Pitchers on Sale

A magnificent large wine jug, wonderful quality made from a hefty piece of crystal beautifully hand-cut. The naturalistic handle is just lovely, the collar and lid smothered with ...

Pablo PICASSO (1881-1973) Quatre danseurs, 1956. Plaque murale convexe. Épreuve originale en faïence blanche à décor fond noir, tirée à 450 exemplaires Cachet "Empreinte Originale de...

Made in France, 1960s - 1970s. It is made in white hand-painted ceramic with blue and black motifs, that recalls Pablo Picasso's style. It is a vintage item, therefore it might show ...

From a large collection of studio pottery we offer this very fine quality John Leach studio pottery jug dated 2009. John is a member of the renowned Leach family and is the son of David Leach and eldest grandson of Bernard Leach. The handled jug of oval shape has a squeezed body with a handle and tall narrow pouring spout and is decorated in wax resist...

Circa 1960. We offer this Mid-Century Mexican Silver Plated Pitcher with Frogs decoration by Los Castillo in great vintage condition and with fantastic patina. This is an exquisite a...

Made in Denmark. Vintage glass decanter designed by Gunnar Cyrén, circa 1980. Tall, beaker shaped pitcher with a sculpted teak stopper is the st...

Jean De Lespinasse(1896-1979) Fondateur de la SOCFRA qui produira des céramiques, dès la fin des années 1940,sa route croisa celle de Roger Capron MADOURA, Georges Tardieu. Ses produ...

A lovely cobalt blue decanter with sliver base, handle and hinged lid. A compliment to any bar or table setting - the blue is a stunning color. In...

The engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). Several pieces in this new, classical style were purchased by Gertrude Stein (the art patron and writer) and her brother, Leo Stein. With his groundbreaking 1907 painting Les Demoiselles d’Avignon...

Margot Decanter and four Dearborn wine glasses Entirely hand-formed without the use of molds, the contemporary minimal Margot Decanter is an ideal companion to any evening spent e...

Carlo Moretti Albali contemporary mouth blown Murano clear glass decanter, signed and dated. ...

Unique handmade folk art pottery featuring a sealife design with fish swimming though a flowing underwater forest. The handle of the pitcher is a red lobster. The piece is signed but...