New Arrivals: More Art

Nude 2, 30x20cm, oil, canvas on cardboard

Nude 1, 40x20cm, oil, canvas on cardboard

Nude 3, 30x20cm, oil, canvas on cardboard

Girls relax 150x120 cm The work is sold without a frame.

Dream time 80x120cm The work is sold without a frame.

Marbella 100x100 cm The work is sold without a frame.

Summer 80x80 cm The work is sold without a frame

Girl with umbrella 70x50 cm

March 70x50 cm

Dull gloss, 90x90cm, oil on canvas

Summer , 100x80cm, acrylic on canvas, color pencil, oil pastel The work is sold without a frame.

A cup of coffee 100x100 cm The work is sold without a frame.

Girl in a cafe 70x50 cm

Red vase 110x80 cm

White noise, 80x60cm, oil on canvas

The fragility of memories, 100x90cm, oil on canvas

Illusion of a moment, 70x50cm, oil on canvas

Pure Shine, 70x50cm, oil on canvas

Duality, 80x60cm, oil on canvas, oil pastel

My paintings are a reflection of my inner space, I will call it a garden. What is this garden like? It's a little chaotic, a little bright, a little abstract, a little orderly, a l...

The wind of our hopes. 100x130cm. Oil, oil pastel, canvas The work is sold without a frame.

A view from the outside, 70x70cm, oil on canvas, oil pastel

Everything is ahead, 70x50cm, oil on canvas, oil pastel

Home , 70x60cm, oil on canvas

Pink sunshine , 120x100cm, oil on canvas

Andy Warhol John Lennon Record Cover Art: Offset illustrated by Andy Warhol shortly before his death in 1986 for the estate of John Lennon/Capital Records. Literature/references: And...

Evening mood , 60x60cm, oil on canvas

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Blues, 100x80cm, oil on canvas

Let's have breakfast, 120x110cm, acrylic on canvas

Melanie Sherman Cup with big Japanese Vase, Armchair with Bird, Shelve with Books, Boxes, Bowls and Vases with Flowers 2025 Porcelain, Glaze, Underglaze, Overglaze, Vintage Transfers...

Ctrl/Ar t/Del, handmade carpet 40/20 cm The rug is designed to be mounted on the wall

Red Valley

Profession, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Ctrl/Ar t/Del, handmade carpet 80/65 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

Untitled, handmade carpet 80/60 cm The rug is designed to be mounted on the wall

This important oil painting on wood depicts a subject that is very rare in the iconography of ancient mythological paintings: the birth of Erittonio. Erichthonius who succeeded Amphictyon becoming the fourth mythological king of Athens and married the naiad Praxithea who made him the father of Pandion. The extremely high quality of this very rare painting suggests that it was painted by an artist who frequented Francesco Albani's studio. The period, the mythological subject, the harmony of the colours and, above all, the sublime quality of the flesh tones all point in this direction. This artwork, never before on the market, comes from an important Italian private collection Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. ERYTHTONIOS (᾿Ερυχϑόνιος, Erychthonios) Born of Hephaestus' love for Athena, from the breast of Ghe, who was impregnated by the god; welcomed by Athena, who placed him in a basket together with one or two snakes, entrusting him to the care of Cecrops' three daughters. Against the goddess's wishes, they opened the chest, from which emerged, according to different versions of the myth, either the child wrapped in snakes or a snake, which, in some versions, killed the girls, while in others, they threw themselves from the Acropolis in fear. Erittonio, in the form of a snake, is welcomed by Athena into her temple and curls up under the goddess's shield. Alongside this myth, of Ionian origin, are others due to the doubling of the figures of E. and Erechtheus The scene of the birth appears in figurative tradition: in a Melian terracotta relief from the early 5th century, Ghe, half-emerging, holds out the baby Erittonio. to Athena, who welcomes him in the presence of Cecrops; the same scene appears on various painted vases, such as a red-figure kölix by the Painter of Kodros, from Tarquinia, in the Berlin Museums, dating from around 440 BC, where Hephaestus also appears alongside Cecrops. A modest red-figure vase from Camiro, in the British Museum, depicts the moment when the fleeing Cecropids discover the cista, from which the infant Erittonio. emerges between two snakes, greeting Athena. The moment when the chest was opened was depicted by Phidias on the xiii and xiv S metopes of the Parthenon, where Cecrops and Pandrosus appear in the first and Erisichthon and Aglaurus with the chest uncovered in the second. A kölix in the style of the Brygos Painter in Frankfurt, on the other hand, depicts the large snake E. chasing the fleeing Cecropids towards their father's palace. Luciano (De dom., 27) recalls a painting depicting the scene of the birth and the representation of the myth in pantomime on the theatre (De salt., 39). Bibliography: Engelmann, in Roscher, cc. 1303-1308, s. v. Erichthonios; P. Jacobstahl, Die Melischen Reliefs, Berlin 1931, pp. 96-98, plate 75 a; W. Züchner, in Jahrbuch, LXV-LXVI, 1950-51, p. 200 ff., figs. 34-35; J. D. Beazley, Red-fig., p. 720; G. Becatti, Problemi fidiaci, Florence 1951, p. 22. Questo Francesco Albani (Bologna, August 17, 1578 – Bologna, October 4, 1660) was an Italian painter. Albani was born in Bologna, Papal States, in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi...

I want to fly , 80x90 cm, oil on canvas

A premonition of spring , 75x100 cm, oil on canvas

Dedication , 70x50 cm, oil on canvas

Pandora, 98x70cm, oil on canvas

Untitled, handmade carpet 80/100cm The rug is designed to be mounted on the wall

Harvest, 60x90 cm, oil on canvas

Mid Twentieth Century Impressionist Style Watercolour Portrait of the Young Child Actor Jeremy Spenser by Edward Seago. Edward Seago is most likely the most famous Twentieth Century...

Mid Twentieth Century Impressionist style Still Life of Fruit and Nuts, Signed Watercolour by Edward Seago. This piece is a double sided Watercolour, the Still Life is Signed so cou...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Contemporary Chinese papercut of a still life of rocks and grass that is back lit with an LED video loop of a dancing female figure in red. There is a button at the bottom of the pie...

Frank Stella The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1...

This is our last remaining one of very popular full size Verdure Balmoral tapestry, we will be completely sold out once this one sells. Inspired by the Verdure Balmoral Tapestry, Fl...

Plastically materializing the energetic atmosphere typical of the meditative mental space and thereby inducing states of contemplation and introspection has been the purpose of the w...

Pond, 100x120 cm, acrylic on canvas