Armand Avril

Clown, 1998 - oil paint, 75x60 cm, framed

1998

gouache on paper maroufflé on canvas. not framed. *Paul Rigoulet, peintre abstract français, né en 1924 à Samöens (Haute-Savoie). Il fait ses études à l'école nationale supérieure des Beaux-Arts de Paris, atelier Jean Souverbie...

Spray paint on paper. Stamped and framed. Frame dimensions: 75x94 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in...

Spray paint on paper. Stamped and framed. Frame dimensions: 68x85 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in ...

Beautiful paper collage on paper by the french artist Albert Chubac. Framed. Last painter of the school of Nice. This is an important painter, the first school in nice to have exhib...

Mid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...

Sardinian Cove in evening light, Costa Smeralda by Andy Gradwell circa 2003. Mixed media on paper 31cm x 32cm Silver giltwood glazed frame by Academy Framers ( Royal College of Arts, London) 52cm x56cm. 'Water and Dreams' .A semi abstracted romanticised view of a bay on the Mediterranean Island using expressive color.. Fluid lyrical forms and line work expessive of the flora and mountainous backdrop and ocean...

Abstract expressionist portrait of a colorful face by Berkeley artist Howard Margolis (American, 1927-2015). Unsigned, with “Howard Margolis” on verso. Presented unframed, in a paste...

Nun in the Shadows - Figurative Composition in Acrylic on Paper A dark abstracted portrait by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece is abst...