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Caroline Blum
In or Out, green ink drawing on graph paper, geometric abstraction

2020

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    2010s Contemporary Abstract Paintings

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  • Untitled, Small Works No. 51, green geometric abstraction, work on paper
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    Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...
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  • Daily Drawing Series - 40 Days, original drawings, large scale installation
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    The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...
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  • Stardust Cephalopod, Original Contemporary Abstract Nautical Mixed Media Work
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    Stardust Cephalopod, Original Contemporary Abstract Nautical Mixed Media Work, 2015 11" x 8.5" (HxW) Collage and Pen on Paper With clear inspiration from natural botanicals and oceanic life, artist Jenny Brown combines found imagery and her own mark making to create delicate yet bold designs. This work features a gray background that allows a colorful combination of paper ephemera melded together into a fantastical creature. Fine white lines emerge like tentacles, and small white dots scatter around the composition, bringing the work to life. Images with frames are examples only; this work comes unframed. Artist Commentary: Stardust Cephalopod is a bioluminescent flowering squid, existing both in the depths of the sea and the far reaches of the Milky Way Galaxy. She melds together the sciences of the oceans and the stars, linking the two natural spaces as one beautiful entity. Stardust Cephalopod is a mixed media work created with pen, ink, & collage. About the Artist: Jenny Brown is a visual artist living and working in Providence, Rhode Island, whose primary mediums are drawing, collage, and works on paper. Her work brings to life a mythical world of sea creatures and celestial beings, realized through her love of paper ephemera. Jenny studied art at Bennington College and received her MFA from the School of Visual Arts in New York in 2005. In addition to working with galleries in New York, Providence, and metro Boston, Jenny has collaborated with brands such as Hudson-Chatham Winery, Sheaffer Pens...
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