Recognized Dealers

Italian Neo-Classic monumental off-white painted and gilt trimmed breakfront / bookcase having 2 upper and 2 lower doors with a wire mesh centering a recessed platform with column fo...

▪ Roberto Cavalli silk corseted strapless mini dress ▪ cream, purple and metallic gold brocade printed silk ▪ Corseted bodice with asymmetric ruching and tucking ▪ Ruffled mini sk...

Beautiful vintage Chanel Full Flap handbag in white quilted lambskin leather, gold-tone metal hardware, a gold-tone metal chain handle interlaced with white leather for a shoulder an...

A very handy erotic plate. Hand-painted stoneware.

"Pinecone" is a large table lamp, designed by Paola Navone and manufactured by FontanaArte, with a lampshade in transparent or frosted white blown glass, a metal cage with nickel or ...

Vico Magistretti was among the first external collaborators of the young company Artemide, founded in 1959 originally for the production of lamps only, to which furniture was later a...

Coffee table DS-615/91A by De Sede. As leather experts, it is our great passion to experiment with leather as a material. With DS-615, we succeeded in achieving a major accolade as w...

1920S Ivory Silk Chiffon Cocktail Dress With White Beadwork & Crystals

Canadian sculptor Floyd Elzinga finds inspiration for his iconic imagery in nature. From his studio on the rugged Niagara escarpment, he creates beautiful sculptures using natural forms—trees, the maple leaf and pine cones. This new series of pine cones are superbly detailed, and hand forged from bronze. The polished finish lends an elegance to these tabletop pieces. “The natural world is fundamentally my inspiration, and it is strongly reflected in my subject matter.” Floyd Elzinga His pinecone...

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932...

Elegant swingarm sconces in tubular brass with a cast brass backplate.

Two Boys (one standing, the other seated and drawing) Graphite and colored pencils on wove paper, 1975 Signed and dated lower left center (see photo) Condition: Excellent Slight waviness visible only on reverse Image size: 11 1/2 x 13 3/4 inches Sheet size: 14 x 17 3/4 inches Provenance: Estate of the Artist By descent Mary Spain (Colie) (1934-1983) Mary Spain was born in Raleigh, North Carolina. She taught art in Chagrin Falls...

Ontario Pepper shaker in white porcelain by Matteo Thun for Memphis Milano collection Additional Information: Pepper shaker in decorated white porcelain. Collection: Memphis Mil...

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932...

French Empire-Style (20th Century) distressed white painted tole 6-light chandelier featuring an elaborate urn form base with draped beads, branching out to 6 scroll candelabra. ...

Tall obelisk-shaped lamp by Metalarte of Spain, covered in leather and stitched along the base and stem. Signed underneath. Size is of the base only. No shade included.

Continental Mid-Century monumental circular shaped 6-light chandelier with a polished brass frame and 6 tulip-form white glass shades.

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey was born on Nov. 17, 1930, in Council Bluffs, Iowa. His father, Willard, worked in radio advertising and moved the family from city to city in the Midwest. Bill was in his early teens when his father died. His mother, Marjorie (Cheyney) Bailey, was a homemaker who later worked as an accountant for her second husband, Fred...

In Very good condition for the age however with garments over half a century old like this minor flaws are to be expected. 1950S Seafoam Haute Couture Silk Duchess Satin Beaded Stra...

HE-113/01 armchair by De Sede. Technical details: Upholstery: SEDEX upholstery with wadding cushion. Strap cover in core leather black. Frame: Chrome-plated steel tube frame. Bl...

Huge brass and perspex wall light. Elegant shape.

Mid-Century (1970s) Danish ceramic bone stoneware table lamp (Model no. 900) in jar form with a long tapered neck embedded with a functioning brass light switch...

The spontaneous and naïve designs of Maarten Baas’ Clay series express artistic vulnerability. Each piece is handmade of industrial clay, covering a steel fr...

