Art

an important and impressive white marble sculpture of Hercules as torso. The figure standing in contrapposto position wearing on the left shoulder a rest of a drapery with a sculpted...

A WALK TO REMEMBER - This original artwork on paper captures delicate scattered flowers in a field of grass. The blending of acrylic, oil pastel and colour pencil, make up loose and ...

Pablo Picasso (1881-1973) - L'atelier de Cannes Lithograph from 1958. On Arches paper. Dimensions of work: 44.8 x 33.4 cm. Plate signed. It's an enhanced version of the first st...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Queen Zaboka" is an acrylic on shaped canvas painting stretched over a wooden armature creating a 3D wall sculpture. With this majestic Queen adorned in radiant color under a shimme...

Etching and drypoint on heavy cream wove paper, 11 5/8 x 18 1/4 inches (295 x 460mm); sheet 16 3/4 x 22 1/2 inches (425 x 570 mm), full margins. A superb proof printed in bistre brow...

Fly (Bombay Beach) - 2019 80x80cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL201...

In too deep - 2020, Edition of 7 plus 2 Artist Proof Archival Print, based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-887. Not mounted. ...

Jack Levine original Oil painting on Canvas Hunt Scene. In good condition measures 42x29

PUBLIC POOL Giclée Print on Hahnemühle_Daguerre Canvas 400g 63 x 81 cm (with frame) Edition of 100 Frame: Solid Pine L-Type - 0.7cm (front) / 4cm (side), white finish Canvas stretche...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

A Striking, 1950s Mid-Century Modern Figure Study Ink Drawing of a Standing Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Exhibiting a spare and except...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

A wonderful composition of one of Slonem's newest series, Daisy's. This piece depicts a gestural Daisy on a lime green background with thick use of paint. Inspired by nature and a ge...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Painter from Trieste (dated 1959) - Via dei Cavazzeni in Trieste. 69 x 49 cm without frame, 72 x 52 cm with frame. Watercolor on paper, in wooden frame. - Work signed "Franceschin...

Jack Mitchell, American Photographer (1925-2013). Joe Dallesandro, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. Period print from artist's studio. The image was intended for ...

Wintry Pool oil on canvas 12 x 16 image size Signed LR when viewing the painting and again verso, on back. Image measures 12 x 16 The painting is in good condition in a period gilded Impressionist frame showing Carlson's mastery of light and technique. Carlson uses subtle cool snow tones juxtaposed with soft warm sunlit areas of snow help to create form and depth in this winter stream scene. The warm brown tones of the earth showing through the snow and darker trees in the backgroaund add a nice contrast. John F...

This beautiful painting by Nacho Reina is a formidable example of the interplay between form and color forms as the central axis of his work, where he starts from architectural shape...

Ciel de Nuit ( Night Sky) is a magnificent triptych of abstract golden clouds in a sky full of rich blues. Elegant and atmospheric. Ciel de Nuit is 80" X 138" OVERALL. Each of the th...

Medium: original lithograph. This is one of the Alexander Calder lithographs from his "Stabiles" series, printed in 1963 for the art revue Derriere le Miroir (issue number 141) and p...

Medium: offset lithograph with pochoir coloring. Printed in 1958 and published in Milan by Silvana Editoriale d'Arte in an edition of 200. Image size: 8 1/4 x 9 1/4 inches (210 x 233...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Wall mirror “with fold” I is a unique mirror-polished stainless steel sculpture by contemporary artist Franck K, dimensions are 92 × 92 × 3 cm (36.2 × 36.2 × 1.2 in). The sculpture ...

Black and white fine art long exposure seascape - landscape photography print. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 1/4 x 9 inches (310 x 230 mm). Signed in the p...

This contemporary abstract expressive portrait, Graceful Spirit, was created in 2025 by French artist Natalya Mougenot in her studio in Lyon, France. It is a powerful homage to the q...

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Theia is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20.5 × 23 × 19 cm (8.1 × 9.1 × 7.5 in). The sculpture is signed...

The "Moments" series tells a visual story of life’s events—both big and small—that stay with us and warm the soul Each painting is available individually, yet all the works in this ...

Meredith Walker’s "A Single Bud" is a luminous example of modern abstract botanical painting that fuses organic minimalism with symbolic form. This unique painting invites viewers in...

Follower of Jacob Savery (1566-1603) Concert of Birds 18th-century oil on panel no signature unframed: 42 × 44 cm (16.5 × 17.3 in) framed: 53 × 54 ...

Werner Bronkhorst Sail Away, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in...

Original painting by Daria Kusto. Acrylic markers on paper. The magic flow reality... The painting will be shipped directly from Thailand – safely and promptly."

Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand signed and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artw...

