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Period: Early 1800s
Pair of George III Demilune Tables
Located in Woodbury, CT
Pair of George III mahogany demilune console tables with fan inlays and satinwood stringing to the top, each table has black line inlays to the frieze and stand on tapered square legs.
Category

Early 1800s English George III Antique Woodbury

Materials

Mahogany, Satinwood

Early 19th century French Oval Portrait of a pretty Young Blonde French Girl
Located in Woodbury, CT
A wonderful Oval oil on canvas portrait of a little girl. Very much in the style of Jean-Baptiste Greuze.
Category

Early 1800s Old Masters Woodbury

Materials

Oil

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CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...
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large 18th century portrait gentleman oil on canvas
Located in York, GB
A fine, imposing 18th century portrait of an unknown aristocrat,housed in a gilt frame The artist is also unidentified but certainly a talented hand, in the circle of one of the fine old masters of the period The size overall is 148 x 121 cm whilst the painting is 128 x 101 cm In overall good condition the frame at the bottom has bowed slightly The painting has been checked whilst being cleaned and has not been affected in any way . SHIPPING Free delivery to mainland uk ,worldwide shipping available please email for quote Delivery usually within 14 working days, insured please provide telephone/email details for courier. All taxes/customs etc to be paid for by purchaser. RETURNS (The Consumer Contracts Regulations) Whilst we are sure that you will be extremely happy with your purchase, if for any reason you are not, then you are entitled to return the item to us for a refund. For all purchases made you are entitled to return the item(s) for a period of up to 14 days following receipt by you or a representative indicated by you. Please contact us to confirm that you are returning the item(s) and the reason for doing so. Upon receipt of the item(s) we will refund the purchase price via your original payment method...
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large 18th century portrait gentleman oil on canvas
large 18th century portrait gentleman oil on canvas
Free Shipping
H 58.27 in W 47.64 in D 2.37 in
Previously Available Items
Marine battle, French ship of the line and two British frigates off of Brittany
By Thomas Buttersworth
Located in Woodbury, CT
The action of 13 January 1797 was a minor naval battle fought between a French ship of the line and two British frigates off the coast of Brittany during the French Revolutionary Wars. During the action the frigates outmaneuvered the much larger French vessel and drove it onto shore in heavy seas, resulting in the deaths of between 400 and 1,000 of the 1,300 persons aboard. One of the British frigates was also lost in the engagement with six sailors drowned after running onto a sandbank while failing to escape a lee shore. The French 74-gun ship Droits de l'Homme had been part of the Expédition d'Irlande, an unsuccessful attempt by a French expeditionary force to invade Ireland. During the operation, the French fleet was beset by poor coordination and violent weather, eventually being compelled to return to France without landing a single soldier. Two British frigates, the 44-gun HMS Indefatigable and the 36-gun HMS Amazon had been ordered to patrol the seas off Ushant in an attempt to intercept the returning French force and sighted the Droits de l'Homme on the afternoon of 13 January. The engagement lasted for more than 15 hours, in an increasing gale and the constant presence of the rocky Breton coast. The seas were so rough that the French ship was unable to open the lower gunports during the action and as a result could only fire the upper deck guns, significantly reducing the advantage that a ship of the line would normally have over the smaller frigates. The damage the more maneuverable British vessels inflicted on the French ship was so severe that as the winds increased, the French crew lost control and the Droits de l'Homme was swept onto a sandbar and destroyed. Thomas Buttersworth...
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Early 1800s Old Masters Woodbury

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Canvas, Oil

Early 19th century Portrait of a Young boy, with powdered wig holding a book.
Located in Woodbury, CT
Superb late 18th-early 19th-century portrait study of a young boy holding his favorite book. the piece is very well painted and in great condition for its age. It came from a private...
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19th century Victorian English Boy seated in a barn feeding his dog and donkey
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Portrait of an English Horse "Peily", a dark bay hunter tethered to a fence.
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Located in Woodbury, CT
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Portrait of an English Horse "Peily", a dark bay hunter tethered to a fence.
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Located in Woodbury, CT
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Antique 18C English landscape with figures on a pathway with horses and dogs
By Julius Caesar ibbetson
Located in Woodbury, CT
Ibbetson was probably educated in a local Moravian community at Fulneck and then by Quakers in Leeds. Between 1772 and 1777 he was apprenticed to John Fletcher, a ship painter in Hull where he also enjoyed some success as a theatrical scene painter for the Hull Theatre. In 1777 he moved to London, where for the next decade he worked as a picture restorer. From this employment, he was able to acquire a thorough acquaintance with the works and methods of Dutch artists. In 1785 he exhibited at the Royal Academy A View of Northfleet and continued to exhibit during succeeding years. Through the connoisseur Captain William Baillie, Ibbetson was appointed draughtsman to Colonel Charles Cathcart on the first British embassy to Peking (Beijing) in 1787. Cathcart, however, died at Java during the voyage. Ibbetson returned to England, having made many drawings of the fauna and the scenery encountered during the voyage that included visits to Madeira, the Cape of Good Hope, and Java. He was also able to obtain nautical experience which he afterward turned to account in his pictures. In 1789, Ibbetson went to visit Viscount Mountstuart at Cardiff Castle. This was the start of a long association with Wales, where he painted numerous scenes of folklife and picturesque scenery as well as detailed watercolors of iron furnaces, coal staithes, and copper mines, which provide an important record of early industrial developments in that part of the country. A visit to the Isle of Wight in 1790 was the inspiration for a series of paintings of shipwrecks...
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Early 1800s Old Masters Woodbury

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Oil

Portrait of an English Horse "Peily", a dark bay hunter tethered to a fence.
By Daniel Clowes
Located in Woodbury, CT
Daniel Clowes was active/lived in United Kingdom. Daniel Clowes is known for horse and landscape, figure painting.His work is in a similar manner to that of George Stubbs and he may...
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Early 1800s Folk Art Woodbury

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Oil

Portrait of a pretty Young French Girl
By Jean-Baptiste Greuze
Located in Woodbury, CT
A wonderful Oval oil on canvas portrait of a little girl. Very much in the style of Jean-Baptiste Greuze.
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Early 1800s Old Masters Woodbury

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Oil

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