Armchairs on Sale

Dazzling mid-century set of four padded swivel chairs by Charles and Ray Eames for Herman Miller. The fiberglass shells are upholstered in a rare g...

Eames Aluminum Group for Herman Miller Task Chair, Zeeland, Michigan, c. 1965, aluminum, leather, Herman Miller manufacturer's label, ht. 30, wd. 23...

Eames Herman Miller EA108 Swivel Chairs, Aluminum Group, Leather Offered for sale is a pair of Herman Miller Charles and Ray Eames Aluminum Gro...

The DCW chair was originally released in 1946, with Herman Miller taking over the manufacture of the chairs in 1950. This lasted until 1953 when the chairs were taken out of producti...

Gorgeous early production 1950s classic Eames for Herman Miller Dax Molded Fiberglass Shell Armchair parchment with black metal base 31 h x 24.5 w x 23.5 d Arm rest 25 Seat 18 Preow...

Awesome example of the Charles and Ray Eames LAX molded fiberglass arm shell chair for Herman Miller in one of the original colors, lemon yellow. This is an early chair made by Zenit...

Marvelous vintage MCM (a.k.a. mid-century modern) Charles & Ray Eames for Herman Miller Aluminum Group high back chairs set of 3. Comprised of aluminum frames, 4 prong aluminum bases, nylon feet, black swivel shaft, black powder coated aluminum arms, & have been reupholstered in an aubergine or eggplant faux suede. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. There are minor nicks on the arms & some wear on outside corners of seat fabric. Please see photos and zoom in for details. We attempt to portray any imperfections. Design Date, 1958. Circa, 1960-1978. NOTE: If you love these Charles & Ray Eames for Herman Miller Aluminum Group high back aubergine chairs...

Marvelous vintage MCM (a.k.a. Mid-Century Modern) Charles & Ray Eames for Herman Miller Aluminum Group high back chair. Comprised of aluminum frame, 4 prong aluminum base, nylon feet, black swivel shaft, black powder coated aluminum arms, & has been reupholstered in an aubergine or eggplant faux suede. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There are some minor scratches on the arms. Please see photos and zoom in for details. We attempt to portray any imperfections. Design Date, 1958. circa, 1960-1978. (We currently have three currently available but priced separately.) I can’t think of anything better than a vintage Charles & Ray Eames for Herman Miller Aluminum Group high back chair!!! Except maybe a purple one!! Aubergine Eggplant, Purple whichever!! WOW!!! It is comprised of an aluminum frame, 4 prong aluminum base with nylon feet, black swivel shaft, black powder coated aluminum arms, and it has been reupholstered in a lovely aubergine or eggplant faux suede fabric. Can we just say Design EXCELLENCE!!!! And not to mention extraordinary comfort! The dynamic design duo of husband and wife team Charles & Ray Eames focused on every detail and combined ergonomics, flexibility, constructive elements, highest quality materials, and attention to superior style which created a masterpiece that is highly sought after still today. The design was introduced in 1958 and is still in production! This vintage beauty will be phenomenal at a desk in an office setting, next to your bed or in the dressing area of your bedroom, or extra seating in the sitting room. It is versatile enough to blend in with many décor styles, but it’s bursting with Mid-Century Modern magnificence!! This treasure is exactly what the designer ordered! Charles Eames was born in St. Louis, Missouri in 1907. Ray Kaiser Eames was born in Sacramento, California in 1912. They met at Cranbrook Academy of Art in Michigan and were married in 1941. They moved together to California and continued their design work they began together at Cranbrook. A commission, which they acquired from the government during WWII to produce molded plywood splints and stretchers, launched a career producing iconic Mid-Century Modern furnishings which are still fresh and sought after today. The Eames and their association with Herman Miller were the partnership of the century. If you want to learn more about Charles and Ray please visit Eames Office, the Eames Official website. Herman Miller started life as Star furniture...

We are delighted to offer for sale extremely rare and important lightly restored, original, Herman Miller No1 1960's black leather and Rosewood lounge armchair and ottoman This is...

Awesome vintage Mid-Century Modern original mauve hopsacking & chrome tubular pair of chairs by Peter Protzman for Herman Miller. Beautif...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

Awesome example of the Charles and Ray Eames DAX fiberglass arm shell chair for Herman Miller. It is in elephant hide gray with a black H base and unusual glide feet. It retains a pa...

Fantastic vintage modern Herman Miller slat back armchairs comprised of brown mahogany finished wood frames with slat backs and their original burnt...

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Zenith Plastics / HermanMiller DAR Eiffel rope-edge chair Venice, California / Zeeland, Michigan, 1950 fiberglass, enameled steel early sticker label Measures: 24 7/8" W x 23 5/8" D x 31 3/8" H All original parts, including rare first gen. feet, which date the piece to the first batch of production (1950). Labelled. Gorgeous museum worthy piece. Quite possibly one of the most famous and iconic chairs ever, the Eames DAR would most commonly become known as the ‘eiffel chair’ due to its sculptured wire base resembling that of Europe’s most notorious landmark. The very first generation of the Eames DAR Eiffel Chair was recognizable not only for the ‘rope edge’ shell but also due to the protruding ‘1st gen’ feet as opposed to boot glides or later plastic feet. The abbreviated Eames DAR Chair stands for the Eames Dining (D) height, Arm (A) Chair, on Rod (R) Base released in the first year of arm chair production of the fiberglass series developed to the marketplace in 1950. The early success of the Eames arm chairs, released in 1950, was a co-ordinated effort between the Eames . Office (Designers), Zenith Plastics (Manufacturers) and Herman Miller (Distributors). The chair series was always designed to have interchangeable bases and the DAR was one of the ‘original 5’ alongside the DAX X-base, LAR cats cradle...

Vintage, retro 1960's Herman Miller yellow fabric vintage chairs, lovely designer chairs, have a yellow fabric which is in very good vintage condi...

A vintage Alexander Girard armchair. The chair is upholstered in a olive color fabric. The classic color tone allow for the armchair to be a g...

Designed by Brian Kane for Herman Miller, the Swoop furniture collection came from the designer’s observations while teaching students at the California College of Art. Taking its name from the sweeping curves of the silhouette, the Swoop chair...

Ray & Charles Eames were commissioned to design the perfect utilitarian seating for the first international airports in 1962. Created for comfort and convenience, this chair is iconic and has never before been redone with such luxury in mind. Refurbished aluminum frames and reupholstered in world-class, full grain Edelman Leather in a copper brown. For the modern-day eclecticists and discerning collectors, these pieces are heirlooms from the generation of the jet-set elite. Would be a fantastic addition to an office, waiting area, man cave, or living room. This three-seater has matching counterparts - a two-seater and two singles. A set of these luxury tandem sling benches...