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Arthur McKay'Abstract', Canadian Modernist, Regina Five, Post Painterly Abstraction, NYMOMACirca 1975
Circa 1975
About the Item
Signed lower left, 'A. McKay' for Arthur "Art" Fortescue McKay (Canadian, 1926-2000) and painted circa 1975.
An important Canadian painter, draftsman, printmaker and an influential educator, Arthur McKay was born in Saskatchewan and first studied at the Provincial Institute of Technology and Art, Calgary, Alberta, most notably under Jock Macdonald (1946-1948). He subsequently studied in Paris at the Académie de la Grande Chaumière (1949–1950) before attending classes at Columbia University and the Barnes Foundation (both between 1956 and 1957). McKee worked most of his life in Regina, Saskatchewan (1950–1994) and first gained national recognition exhibiting as a member of The Regina Five (circa 1959 – 1966), an experimental group whose work is considered a milestone in the development of Canadian Abstraction. McKay exhibited widely and with success including at New York's Museum of Modern Art, the National Gallery of Canada, where he also participated in the Canadian Biennials (1957, 1959, 1961, 1963, 1965), and with Clement Greenberg’s landmark touring exhibition "Post Painterly Abstraction". He also exhibited in the Canadian Government Pavilion at Expo 67, Montreal, with the Ontario Society of Artists (1959), the Montreal Museum of Fine Arts (1961, 1962, 1963, 1968), the Albright–Knox Art Gallery (1962), the Vancouver Art Gallery (1964); the MacKenzie Art Gallery, and the Moose Jaw Art Museum (1975), among others.
After serving in the Canadian Army (1943–1945), He continued his studies at the Emma Lake Artists' Workshop in Saskatchewan, taking classes under Jack Shadbolt, Joe Plaskett, Will Barnet, Barnet Newman, Herman Cherry, Clement Greenberg, Kenneth Noland, Jules Olitski, Donald Judd, Anthony Caro, John Ferran, Frank Stella, and Lawrence Alloway (1955–1965).
In 1950, McKay began teaching as a part-time instructor at the School of Art of Regina College. He became as associate professor in 1963 and was Director from 1964–1967. He took leave to work as Professor of Art at the Nova Scotia College of Art, Halifax for one year (1967–1968) and returned to the University of Regina where he was Artist-in-Residence (1978) and associate professor until 1987. Claude Breeze and Brian Fisher were two of his most famous students.
Arthur McKay's work is held in numerous permanent collections including the Art Gallery of Alberta (Edmonton), Art Gallery of Hamilton (Ontario), Art Gallery of Nova Scotia (Halifax), Art Gallery of Ontario (Toronto), Art Gallery of Windsor (Ontario), Glenbow Museum (Calgary, Alberta), Justina M. Barnicke Gallery – Hart House Collection (University of Toronto, Ontario), MacKenzie Art Gallery (Regina, Saskatchewan), Montreal Museum of Contemporary Art (Quebec), Montreal Museum of Fine Arts (Quebec), Moose Jaw Museum & Art Gallery (Saskatchewan), Museum London (Ontario), Ottawa Art Gallery (Ontario), University of Lethbridge Art Gallery, Vancouver Art Gallery, Winnipeg Art Gallery and the National Gallery of Canada.
Among McKay’s honors and awards are a Canada Foundation grant (1956), a Humanities Research Council grant (1957) and three Canada Council grants (1963, 1967 and 1968).
Bibliography:
A Companion to American Art (2015), edited by John Davis, Jennifer A. Greenhill, Jason D. La Fountain; John Wiley & Sons, Hoboken, N.J.
A Concise History of Canadian Painting, 3rd edition (2012), by Dennis Reid; Oxford University Press, Toronto
The Last Art College: Nova Scotia College of Art and Design, 1968 – 1978 (2012), by Garry Neill Kennedy; MIT Press, Cambridge
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Abstract Painting in Canada (2008), by Roald Nasgaard (see askART Publications)
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As One Who Serves: The Making of the University of Regina (2006), by James M. Pitsula; McGill-Queen's University Press, Montreal
The Sixties in Canada (2005), by Denise Leclerc and Pierre Dessureault; National Gallery of Canada, Ottawa
The Shape of Colour: Excursions in Colour Field Art, 1950 – 2005 (2005), edited by David Moos; Art Gallery of Ontario, Toronto
The Encyclopedia of Saskatchewan (2005), by Canadian Plains Research Center; published by the Canadian Plains Research Center, University of Regina, Regina
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Founders of the Alberta College of Art (1986), by Valerie Greenfield; Alberta College of Art Gallery, Calgary (1984), by Michael Parke-Taylor and Norman Zepp; Norman Mackenzie Art Gallery, Regina
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Regina 25 Years, 1953 to 1978: An Exhibition in Honour of Regina's 75th Anniversary (1978), by Arthur McKay and Nancy E. Dillow; Mackenzie Art Gallery, Regina
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Firestone Art Collection (1978), by John Evans; McGraw-Hill Ryerson, New York
Norman Mackenzie: Building a Collection (1978), by Carol A. Phillips; Norman Mackenzie Art Gallery, Regina
Painting in Canada: a history (1977), by J. Russell Harper; University of Toronto Press
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Mystic Circle (1973), by Lobsang Phuntshok Lhalungpa and George Woodcock (see askART Publications)
Emma Lake Workshops, 1955 – 1973 (1973), by Nancy E. Dillow; Norman Mackenzie Art Gallery, Regina
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A.F. McKay: Paintings and Drawings, 1959 – 1967 (1968), by Terry Fenton; Norman Mackenzie Art Gallery, Regina
Painting in Canada (1967), by Barry Lord; Canadian Government Pavilion, Expo 67, Montreal
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Statements: 18 Canadian Artists (1967), by Norman Mackenzie Art Gallery; Mackenzie Art Gallery, Regina
Sixth Biennial Exhibition of Canadian Painting – 1965 (1965), by William Townsend; National Gallery of Canada, Ottawa
Post Painterly Abstraction (1964), by Clement Greenberg; published by Los Angeles County Museum of Art Contemporary Art Council
Five Painters from Regina (1961), by Ronald L Bloore and Richard B.Simmins; Queen's Printer, Ottawa
Second Biennial of Canadian Art, 1957 (1957), by Donald W Buchanan; National Gallery of Canada, Ottawa
Canadian Heritage Information Network*
Saskatchewan Network for Art Collecting
- Creator:Arthur McKay (1926 - 2000, Canadian)
- Creation Year:Circa 1975
- Dimensions:Height: 18 in (45.72 cm)Width: 22.5 in (57.15 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor losses, craquelure, minor restoration; unframed; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34412251562
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