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Artist: Michael D'Aguilar
Portrait of a Girl in Nature - Mid 20th Century Oil by Michael D'Aguilar
By Michael D'Aguilar
Located in Watford, Hertfordshire
Baron Michael D`Aguilar was born on May 15, 1922 in London to Spanish parents. He was brother of the artist Paul D`Aguilar. He spent much of his early life in Spain. He studied at...
Category
1940s Post-Impressionist Figurative Paintings
Materials
Oil
Dans L'Atelier Mardi - Mid 20th Century Nude Still Life Oil by Michael D'Aguilar
By Michael D'Aguilar
Located in Watford, Hertfordshire
Baron Michael D`Aguilar was born on May 15, 1922 in London to Spanish parents. He was brother of the artist Paul D`Aguilar. He spent much of his early life in Spain. He studied at...
Category
1940s Impressionist Nude Paintings
Materials
Oil
Girls by the Sea - Mid 20th Century Nude Still Life Oil by Michael D'Aguilar
By Michael D'Aguilar
Located in Watford, Hertfordshire
Baron Michael D`Aguilar was born on May 15, 1922 in London to Spanish parents. He was brother of the artist Paul D`Aguilar. He spent much of his early life in Spain. He studied at...
Category
1950s Impressionist Nude Paintings
Materials
Oil Pastel
Related Items
1950's French Signed Oil Painting Woman Seated in Cafe Interior in Pensive Mood
Located in Cirencester, Gloucestershire
Woman in Cafe Interior
French school, mid 20th century
indistinctly signed oil on board, unframed
board: 20 x 16 inches
provenance: private collection, Paris
condition: very good and...
Category
Mid-20th Century Post-Impressionist Figurative Paintings
Materials
Oil
Girl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (1902 - 1987)
Located in Firenze, IT
Girl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (Carmignano, 1902 - Florence, 1987).
The very colorful and expressive painting is created...
Category
1950s Post-Impressionist Portrait Paintings
Materials
Canvas, Oil
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H 23.63 in W 17.72 in
Charles Parsons - Late 19th century American still life painting - Double face
Located in Varmo, IT
Charles Parsons (American, 1821 - 1910) - Flowers and Female Nude (double face).
51 x 41 cm without frame, 75.5 x 65.5 cm with frame.
Oil on canvas, in carved wooden frame.
Work s...
Category
Late 19th Century Naturalistic Still-life Paintings
Materials
Oil, Canvas
Free Shipping
H 29.73 in W 25.79 in
The wind of change
Located in Aberdeen Dyce, GB
The wind of change is rarely warm and gentle, it can rather knock you off your feet. But still refreshing, invigorating and internally feel you can not do without it. Sometimes it's ...
Category
2010s Impressionist Figurative Paintings
Materials
Canvas, Oil
BEATRICE HUNTINGTON (1889-1988) Scottish impressionist Portrait Oil Painting
Located in Cirencester, GB
ARTIST: Beatrice Huntington (1889-1988) Scottish
TITLE: "Portrait Of A Red Haired Lady"
SIGNED: lower left and with provenance from The Scottish Gallery Edinburgh and James Bourlet exhibition label also
MEDIUM: oil on canvas
SIZE: 68cm x 60cm inc frame
CONDITION: very good
DETAIL: The Scottish artist Beatrice M. L. Huntington (1889–1988) enjoyed a long and varied career as a painter and is best known for her insightful portraits, characterised by a strong sense of design and an intuitive use of colour.
Her approach to painting was ever-evolving: throughout her long and fascinating life, which spanned a century and bore witness to the advent of the modern era, she remained indefatigably committed to her development as an artist and to 'containing and realising the big-ness of it all', as she herself described it in a letter to a friend in 1977, when at the age of 88 she was still refining her approach to form and colour.
The daughter of an eminent St Andrews doctor, Beatrice grew up in affluent surroundings – an imposing townhouse on St Andrews South Street both her father's surgery and the family home. A precocious talent for both music and art led her, perhaps unusually for a girl at that time, to pursue her studies abroad. In 1906, the year she turned 17, she went to Paris to study drawing and painting and in 1911, after an evidently successful formative period in Paris, she continued her studies in Munich, attending a private art school where she apparently flourished.
