Angela A'Court

Echo Arches

2016

Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the relationship of experience to expression of beauty and the quirkiness of every day moments. With an eye toward balance, the artist moves towards abstraction in "Winnowing Basket...

“This series of paintings was significant for me to make. It marked the return to the studio after a year at home due to the pandemic. New iterations began to emerge (Vessels + Statu...

Liane Ricci was born in Sleepy Hollow, NY in 1970, and has studied at the Art Students League, the School of Visual Arts and the Fashion Institute of Technology, and at the Hartford ...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

SOPHIA MILLIGAN 'Paradise, Remembered' Original Artwork ___________________ Late August sun breaks joyously through the low morning cloud, an easterly breeze rustling through the st...

SOPHIA MILLIGAN 'Guijarros y Agua' Original Artwork (unframed*) ______________ Winter solstice light dancing on shingles and lapping tidal movements, towering rock formations rise ...

'Gratitude and Grace (Worn out Blue Jeans and Hydrangeas in September)' Original Artwork, Unframed _____________________ Early Autumnal nostalgia, hazy light on pillows of fading hy...

'Restlessly Westward' Original Artwork, Unframed _______________________ The west wind is blowing in again off the Atlantic, from the far horizons where the water and the sky join h...

Rainbowers I-XVI, a portfolio of 16 watercolours created in 2022, pays homage to the rich tradition of American Visionary art and self-taught artists. Inspired by the works of influe...

Apparently Dark Matter makes up over 95 of the stuff floating out there in the multiverse, yet we have never been able to see Dark Matter. "Eye on Dark Matter" is an aspirational tit...