New Arrivals: More Art

Talent, 100x100cm, acrylic/canvas

Depersonalization2, 120x80cm, Oil, acrylic, canvas

Sumiko and Vitya, 150x120cm, Oil, Canvas, Sand

Autumn landscape, 100x100cm, Oil/Sand/Canvas

My forest, 100x100cm, canvas, oil, sand

N208, 50x60cm

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Immersive and radiant, Evening Breeze captures the horizon at ...

Vase with Clematis by Émile GALLE (1846-1904) A baluster-shaped vase ornated with clematis. Green, purple and opalescent multi-layered glass. The fine floral decoration was made bo...

Stream, cardboard/oil, 37.5x49 cm

Keith Haring New York City 1989: RARE original 1989 Keith Haring designed "Haring House" party invitation featuring front & black illustrations & text by Haring including - '$100,00...

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

Nobody is perfect, 80x100cm, oil on canvas

Stuck in thoughts, 120x90cm, oil on canvas

Salvador Dali (1904-1989) - Burning Giraffe Lithograph from 1973. Editon 103/250 on Arches paper. Dimensions of work: 48x65 cm Publisher: Carpentier. Reference: Michler-Löpsinge...

Photorealistic Landscape Embroidery, Flowers, Nature, Framed, Sunrise Penstemons *unframed dimensions 19.25" x 12.25" Carol Shinn is a studio artist who lives in Fort Collins, Color...

Salvador Dali (1904-1989) - The Divine Word Lithograph from 1973. Editon 101/250 on Arches paper. Dimensions of work: 65 x 48 cm Publisher: Carpentier. Reference: Michler-Löpsin...

Ivy Berries Vase by DAUM An ogival-shaped vase with a narrow neck made in multi-layer glass, with a decoration of Ivy and dark blue berries, entirely released with the acid. Sign...

70x70cm, print on canvas Edition 20 pcs.

N195, 50x50cm

N198, 50x50cm

Artist: Peter Max, German/American (1937 - ) Title: Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Hand signed in marker with dedication Year: 1993 Medi...

70x70cm, print on canvas Edition 20 pcs.

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s large-sized Keith Haring Tokyo Pop Shop sticker sheet, that is well-suited for framing. Designed by Haring in conjunctio...

N130 - 50x40, oil/canvas

Man 1, 2021, 120x55 cm

70x70cm, print on canvas Edition 20 pcs.

N194, 50x50cm

Keith Haring Pop Shop, circa 1987: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout ...

80x70cm , oil\canvas

70x50cm

80x70cm , oil\canvas

70x70cm, print on canvas Edition 20 pcs.

70x70cm, print on canvas Edition 20 pcs.

Italy , 70x70cm, print on canvas Edition 20 pcs.

70x70cm, print on canvas Edition 20 pcs.

Untitled , 100x75cm, acrylic, canvas

70x70cm, print on canvas Edition 20 pcs.

80x70cm , oil\canvas

Destruction, 110x80cm , oil\canvas

Muse, 120x100cm , oil\canvas

Dreamers, 125x175cm , oil\canvas

Culmination, 150x90cm, oil on canvas

Untitled , 100x75cm, acrylic, canvas

My beloved the most beautiful 120x100 cm

midday rest, 60x79 cm, oil on canvas

Marine outdoor Italian stainless steel with turquoise tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, S...

Printed on Italian stainless steel. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City...

Nice girl by the tree, 146x124 cm

Korzhik on horseback in the apocalypse, 150x70 cm, canvas, oil, mixed media

Party, 60x90 cm, oil on canvas

Cupid and Psyche, 84x120 cm, acrylic on paper

Drunken Bacchus, 130x55 cm, oil on canvas

Cupid's Arrow, 90x120 cm, oil on canvas

N101, 100x100cm, oil/canvas The work is sold without a frame.

N190, 100x100cm, oil/canvas The work is sold without a frame.

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...