USA - Ceramics

You get : 2 Units of Seicho Pot in a finish of your choice. Seicho ( 成長 ) - Growth Our Seicho pot is made to be a conversation starter for your precious indoor plant collection. I...

This is a fairly large, Chinese Export cache pot or jardiniere all hand decorated in the Canton Famille Rose Medallion pattern, dating to the early 19th Century of the Qing period, Circa 1820...

A nicely glazed, tall antique Chinese ceramic wine jar with a wide mouth and graceful shape. From Shanxi Province, circa 1920. CR714.

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

Seicho (成長) - Growth Our Seicho pot is made to be a conversation starter for your precious indoor plant collection. Its size is perfect to be used for specialty indoor plants. Each ...

You get : 2 Units of Seicho Pot in a finish of your choice. Seicho ( 成長 ) - Growth Our Seicho pot is made to be a conversation starter for your precious indoor plant...

Japanese ceramic pot with a Kyoto label. Makers seal, unidentified, but possibly Mashiko. Stoneware with dripping crackled glaze. Original b...

You get : 2 Units of Seicho Pot in a finish of your choice. Seicho ( 成長 ) - Growth Our Seicho pot is made to be a conversation starter for your precious indoor plant collection. I...

Beautiful Persian ceramic vase hand-painted and glazed with colourful fish motif surrounding on cream color background. Great object of art for display.

Tsuchi - Earth *Plants are not included in this purchase Our Tsuchi pot is named after the medium it holds ; Earth. This pot is double sealed to prevent moisture from seeping into ...

A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese. Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...

An impressively large ceramic vase with a bulbous body and a long coiled neck by potter Brother Thomas Bezanson (1929-2007). The minimalist modern form might be distilled from the classic Chinese garlic bottle. The high glossy surface displays a splendid shades of dark purple, copper red, auberge and blue, in a copper flambé pattern called "peacock" glaze that was clearly inspired by ancient Jun Kiln...