By the 1920s, Beatrice's own identity and path as an artist were clearly defined. Her marriage to the painter William Macdonald in 1925 created a unique artistic partnership and cemented her place within the Scottish art scene of the 1920s and 1930s, particularly in Edinburgh where Macdonald was already well established and a close friend of Scottish Colourists F. C. B. Cadell and Samuel Peploe. This is illustrated by surviving correspondence and in particular by a characterful portrait of a debonair William Macdonald by Cadell, dating from the mid-1920s.
Macdonald's particular affinity for the arid landscapes of southern Spain had earned him the nickname William 'Spanish' Macdonald. Beatrice shared his love of travel and together they explored the Continent, returning frequently to the French Riviera and to southern Spain, taking as their base, for a time at least, the picturesque Mediterranean fishing village of Cassis in the South of France, a favoured haunt of the Colourists.
The couple moved in artistic milieux both at home and abroad, also spending time in Kirkcudbright in Galloway. Their time painting together in Spain culminated with a joint exhibition in 1928 at Messrs Watt and Sons, Dundee, entitled 'Pictures of Spain...
Category
Mid-20th Century Post-Impressionist Figurative Paintings
Materials
Oil
"Attitude in Diaphanous, " Oil Painting
By Suchitra Bhosle
Located in Denver, CO
Suchitra Bhosle's "Attitude in Diaphanous" is an original, handmade oil painting that depicts a woman, within a dark interior, wearing a transparent white dress as she rests a hand o...
Category
2010s Impressionist Portrait Paintings
Materials
Panel, Oil
«Necklace» Figurative Oil Painting by Samantha Van Heest
By Samantha Van Heest
Located in Oslo, NO
This study takes inspiration from historical “reclining nude” paintings, most of which were painted through the perspective of the male gaze. The artist wanted to change the narrative and make the woman feel more empowered and dominant in her situation, aware of the power she holds.
Samantha Van Heest...
Category
2010s Contemporary Still-life Paintings
Materials
Oil, Canvas
H 40 in W 30 in D 1.5 in
Elegant Reclining Nude wearing Pearls
Located in West Sussex, GB
Konstantin Razumov
(Born 1974) Russian
Elegant Reclining Nude wearing Pearls
Oil on canvas: 13 x 18inches. Frame: 19 x 24 inches.
Konstantin Razumov's work has been offered at auction multiple times over the past 25 years, with well over one hundred works achieving £6,500-£20,000 (8,000 -24,000 USD). A nude ‘Pearl...
Category
2010s Impressionist Nude Paintings
Materials
Oil
Judaica Oil Painting 1945 Palestine Old Jewish Man Polish Israeli Artist
By Ozer Shabat
Located in Surfside, FL
Ozer Shabat 1978-1901
Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s.
Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese.
Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death.
In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris.
He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures.
He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars.
His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum.
Select Solo exhibitions
1936 - Nadler Gallery, Haifa.
1943 - The Tel Aviv Museum of Art.
1952 - Artists House, Haifa.
1953 - Bezalel House, Jerusalem.
1955 - Gallery in Geneva, Switzerland.
1955 - The Writers' Club, Haifa.
1959 - Artists House, Haifa.
1960 - Museum of Modern Art, Haifa.
1962 - Museum of Modern Art, Haifa.
1963 - Gallery 220, Tel Aviv.
1968 - The Municipal Museum of Beit Emanuel, Ramat Gan.
1979 - Memorial exhibition marking the first anniversary...
Category
1940s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
Antique French Fauvist 1920's Signed Oil Painting Portrait of Fashionable Lady
Located in Cirencester, Gloucestershire
Portrait of a Lady
French School, fauvist style
indistinctly signed
circa 1920's period
oil on canvas, unframed
canvas: 22 x 18 inches
provenance: private collection
condition: very ...
Category
Early 20th Century Fauvist Portrait Paintings
Materials
Canvas, Oil
Shyness. Cardboard, author`s technique, 31x28 cm
Located in Riga, LV
Shyness
Cardboard, author`s technique, 31x28 cm
Category
Early 2000s Impressionist Nude Paintings
Materials
Cardboard, Oil, Mixed Media, Pastel
Girl in stockings
Located in Aberdeen Dyce, GB
"You can teach a girl femininity for a long time, but stockings will do it instantly."
Category
2010s Impressionist Nude Paintings
Materials
Oil, Canvas
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