A watercolor depicting a mountain view and the lake Gruyère, (Lac De La Gruyère) in Switzerland by the American Impressionist and Tonalist Mary Rogers Williams (1857–1907). Signed M.R. Williams. On the verso, the artist wrote: ‘Painted in Gruyère July 1902.’ This is a newly discovered work by a rare woman artist who seldom appears on the art market. Small in scale, yet rich in atmosphere, power, and depth—a genuine little gem. Mary Rogers Williams was born in 1857, in Hartford, Connecticut, the fifth of six children to a local baker. Orphaned by the age of fourteen, she pursued art with remarkable determination, studying at Hartford’s Decorative Art Society and the Art Students League in New York under William Merritt Chase. Her early mentor was James Wells Champney. In 1888, she joined Smith College as associate professor of art, where she taught for nearly twenty years to help support her family. Alongside her academic career, she maintained a serious and evolving artistic practice, though much of it was pursued within the limitations of her era’s gender roles and financial pressures. Her work is often classified as a blend of Tonalism and Impressionism—movements that were just taking shape during her lifetime. Tonalists used subdued palettes to evoke mood rather than detail, while Impressionists leaned toward brighter colors and broader subjects. Williams, working independently of art-world factions, forged a style rooted in mood, light, and atmosphere. She painted luminous pastels, watercolors, and oils—portraits, landscapes, and intimate studies of daily life. Despite knowing figures like Whistler, William Merritt Chase, and Childe Hassam, she rarely aligned herself with any artistic “school” and found many male contemporaries pretentious or repetitive. She famously dropped out of Whistler’s Paris school, calling him “a pompous fop surrounded by fawners.” Though Mary Cassatt and Williams were both American Impressionists living in Paris, they never met—Cassatt enjoyed wealth and elite circles, while Williams was a self-reliant educator without patrons. Williams traveled extensively throughout Europe—from the Arctic Circle to the ruins south of Naples—often alone or with her sister. She bicycled through fjords, hiked to medieval towns, and visited chateaux and harbors, all while sketching prolifically. She is likely the only 19th-century woman artist whose travels and daily life can be traced in such vivid, personal detail: what she ate, how she felt about fellow travelers, what she paid for trams, how the air smelled, what she wore, and how she missed home. She documented everything—museum visits, church restorations, conversations with hotel guests, and her frustrations with men’s treatment of women artists. These letters, rediscovered in 2012 in a family boathouse, provide an extraordinary insight into not only her art but the intellectual and emotional texture of her life. Her writings reveal not only artistic insight but the immense workload she carried. At Smith, she taught studio art and art history, organized faculty events, curated student exhibitions, wrote essays, handled housework, and even cooked and cleaned for her own lodgings. On vacations, she cooked for her family; in Europe, she waxed floors, painted walls, repaired clothing, and stoked fires—all while maintaining her painting and travel schedule. Unlike many of her male peers, she had no assistants, no household staff, and little inherited wealth. Yet, as her letters reveal, she never saw herself as a victim—she relished challenges and even the absurdities of her era, from Italian waiters pushing marriage to department heads at Smith dismissing women’s artistic capacity. Despite these challenges, Williams exhibited widely during her lifetime: Paris Salon (1899) National Academy of Design (1903–04) Pennsylvania Academy of the Fine Arts New York Water Color Club, American Water Color Society, Art Association of Indianapolis, and more. She was praised in The New York Times, Hartford Courant, and Springfield Republican, and compared by peers to figures like Emily Dickinson—another New England woman of quiet yet profound artistic power. But unlike Dickinson, Mary Williams...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies, Butterflies and Birds. This piece depicts gestural figures of 7 Bunnies, 10 multicolor Butterflies and 9 Bi...

"Loneliness in the abstract" is an abstract painting distinguished by its texture and intertwined layers of color. Dominated by ochre tones, the piece is complemented by flashes of b...

Head Portrait of a Dog (Whippet? Greyhound?) English artist, early 20th century signed oil on board, framed framed: 20 x 15 inches board: 15 x 20 inches Provenance: private collecti...

Gordon Ham (20th century) New England Winter, ca. 1940. Oil on unstretched canvas panel, 14 x 17 inches. Measuring 17 x 20 inches framed. Signed lower right. Vertical cracking ...

Series: Between light and silence Bathed in the golden stillness of a Tuscan afternoon, this landscape offers a vision of warmth, rhythm, and quiet longing. Rolling hills and gracefu...

Original painting by Daria Kusto. acrylic on canvas. The magic flow reality... A smiling figure and their surreal horse set off into the unknown — through blue-tinted dreams, cryptic...

This oil painting on canvas unfolds in an abstract language, rich in chromatic energy and movement. The composition is dominated by warm tones such as reds, oranges, and yellows, in ...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts multicolor delicate butterflies in ascension placed in a wonderful brilliant golden l...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Series: Between light and silence A quiet forest path winds through interlaced trees, their branches reaching like threads of destiny. This opening piece invites the viewer into a wo...

This tranquil view shows Öland’s rolling green heath at dusk, with grazing sheep and a lone windmill on the far horizon. The broad sky streaked with soft gold and blue underscores Kr...

LA MAGIE NOIRE, 1945 (BLACK MAGIC) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plate signed...

Series: Between light and silence In a secluded garden, a figure stands immersed in water, framed by lush color and soft twilight. Like a relic of myth, she radiates silence and time...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight kozo paper create an undulating composition suggesting layers of the earth's crust and geological ...

A beautful early 20th century French imprressionist oil on panel depicting a wooded river landsape. The work is superbly executed very, atmospheric and in excelllent original condi...

The Cottage Kitchen by H.Gouy, French mid 20th century signed oil on board, framed framed: 22 x 19 inches board: 16 x 13 inches Provenance: private collection, France Condition: a f...

DAMIEN HIRST - THE CURRENCY: 6274. NOBODY SHOULD HEAR IT Date of creation: 2016 Medium: Enamel paint on handmade paper Edition: 5.149 unique works on paper Size: 21.5 x 30 cm Conditi...

Roy Blakey (1930-2024). Portrait of Darryl Robinson, ca. 1972. Original photographic print on paper, image measures 11 x 14 inches. Framed measurement 12 x 15 inches. Studio stam...

"Constructive In Reds" is an abstract painting distinguished by its texture and intertwined layers of color. Dominated by Red tones, the piece is complemented by flashes of blue, pu...

Elizabeth Taylor – Elstree Studios, England, Elizabeth Taylor’s jewellery collection was renowned as one of the greatest ever assembled. The ...

Konstantin Razumov (Born 1974) Russian Pretty Nude Lady Kneeing beside a Window Oil on canvas: 13 x 9 inches. Frame: 19 x 15 inches. Konstantin Razumov's work has been offered ...