Recognized Dealers

Guelfo wingback chair and pouf were launched in 2015 with the aim to give a new, refined and innovative (sometimes ironic) style to the 18th century French archetype and like all the...

Pair of French Victorian parian porcelain vases of hand holding nautilus shaped shell (priced as pair).  

GOLDEN GOOSE GG/AFG Stardan distressed white low top sneaker EU38 Brand: Golden Goose Model: GGDB/AFG CONDITION: Condition: Excellent, this item was pre-owned and is in excellent co...

Base is black or white varnished steel; column is steel with white or black ABS plastic sleeve; tops are in Laminam. Tops are not interchangeable.    

‘No Limits #1' is a unique glass sculpture by the Danish artist, Maria Bang Espersen. Maria Bang Espersen works around the idea that all things are malleable, like glass, and that nothing can be permanently defined. Her experimental sculptures are therefore not only an approach but also a statement; one that states to never get caught up in the restrictive norms or to obey established hierarchies. Essentially, her works in glass, are a play with the possibilities of the material and an attempt to expand the viewer’s understanding of her chosen medium. Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement. Her chosen sweets confectionery colour palette entices and draws the onlooker towards the artwork, which deliciously glisten. Espersen studied glass and ceramics at Engelsholm Højskole, in Denmark, continuing her studies at the Kosta School of Glass in Sweden, The Royal Danish Academy of Design, and Haystack Mountain...

2000S MARC JACOBS White Cotton Eyelet Lace Summer Dress

Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Louis Vuitton White Multicolor Monogram Card Holder Made In: Spain Year of Production: 2008 Color: White and multicolor Hardware: Goldtone Materi...

Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...

Table lamp direct diffused light. Structure in cast aluminum lacquered in the new Living Coral color and available in pastel colors: white, light blue, light lime green, light grey; ...

The four forms of the Euclidean geometry, the cube, the cylinder, the sphere and the pyramid, made of four different marbles, represent the basis of the table finished with a big she...

DSQUARED2 Vintage white tent embroidery leather collar denim jacket IT38 XS Brand: Dsquared2 Material: Denim Color: White Pattern: Solid Closure: Button Extra Detail: Leather collar ...

1930S White Cotton Eyelet Lace Summer Lawn Party Dress With Mini Bustle

New 1990 Cartier Filao Sunglasses with solid brown (uv protection) lenses. All hallmarks. Cartier gold signs on the ear paddles. These are like a pai...

Each with round gilt-edged platform supported on three square legs with guilloche decoration, headed by lion's masks and terminating in paw feet; on a tripartite spreading base with ...

New vintage Zeiss oversized two tone amber frame. Two shades of clear amber frame holding a pair of light changeable lenses. Made in West Germany MEASUREMENTS: Front : 14.5 cms ...

Ernesto Gismondi for Artemide, table Lamp model 'Sintesi Tavolo', lacquered steel, chrome-plated metal, Italy, 1976 The founder of Artemide, Ernesto Gismondi (1931-2020), designe...

The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin Armchair, conceived as a body to be dressed with an elegant and luxurious dress...

A rectangular Japanese porcelain bowl decorated in blue and white colours. Motives of a poem and a rooster and hen. A very attractive piece of Japanese porcelain. Both the motive an...

American Mid-Century circular dining table with a white laminate top featuring a central lazy susan circular section that rotates, resting on a white powder coated metal pedestal bas...

Boasting a balanced and interconnected all-over diamond pattern, this hand-knotted wool carpet measures 5’11” x 8’8” and is in brand-new condition. All-natural shades of hand-spun wo...

Wuanita Smith, 'Humming Birds and Orchids', white-line color woodcut, circa 1930, edition 50. Signed and titled in pencil. Annotated '50 edition', 'no 5'...

Brice Marden The Fungoid Rock 1996-97 Etching and sugarlift aquatint on vintage Richard de Bas paper 19 1/4 x 15 3/4 inches; 50 x 40 cm Edition of 45 Signed, dated, and numbered in g...

"A simplified design to create an elegant, comfortable, popular item”. The structure has an all-embracing simplicity, and is formed from just a few elements in steam bent solid beech...

Lyonel Feininger, 'Church with Houses' also 'Tree and Star' ('Kirche mit Hausern', 'Baum und Stern'), woodcut, 1933, one of a small but unknown number of letterhead proofs; Prasse W275. Annotated 'W 275' (Feininger catalogue number) and inventory number '3033' in pencil, in the bottom right sheet corner. A fine, richly-inked impression, on cream, laid letterhead paper, in excellent condition. Very scarce. Image size 2 7/16 x 2 5/8 inches; sheet size 10 x 6 7/8 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

American Mid-Century dining table with a rectangular white laminate top resting on two H-shaped steel legs. (GEORGE NELSON / HERMAN MILLER).  