Hermes Kelly 28cm Craie "Chalk" Off White Epsom Sellier Bag U Stamp, 2022 Craie with Palladium Hardware is spectacular in person! Brand New in Box. Store Fresh. Pristine Condition (with plastic on hardware). Just purchased from Hermes store. Bag bears new interior 2022 U Stamp. Perfect gift! Comes full set with keys, lock, clochette, shoulder strap, sleeper, rain protector, and Hermes box. Craie is the most coveted neutral from Hermes due to its elegance and rare production. Craie ("Chalk") accented with fresh Palladium hardware appears more white than with gold hardware, and is so sleek and sexy! Ideal for the modern fashionista that favors platinum jewelry, Craie with Palladium is a true off-white neutral that complements every color, all four seasons. In the 28cm Sellier construction, this Craie Kelly...

Table HE-116/61 by De Sede. Furniture made from steel is timeless; today it is more in demand than ever. In search of a new functional design this type of furniture first appeared in...

Classy And Eye Catching Vintage Emmanuelle Khanh Paris. Strong And Stunning Frame. A Must Have Piece! This Pair Is A Class Statement, A Must Have For A Collector! A Great Opportun...

Armchair DS-2011/01 by De Sede. Aesthetics and functionality in a harmonious combination. An impressive design with a solid steel construction and light upholstery. Casual cushions and visible seams complete the harmonious look. Details: Standard configuration: Runners black...

Large dining table DS-788/96 by De Sede. The dining table DS-788 embodies pure delight. Rather than rest on table legs, the stone tabletop in marble, quartz or granite is poised on t...

Leather punching bag DS-2878/60 by De Sede. Matching to the re-edition of the DS-2878, De Sede boxing fans can get their hands on a very special a...

Playful form. Original raffia shade available for $400. Inquire for images.

DS-77/03 2-seat sofa by De Sede. Technical details: Standard configuration: Steel legs, matte dark nickel coating. Standard seat and back heights. Neck support in brushed stainle...

Small dining table DS-788/92 by De Sede. The dining table DS-788 embodies pure delight. Rather than rest on table legs, the stone tabletop in marble, quartz or granite is poised on t...

Chair with armrests RH-305/01 by De Sede. A chair that has lost none of its elegance and style since it was created in the 1950s, an icon. The re-edition remains a Classic, but has b...

Vittoriano Viganò was born in Milan in 1919. His training took place between the Classical Studies and the Faculty of Architecture at the Politecnico in Milan, where he graduated in ...

Hermes Silver Breloque Dog Horse H Palladium Bag Charm for Birkin or Kelly Long discontinued and iconic silver bag charm by Hermes. The most darling ...

A Pair Of 'Japonsime' Gilt-Bronze-Mounted Powder-Blue Porcelain Vases, Mounted As Lamps. By Ferdinand Barbedienne, Paris. Each with a square shaped body. The sides decorated with ...

Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...

Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner. A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

"Wheel" table lamp by Bernard Rooke in heavy ceramic in the brutalist style. The lamp is wired for the US, comes with no shade (one can be provided on request) size is of base only.

This beautiful white denim midi Chanel skirt is the ideal from day to night fit. Wear it with heels for a more dressy look or sandals for a more casual one...

DS-9087/60 beanbag chair by De Sede. Styrofoam ball filling.

Verlaine Vintage presents a Jean Colonna asymmetric floral dress from the spring-summer 1998 collection. A piece that epitomizes Jean Colonna's minimalist sensuality, this dress has an interesting asymmetric design. The left side is constructed with a regular long sleeve, while the right side is sleeveless and the neckline functions as a shoulder strap. The designer explored this concept in several of their mid-'90s collections. The piece is crafted from an unusual technical jersey (71% viscose, 21% nylon) with a floral print that would look right at home in a vintage 70s interior...

Le Clown Blanc (The White Clown) Lithograph, 1964 Unsigned (as issued by DLM) From: Derriere le Miroir Chagall: Dessins et Lavis, Exposition...

