David Hayes

Study for Sculpture #2

c. 1980

Gouache on paper Jo Aarons Gallery Label en verso Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than ...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first st...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first st...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first st...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first studied with American sculptor David Smith, who was among the first to work with welded steel. Hayes' sculptures have affinities to Alexander Calder's playful stabiles (Hayes met Calder in Paris) and to the shapes and colors of Matisse's late paper cutouts. Hayes works are firmly rooted in modern artists' interests in industrial materials and in commercial fabrication processes. He has had more than 400 exhibitions of his work. His work is in more than 70 museum collections, including MOMA and the Guggenheim. Throughout his career, Hayes painted models for his sculptures and sculptural-like landscapes of the geography surrounding his home in Northwestern Connecticut. In these landscapes, the gently rolling hills become modernist forms and shapes, recognizable as landscapes but also as explorations of shape and color. These are intriguing works of art in and of themselves. Lawrence Fine Art...

Gouache on paper signed en verso Throughout his sixty-year artistic career, David Hayes created sculptural forms abstracted from organic forms encountered in daily life. He first studied with American sculptor David Smith, who was among the first to work with welded steel. Hayes' sculptures have affinities to Alexander Calder's playful stabiles (Hayes met Calder in Paris) and to the shapes and colors of Matisse's late paper cutouts. Hayes works are firmly rooted in modern artists' interests in industrial materials and in commercial fabrication processes. He has had more than 400 exhibitions of his work. His work is in more than 70 museum collections, including MOMA and the Guggenheim. Throughout his career, Hayes painted models for his sculptures and sculptural-like landscapes of the geography surrounding his home in Northwestern Connecticut. In these landscapes, the gently rolling hills become modernist forms and shapes, recognizable as landscapes but also as explorations of shape and color. These are intriguing works of art in and of themselves. Lawrence Fine Art...

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...

Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...

Opper Estate Maroon Abstract c. 1940-1950's Gouache on Paper 15" x 18" Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...

An original watercolor painting by American artist Wes Olmsted depicting an abstract landscape view.

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. His work also bears the influence of Sam Francis. The American moon landing in 1969 inspired Paul Kontny...