Young Lady in Profile (Dorothy Gibson) Graphite on paper, c. 1915 Signed lower right (see photo). The sitter for this drawing, along with a huge number of Harrison Fisher’s works, is the model, turned actress, Miss Dorothy Winifred Gibson (1889-1946). She was one of the lucky ones who survived the sinking of the Titanic in 1912. There is an in depth biographical sketch available on Wiki. "Dorothy Winifred Gibson (1889-1946) is arguably one of the most fascinating women of the twentieth century. Her story is more than deserving of its own film or TV show and yet, if it was to ever appear on the screen, it would be in serious danger of being criticised as ‘too unbelievable’ or ‘farfetched’. But believe me, readers, everything I am about to tell you about Dorothy Gibson is true... Early Life Dorothy Winifred Gibson (originally Dorothy Winifred Brown, before her father died when she was three years old and her mother remarried), was born in New Jersey on 17 May 1889. Between 1906 and 1911 (aged 17-22), she appeared on stage as a singer and dancer in a number of theatre and vaudeville productions, and in 1909 she began modelling for Harrison Fisher, a famous commercial artist. Dorothy soon became Fisher’s favourite muse, and her image was seen regularly on postcards, merchandising products and even on the covers of magazines like Cosmopolitan. During this time, Dorothy met and married a pharmacist named George Henry Battier Jr, but the couple soon separated and were divorced by 1913. As early as 1911, Dorothy began appearing in movies, starting out as an extra but soon taking the leading roles in a series of films by Éclair Studios. Praised for her natural acting style and comedic flair, she was a huge hit – and arguably the first actress to be promoted as a star in her own right. Surviving the sinking of the RMS Titanic On 17 March 1912, after starring in a string of movies, Dorothy and her mother, Pauline, took a trip to Europe – but after a few weeks Dorothy was called back to America by the studio to start working on a new series of films. Dorothy and her mother were in Paris when they booked their tickets on the maiden voyage of the RMS Titanic, and boarded at Cherbourg on 10th April. On the night the ship sank, Dorothy had ‘spent a pleasant Sunday evening playing bridge with a couple of friendly New York bankers’ (her words, in an interview with the New York Dramatic Mirror). Despite the request of a steward for them to finish, they carried on with their game and it was not until about 11:40pm that Dorothy returned to the stateroom she shared with her mother. It was at that point that she felt ‘a long drawn, sickening crunch’ and, while not exactly alarmed, she decided nonetheless to investigate. Quickly noticing that the deck was ‘lopsided’, she rushed back to her room to fetch her mother, and the pair returned to the boat deck. Dorothy and her mother escaped from the ship on the first lifeboat launched (number 7), and given how quiet it was on the boat deck at the time, she asked her bridge partners to join them. However, events took a turn for the worst when a hole was found in the bottom of the lifeboat, causing icy cold water to rush in and almost flood the boat. Luckily, though, Dorothy explained, ‘this was remedied by volunteer contributions from the lingerie of the women and the garments of men.’ It is hard for us now to imagine the terrors of that night – and the emotional damage it caused to those who survived. After the event, Dorothy told the Moving Picture World, ‘I will never forget the terrible cry that rang out from people who were thrown into the sea and others who were afraid for their loved ones.’ Unbelievably, though, Dorothy was to re-enact the experience a mere five days after it happened, when she starred in the first film about the disaster. It was a silent movie, called Saved From The Titanic, and was actually hugely successful and the first of many hit films about the sinking. In the movie, Dorothy even wore the same clothes she had been wearing when the ship sank – a white silk dress underneath a cardigan and polo coat. Shortly after the release of Saved from the Titanic Dorothy gave up acting. An affair to remember...

Study of an Italian Town with Women in a Doorway Graphite on cream wove paper, c. 1960 Signed by the artist in pencil lower right (see photo) A master of ...

Victorian White Organic Cotton & Handmade Lace Chemise Corset Cover Dress

Breathtaking Yves Saint Laurent designer dress ensemble from his 1978 Spring/Summer collection. Such a rarity to find all three pieces togeth...

Linocut on paper

Pair of white linen club chairs, linen fabric has subtle geometric design.

Albano Poli was born in 1935 in Verona, and since he was a boy he was interested in glass work and production. In 1968 he found POLI ARTE, where he produced his famous lamps that in ...

Gorilla chair with real off white leather by Marcantonio is an ape shaped seat with a rich off white leather covering. A lounge chair with ...

Founded in 1945 by Giuseppe Ostuni, Oluce is, in the field of lighting, the oldest Italian design company still active, a unique manufacturing excellence that translates into form pa...

The adjustable columnar support surmounted by an open loop, fitted with an adjustable horizontal rod terminating in a downward arched lamp head with one socket; on a turned round plinth...