Stunning wall lights model AS3C Designed by Franco Albini, Franca Helg e Antonio Piva. Produced by Sirrah in Italy, circa 1968-1971. The light can be mounted with the lampshade facin...

Glazed porcelain. Footed orb-shaped vase with applied circular forms. Blue and green glazes. Artist signed on underside.

Chair RH-305/01 by De Sede. A chair that has lost none of its elegance and style since it was created in the 1950s, an icon. The re-edition remains a Classic, but has been adapted sl...

This screen is very likely inspired by the Noh play, "Eguchi", in which the courtesan Eguchi transforms into the Buddhist deity, Fugen, who is the patron of women and is often seen o...

Brutalist pottery lamp by Bernard Rooke. Stamped. Rewired.

Beanbag chair DS-9090 by De Sede. Beanbags have long been a part of the De Sede inventory, but the manufacture has now gone one step further with the launch of DS-9090, a beanbag tha...

Italian Neo-Classical (Mid-Century) white porcelain replica of \"Boy with Thorn\" by Salterini, depicting a young boy sitting on a rock, removing a thorn from the sole of his foot, m...

Rare ceiling lamp by unknown designer. Probably produced in Sweden.

DS-2660/101 longue chair by De Sede. Technical details: Standard configuration: Armrests covered in leather. For further versions, please inquire. If not specified otherwise, the...

Mid-Century Victorian-style white painted wicker writing desk with a wooden rectangular with rounded corners, a short back gallery with two small basket compartments, resting on wick...

'Nocturne' is a unique glass sculptural vessel by the Swedish artist, Gunnel Sahlin. Sahlin’s current passions include exploring the limits of glass materiality, colour, form and ...

Chair RH-301/01 by De Sede. The appeal of tubular stainless steel furniture is timeless. Created in 1954 as a tribute to Mies van der Rohe, Robert Haussmann’s famous chrome-plated fl...

Bed frame DS-1151/160B and headboard DS-1152/160 by De Sede. When dreams come true. The epitome of a box spring bed. A leather-covered head section with ...

Jean Paul Gaultier’s designs always have a particular erotic drama to them. From his cone-bra corset designed for Madonna, Gaultier tends to create garments that convey an apocalyptic, deconstructionist aesthetic. Gaultier has a number of lines ranging from haute couture to childrenswear. His unapologetic styles dash his clothing with a hint of avant-garde but is what makes him so popular amongst bold celebrities such as Rihanna and Gaga. Reflective of Gaultier’s signature aesthetic this ca. 2000 skirt is made from a combination of blush rib-knit cotton and a faded pink, silk crinkle chiffon. The rib-knit forms the skirt yoke to which the chiffon is attached in jagged arches at hip level. A warped waistline questions the finesse of the dress that is contrasted by the chandelier draping of the skirts handkerchief hem which is finished by the chiffon being tied into knots. This Gaultier design is eerie as it conveys a delicate yet distressed sentiment. Size estimate: S Measurements: Waist: 27 inches Hips: 36 inches Length: 33 inches to 44 inches at the bottom of the knot. This cotton knit, and silk chiffon skirt is fitted throughout the hip and releases into a bohemian fluidity. It is unlined and rests at hip level and the waistline is lined with an elastic to stabilize the knit and to secure the skirt to the body. The skirt can be slipped over the head or simply stepped into. Professionally cleaned and pressed, this JPG skirt...

Bed frame DS-1164/160A by De Sede. The bed collection DS-1164 celebrates the rediscovery of divine sleep. The design principle follows closely in the footsteps of the sofa DS-164 whi...

This fixed table with a solid marble-resin base varnished in 9 colors. Here you are shown the Illo round table with copper central column and lacquered base and size Ø 140 x 75 H. The top is also available in black ash, flamed oak, vintage oak, Canaletto walnut, or lacquered like the base. The central column is copper-coated by galvanic treatment or varnished on the same colour of base and top. Additional information: Dimensions: Table top height 4cm, overall table height 75 cm, width of table 140...