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Arthur Litt
Untitled Fabric Design

1920-1930

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Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design Gouache on paper, 1920-1930 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) Condition: E...
Category

1920s Abstract Abstract Drawings and Watercolors

Materials

Gouache

Untitled (six vignettes)
By Pierre Courtin
Located in Fairlawn, OH
Signed lower center edge Annotated verso: “5 Juin 1966 _____ et de soleil, de et d’oseille” Image: 6 3/4 x 4 5/8" Frame: 14 1/2 x 12 3/4" Finishe...
Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Watercolor, Gouache

Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) Condition: E...
Category

1930s Abstract Abstract Drawings and Watercolors

Materials

Gouache

Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 37365 ...
Category

1930s Abstract Abstract Drawings and Watercolors

Materials

Gouache

Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 24680 Co...
Category

1930s Abstract Abstract Drawings and Watercolors

Materials

Gouache

Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design Gouache on paper, 1920-1935 Signed with the Atelier Stamp verso (see photo) Numbered with the Atelier Litt Archive number verso (see photo) No. 05535 ...
Category

1930s Abstract Abstract Drawings and Watercolors

Materials

Gouache

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Study #26, 1960s Gouache painting Signed Framed Pace & Hudson Gallery provenance
By Jack Youngerman
Located in New York, NY
Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label on Verso. Unique Abstract Expressionist work on paper Frame included Framed Measurements: Framed: 15 inches by 15 inches by 1.5 inch Artwork: 7.75 inches by 7.5 inches Provenance From the estate of Anne Markley Spivak J. L. Hudson Gallery Label affixed to verso (back). The J.L. Hudson Gallery, Detroit, Michigan This 1967 unique, signed gouache painting by renowned abstract expressionist painter Jack Youngerman was acquired from the estate of Anne Markley Spivak. It is held in the original vintage metal frame with the original J.L. Hudson Gallery label, as well as the PACE gallery label on the verso The artwork has been newly loated and framed in a museum quality white wood frame; the original labels from the original back board have been affixed to the back to preserve provenance. Jack Youngerman Biography Jack Youngerman was born in St. Louis, Missouri on March 25, 1926. He moved to Louisville, Kentucky in 1929 and studied at the University of Missouri, Columbia from 1944 to 1946 under a wartime navy training program. He graduated from the University of North Carolina Chapel Hill in 1947 and, that same year, he returned to Missouri to finish his Bachelor’s degree in Journalism before moving to Paris on a G.I. scholarship. In Paris, Youngerman enrolled at the Ecole des Beaux-Arts, studying drawing with Jean Souverbie. He explored Paris, taking in the cathedrals, museums, and history in order to grasp a greater sense of art history. He also traveled to the Netherlands, Spain, Belgium, Italy, and Greece on fine art excursions. In 1948, Youngerman became friends with Ellsworth Kelly, Eduardo Paolozzi, and Cesar – fellow students at Ecole des Beaux-Arts. He married Delphine Seyrig in 1950, and later that year he had his first group exhibition at Galerie Maeght in Paris. He visited the studios of Constantín Brancusi and Jean Arp and became heavily influenced by the organic forms present in their work. He also met artist Alexander Calder through his father-in-law, Henri Seyrig, and experimental filmmaker and artist, Robert Breer...
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"Desert Days", Southwestern Geometric Abstract
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