Inspired by a photographer’s use of light equipment, PODGY strives to create an accurate illumination that serves the needs of everyday life. By combining several classic elements fr...

New Vintage Taxy by Casanova Avantgarde frame with original demo lenses. This pair may have minor sign of wear due to storage. Made in Italy. Measurements Front : 13 cms Lens : 4...

Available in two sizes, thanks to its long teardrop shape, Lacrima is the ideal solution for staircases or high ceilings. Specifications: Material: Glass Light source: E26 UL N...

LORO PIANA 100% cashmere grey white patterned knit shadow fox trim circle scarf Reference: LNKO/A01995 Brand: Loro Piana Material: Cashmere Color: Grey Pattern: Geometric Extra...

PAIR of American Mid-Century 'Pretzel' design dining armchairs with white painted bentwood frames with fan-shaped backs, resting on four curved and tapered legs. (PRICED AS PAIR)

Here you are shown the Caruso cabinet in a white lacquered structure with black legs and in the small size. This small cabinet is integrated with an aud...

Here you are shown the Caruso cabinet in the red Marsala lacquered structure with black legs and in the 3-door long size. This Long Cabinet is integrate...

Iconic Prada lip print heels. Unworn, and comes with the collectable lip print shoe box. These shoes were special ordered at the Prada Made-To-Order ...

Color Reduction woodcut from 4 blocks with 4 silk screen colors and embossing on white Rives BFK paper Edition 28/30, Unframed MassArt welcomed artist Winfred Rembert for the 2014 Master Print Series, an artist in residency project during which, an established artist transforms an idea into physical artwork, and invites students to collaborate in the art-making process. A self-taught artist, Winfred Rembert records a painful chapter of American history in autobiographical paintings, created on hand-tooled and dyed leather, which explore the lives of African Americans in Jim Crow-era Georgia. After taking part in civil rights demonstrations, he survived a lynching only to be sent to prison to do hard labor on a chain gang. Another inmate taught him leatherworking and Rembert began depicting his past in engaging compositions and vibrant color. In many scenes, Rembert offers a raw view of racism, inequality, and violence while celebrating his community’s resilience in the face of such overwhelming injustice. Winfred Rembert also participated in the Adderley Lecture series, which features distinguished artists, historians, and writers and was established in 1995 in memory of Tyrone Maurice Adderley. Past Adderley lecturers have included Chakaia Booker, Melvin Edwards...

XVESSEL G.O.P. Lows yellow deconstructed distressed sneakers EU37 US7 Brand: XVessel Model: GOP Lows Material: Fabric Color: Yellow Pattern: Solid Closure: Lace Up CONDITION: Condit...

Glass and brass mid-century pendant. Very elegant elliptical hand blown glass with brass details.

LOUIS VUITTON 2003 Takashi Murakami white multicolour monogram Ansoritto wallet Reference: TGAS/C00001 Brand: Louis Vuitton Designer: Marc Jacobs...

American mid-century wooden white-painted student desk with a rectangular desktop supported on the left by two drawers with circular knob pulls resting on ...

The Hi pad chair, and accompanying Hi pad Stool, are the result of a production process that represents the perfect balance between technology and artisan...

The perfect accent, with an ironic touch and eloquent presence, the Bong table by Giulio Cappellini is composed of a solid sphere and a round top. The Bong coffee table is available ...

The structure of the Branch Table is composed of identical ramified elements made of die-cast aluminum: for this product, designer Jakob Wagner created a series of seamlessly interco...

Based on a slender structure in satined stainless steel, the sophisticated Spring chair was designed by Erwan Bouroullec. The distinctive shell is made of rigid polyurethane foam wit...

The Gong table is a signature design by Giulio Cappellini. The round top is made of laser-cut sheet metal, connected to the base with a tubular iron leg. Gong can be disassembled and...

‘Vase with Star Rim' is a unique porcelain sculptural vessel by the British artist, Vivienne Foley. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson...

Italian vintage Murano glass and brass Sputnik chandelier in the style of Stilnovo. Fifteen glass globes and fifteen brass balls extend on brass stems from the central brass fixture....

A system made with multiple glass rings, available in different colors and textures, which offers a high level of customization in terms of shape and size. Specifications: Light...

The reduced version of Giogali uses glass hooks for smaller wall installations, standard or custom made Specifications: Light source: E26 No of bulbs: 4×60W E26 Dimmer: DIM 1 ...

For Calgary artist Aron Hill the sun is often a focal point for their fresh, boldly coloured minimalist paintings. This composition in deep purple, hot pink, red and bright yellow is...

2 American mid-century end / side tables with hexagonal white terrazzo tops with a bronze inlaid hexagonal design supported on three curved wooden legs. (Harvey Probber)(Priced Each)...