Though born and raised in Kansas City, artist Susan Kie...

Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937 Edition 1 of 5 with 2 APs “Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 arti...

Timothy White is a mixed media artist who comes from a background in fine furniture making. His current body of work is a series of evocative mixed media panels, entitled “American P...

Striking acrylic painting on canvas of a crow with a familiar quizzical expression in a colorful baron landscape. Presented in a paint decorated wood frame and signed on the back Tay...

Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...

This piece titled "Fireplace" is an original artwork made from relief and collagraph with marker on antique graph paper by Katie VanVliet. This piece is shipped in the pictured white...

Jay Patel MADHUBANI STYLE 02 (DECORATED ELEPHANTS) Acrylic on Board Year: 2022 Size: 10x12x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1111 "Inspired by the age-old Madhubani style, these paintings celebrate the beauty within the beasts. Elephants are revered animals in the Indian sub-continent and symbolize lord “Gajendra”! To ascertain justice to the inspiration, every element in the painting is worked upon significantly- the tree denotes long life, the flowers stand for happiness, and the elephant denotes power. Embellished by detailed motifs, the composition undoubtedly spurs a moment of joy in the eyes. The captivating intricacies of the saddle cloth tied with heavy jewelry...

Initialed lower right, 'R.S.' for Robert Schlegel (American, 1947-2021), additionally signed, verso, titled, 'Standing Horse' and dated 2014. A substa...

CAM’s work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rite of passage to sacred change. Concerned with ho...

This horizontal 28 inch high by 64 inch wide original acrylic painting on canvas is wired and ready to hang. This playful image features the iconic Skittles candy. The sides of the artwork are painted black and it does not require framing. It is signed by the artist on the front of the artwork and titled on the side. In 2014, the lure of the art world pulled Trew back to the canvas and into the pop art world. Her first collection, “Pop Life” was shown across the country alongside artists including Blek le Rat, Shepard Fairey, Ben Eine, Risk, and Gregory Siff...

CAM’s work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rite of passage to sacred change. Concerned with ho...

This piece was created with generous brushstrokes of oil paint, loosely referencing a desert landscape. The title Strange Terrain comes from the nature of the painting being in an i...

Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950. A substantial monotype and gouache showing a young woman seated, her kimono fallen open and b...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and fam...

Note: This work appears on page 232 of "David Einstein: A 50 Year Retrospective" published by the Triton Museum. The Triton Museum will open "David Ei...

This unframed, signed, limited edition pigment print by artist Jeff Kahm exists in an edition of 40. Paper size is 25"h x 24"w with an image size of 20"h x 20"w. Jeff Kahm was born in Edmonton Alberta, Canada in 1968 and attended the Institute of American Indian Arts...

Archival Pigment Print., Signed by Facsimile. Available in White, Black & Natural frame. Edition of 10: 26 in x 36 in About the Artwork: Lela Brunet is an...

Original vintage travel poster: Fly BEA British European Airways. Archivail linen-backed lithograph from 1955, ready to frame. Very good condition. The mid-century modern ima...

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked ...