American Modern Abstract Drawings and Watercolors
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Style: American Modern
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
By Stuart Davis
Located in New York, NY
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches.
LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated.
EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12.
PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York.
NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache, Pencil
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
By Arthur Dove
Located in New York, NY
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
Arthur Dove (1880-1946)
"Barns"
5 x 7 inches
Watercolor on paper, 1940
Singed lower center
Framed: 9...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance
By Arthur Dove
Located in New York, NY
"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance
Arthur Dove (1880-1946)
"Through the Trees"
5 x 7
Watercolor on paper, 1938
Singed lower center
Framed: 1...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Untitled (crayon on paper
Located in Columbia, MO
Lynn Drexler (American, 1928-1999)
The work of Lynn Drexler is characterized by bold color and rhythmic brushwork, contributing to a distinctive sense of abstract harmony. A student ...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Paper, Crayon
Clinton Hill, (Nude #5), 1951, drawing, figure/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. From 1949 to 1951 Hill attended the Brookl...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Gouache
Clinton Hill, (Nude #1), 1951, drawing, figure/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Gouache
Clinton Hill, Paris, Oct., 1951 (France), mid-century abstract gouache drawing
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images.
He lived in SoHo, New York, and was a frequent Gallery visitor.
Born in Idaho and raised on a working ranch, ...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Gouache
"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance
By Arthur Dove
Located in New York, NY
"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance
Arthur Dove (1880-1946)
"Through the Trees"
5 x 7
Watercolor on paper, 1938
Singed lower center
Framed: 1...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Skyscrapers.
Located in Storrs, CT
Skyscrapers. c. 1950. Pastel. 29 3/4 x 19 7/8 (framed 37 x 27). Provenance: The New Britain Museum of American Art, New Britain, Connecticut. Signed, lower right. Housed in a stunn...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Pastel
Clinton Hill, Paris, July, 1951 (France), mid-century abstract gouache drawing
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images.
He lived in SoHo, New York, and was a frequent Gallery visitor.
Born in Idaho and raised on a working ranch, ...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Gouache
Horse and Tree
Located in Buffalo, NY
You are viewing a modernist American watercolor painting by Robert Noel Blair
Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and te...
Category
1960s American Modern Abstract Drawings and Watercolors
Materials
Archival Ink, Paper, Watercolor
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
By Stuart Davis
Located in New York, NY
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches.
LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated.
EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12.
PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York.
NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache, Pencil
Rainstorm Sunset
Located in Buffalo, NY
You are viewing a modernist American watercolor painting by Robert Noel Blair.
Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and te...
Category
American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Clinton Hill, (Nude #8), 1952, drawing, figure/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Gouache
Clinton Hill, Paris, Oct., 1951 (France), mid-century abstract gouache drawing
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images.
He lived in SoHo, New York, and was a frequent Gallery visitor.
Born in Idaho and raised on a working ranch, ...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Gouache
Contemporary Mid Century Inspired Blue & Green Toned Neighborhood Aerial Pastel
Located in Houston, TX
Mid century inspired aerial landscape pastel drawing by contemporary artist R. Michael Wommack. The work features a birds eye view of a planned neighborhood at night with glowing swi...
Category
2010s American Modern Abstract Drawings and Watercolors
Materials
Paper, Pastel
Untitled (Figurative Abstraction of Isadora Duncan #7)
Located in Myrtle Beach, SC
Abraham Walkowitz, Untitled (Figurative Abstraction of Isadora Duncan #7), pencil, 1918. Signed and dated in pencil, bottom center. A fine, spon...
Category
1910s American Modern Abstract Drawings and Watercolors
Materials
Pencil
"RED WING" ABSTRACT FRAMED 27 X 35.5
Located in San Antonio, TX
Charles Schorre
1925-1996
Texas
Image Size: 22 x 30
Frame Size: 27 x 35.5
Medium: Watercolor on Paper
"Red Wing"
Biography
Charles Schorre 1925-1996
Charles Schorre (1925 - 1996) was...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Watercolor
'Rockport Harbor' — Mid-Century Modernism
Located in Myrtle Beach, SC
Louis Wolchonok, 'Rockport Harbor', gouache, c. 1950. Signed in ink, lower right. A fine, modernist work, with fresh colors, on cream wove drawing pape...
Category
1950s American Modern Abstract Drawings and Watercolors
Materials
Gouache
Untitled #3
By Jerry Opper
Located in San Francisco, CA
This artwork "Untitled #3" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 21.75 x 16.75 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1.
About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category
Late 20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
Italy Goes to War
By Arthur Dove
Located in Bryn Mawr, PA
Provenance
An American Place, New York;
World House Galleries, New York, 1953;
Private collection, New York;
Betty Krulik Fine Art, 2007;
Avery Galleries until present
Exhibitions
An American Place, New York, Exhibition of New Arthur G. Dove Paintings...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Golf Bags, Caddy with Golf Bag on His Back
Located in Missouri, MO
Framed Size: approx 17 3/4 x 20 3/4 inches
Fred Conway (1900-1973)
"Golf Bags, Caddy with Golf Bag on His Back"
Pen/Ink/Watercolor on Paper
Site Size: approx. 10 x 13 inches
Framed Size: approx. 17 3/4 x 20 3/4 inches
A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...
Category
1960s American Modern Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor, Pen
Woodland Reflection — Mid-Century Modern
Located in Myrtle Beach, SC
Irving Lehman, Untitled (Woodland Reflection), watercolor, c. 1955. Unsigned, with the artist's estate stamp verso: 'Original Artwork By: IRVING G. LEHMAN Russian/American 1900-1982'...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Watercolor
1950s "Sitting in Chair" Mid Century Figurative Pratt Graphic Arts Center
By Donald Stacy
Located in Arp, TX
Donald Stacy
"Sitting in Chair"
c.1950s
Gouache and oil pastel on paper
24" x 18" unframed
Came from artist's estate
*Custom framing available for additio...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Paper, Oil Pastel, Gouache
"People" - Mid-Century Ovoid Geometrical Abstract Black & White Drawing
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
People, 1964
Ink and crayon on paper
Signed and dated upper right
36.5 x 24 inches
Clarence Holbrook Carter achieved a level of nation...
Category
1960s American Modern Abstract Drawings and Watercolors
Materials
Crayon, Ink
The Sketch Class, Figurative Study Line Drawing
Located in Soquel, CA
Expressive line drawing figure study featuring a group of figures in a classroom by David Rosen (Canadian, 1912-2004). Unsigned, but was acquire...
Category
Late 20th Century American Modern Abstract Drawings and Watercolors
Materials
Paper, Pen, Watercolor
Untitled
Located in London, GB
In ‘Untitled’ 1932, Walkowitz crafts a memorable image. Tessellating lines are centred on the page and form geometric shapes. Faint pencil marking reveal the artists forward planning...
Category
Early 20th Century American Modern Abstract Drawings and Watercolors
Materials
Pen, Pencil
1950s "Red Sun" Mid Century Abstract Art Students League NYC
By Donald Stacy
Located in Arp, TX
Donald Stacy
"Red Sun"
c.1950s
Gouache and oil pastel on paper
13.75" x 17" unframed
Unsigned
Came from artist's estate
*Custom framing available for additional charge. Please expect framing time between 3-5 weeks.
Donald Stacy (1925-2008) New Jersey
Studied: Newark School of Fine Art
The Art Students League...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Paper, Oil Pastel, Gouache
Study for Worlds Beyond - Surrealist graphite drawing, Ohio artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Study for Worlds Beyond, 1980
Graphite, collage and white heightening on illustration board
Signed and dated lower right
10.75 x 4.5 in...
Category
1980s American Modern Abstract Drawings and Watercolors
Materials
Graphite
Modern Tropical Abstract -- "Spires II"
Located in Soquel, CA
Colorful abstract watercolor of imaginative shapes in a tropical setting with botanical landscape elements by Claire Wolf Krantz (American, b. 1938). Signed "Claire Wolf Krantz" lower right. Titled "Spires" lower center. Dated "11/18/77" and numbered "II" in a series lower left. Peach colored mat and bronze tone metal frame. Image, 14"H x 14"L.
Kranz is an artist and art critic living in Chicago, she uses fictional and real elements in her works. She is known for mixed media works layering photograph...
Category
1970s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Country Haircut"
By Milton Avery
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Milton Avery (1885 – 1965).
Milton Avery was a prominent Modernist painter whose work combined abstraction and...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Watercolor, Gouache, Paper
Brightly Colored 1950s Textile Design by Artist Andre Delfau
By Andre Delfau
Located in Chicago, IL
A colorful 1950s textile design (Black, yellow, blue, pink, red tones) by noted set and costume designer Andre Delfau.
Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, set and costume designer who worked world-wide from the 1930s to the 1980s. Delfau was a life long artist and painted independently of his noted design career. His artwork is recognized for it’s vibrant color and form, and a particularly keen use of line. He was highly influenced by the French Modern trends of Cubism and Surrealism, and his artwork is often infused with a dramatic sense of architecture and perspective.
Delfau created fashion designs for such major Paris couture houses as Balmain, Jean Patou and Balenciaga. He completed noteworthy set designs and costumes for numerous international operatic and ballet productions, including those at the Royal Danish Ballet, the Royal Ballet of Great Britain, the Paris Opera, the Dance Theater of Harlem, the Ruth Page International Ballet, the Civic Ballet of Chicago, the Chicago Opera Ballet and the Lyric Opera of Chicago, among others. Most notably, Delfau designed the elaborate stage sets and costumes for the 1986 PBS television production of the Viennese operetta, "Die Fledermaus...
Category
1950s American Modern Abstract Drawings and Watercolors
Materials
Ink, Gouache, Graphite, Paper
Untitled #5
By Jerry Opper
Located in San Francisco, CA
This artwork "Untitled #5" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 22 x 17 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1.
About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category
Late 20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
Abstract Splashes of Yellow, Red, and Purple
By Les Anderson
Located in Soquel, CA
Abstracted composition by Les (Leslie Luverne) Anderson (American, 1928-2009). Unsigned, but acquired from the estate of Les Anderson in Monterey, California. Presented in a new grey...
Category
1980s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Modernist Abstract Expressionist Watercolor Painting Bauhaus Weimar Pawel Kontny
By Pawel Kontny
Located in Surfside, FL
Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee.
Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...
Category
20th Century American Modern Abstract Drawings and Watercolors
Materials
Watercolor, Archival Paper
Ca. 1950, Black & White Ink Abstraction by Notable Artist Jan Matulka
By Jan Matulka
Located in Chicago, IL
A handsome ca. 1950 black & white Abstraction by important Modernist artist Jan Matulka. Image size:
6" x 6 1/2". Framed size: 12 3/4" x 12 3/4".
Born in Prague, Czechoslovakia...
Category
1950s American Modern Abstract Drawings and Watercolors
Materials
Ink, Graphite
Georgetown, Colorado, 1938 WPA Era Ink Drawing of Rocky Mountain Landscape
Located in Denver, CO
This vintage 1938 ink drawing by Charles Bunnell (1897–1968) captures a stunning scene of a church nestled in the majestic Rocky Mountains of Georgetown, Colorado. Executed in bold black ink on creamy white paper, the piece is signed and dated by the artist in the lower right and titled in the lower left. The image size is 7 ¾ x 5 ¾ inches, and it is framed with archival materials, with outer dimensions measuring 16 ¼ x 14 ½ x 1 ¼ inches.
Condition:
The drawing is in good vintage condition, with no notable flaws. For a detailed condition report, please contact us directly.
Provenance:
This artwork comes from the estate of Charles Ragland Bunnell, ensuring its authenticity.
About Charles Bunnell:
Charles Bunnell was a prominent American artist whose career spanned multiple styles and influences. Born in Kansas City, Missouri, he moved to Colorado Springs around 1915, where he developed a love for art. After serving in World War I, Bunnell studied at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center), where he met his wife, Laura Palmer...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Ink
"UNTITLED ABSTRACT" FRAMED 40.75 X 33.25
Located in San Antonio, TX
Charles Schorre
1925-1996
Texas
Image Size: 30 x 22
Frame Size: 40.75 x 33.25
Medium: Watercolor on Paper
"Untitled Abstract"
Biography
Charles Schorre 1925-1996
Charles Schorre (192...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Watercolor
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing
By Jean Xceron
Located in New York, NY
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing.
A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism.
Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache
1940s American Modernist Abstract Industrial Watercolor Ink Charcoal Painting
Located in Denver, CO
This original vintage painting by Charles Ragland Bunnell (1897-1968), titled Quitting Time from Bunnell's Black and Blue Series from 1941, exemplifies his unique Abstract Structure ...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Charcoal, Ink, Watercolor
MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern
Located in New York, NY
MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right.
RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records.
The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement.
These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work.
In the scope of importance among the New Hope Modernist...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
By Arthur Dove
Located in New York, NY
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
Arthur Dove (1880-1946)
"Barns"
5 x 7 inches
Watercolor on paper, 1940
Singed lower center
Framed: 9...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
1930s American Modern Farm Landscape Watercolor with Barns, Windmill & Fields
By Samuel Bolton Colburn
Located in Denver, CO
This original watercolor painting by acclaimed American artist Samuel Bolton Colburn captures a quiet farmstead nestled in a mountain valley. Rendered with Colburn’s signature contro...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Watercolor
Untitled #4
By Jerry Opper
Located in San Francisco, CA
This artwork "Untitled #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 26.5 x 20.5 inches, sheet size is 28.5 x 22.5 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1.
About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category
Late 20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
Connecticut Summer Fragments
By Lee Hall
Located in New York, NY
Lee Hall (1934-), Connecticut Summer Fragments, a portfolio of watercolor, 29 in all, each about 5 ¼ x 7 ¼ inches, on hand made paper attached to a backing, i...
Category
1970s American Modern Abstract Drawings and Watercolors
Materials
Watercolor
1950s "Rectangle" Mid Century Abstract Gouache Painting
Located in Arp, TX
Opper Estate
Maroon Abstract
c. 1940-1950's
Gouache on Paper
15" x 18" Unframed
From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann.
San Francisco Abstract Expression
A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency.
Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache
Boogie Woogie II
Located in Missouri, MO
Boogie Woogie II, 1993
Peter Ambrose (American, b. 1953)
Charcoal on Paper
Signed and Dated Lower Right
Titled Lower Left
41 x 29 inches
46.25 x 34.25 inches with frame
BORN
1953
New York, NY
EDUCATION
1977
MFA, The School of Art Institute of Chicago
1975
BFA, Carnegie Mellon University
1974
Yale University, Summer School of Art and Music
TEACHING EXPERIENCE
1983
Visiting Artist, 2-D, 3-D Design and Graduate Advisor, Carnegie Mellon University
1995-96
Independent Study in Exhibition installation, art handling, restoration, Saint Louis University
1998
Adjunct faculty, Sculpture, Saint Louis University
SELECTED SOLO EXHIBITIONS
1999
Elliott Smith...
Category
1990s American Modern Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Richfield
Located in London, GB
Exceptional rare sketch by American modernist Oscar Bluemner. Very, very good condition. Framed beautifully.
Category
Early 20th Century American Modern Abstract Drawings and Watercolors
Materials
Carbon Pencil
Two Wood Ducks on a Flowering Branch
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals.
Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp.
Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation.
Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133).
Two Wood Ducks...
Category
20th Century American Modern Abstract Drawings and Watercolors
Materials
Color Pencil
Untitled
Located in New York, NY
Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux-Arts in Paris and apprenticed in Boston with Henry Hobson Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury Howard, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals, and reliefs at the Coit Tower and in buildings on the Berkeley campus.
Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist.
Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time.
In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...
Category
20th Century American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache, Graphite
Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern
By Louis Stone
Located in New York, NY
Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame.
Louis King Stone ...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Gouache, Board
Morris Graves, Abandon Nest, 1950, drawing
Located in New York, NY
This is a complicated drawing, even for Morris Graves (1910-2001), known as the Mystical Painter of Nature.
Graves tried to be sensitive to the slightest tremor or breeze that a sma...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Ink, Watercolor
1950s Mid Century Abstract Contour Drawing 1
Located in Arp, TX
From the estate of Jerry and Ruth Opper
Abstract Expressionism Contour Drawing 1
c.1950s
Ink and Pastel Contour Drawing
18" x 12", Unframed
Signed in ink lo...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Paper, Ink, Pastel
Untitled #2
By Jerry Opper
Located in San Francisco, CA
This artwork "Untitled #2" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed with initial in pencil at the lower right corner by the artist. The image size is 23 x 18 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1.
About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category
Late 20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
Cityscape Reflections - Study No. 1
Located in Storrs, CT
Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...
Category
Late 20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
Abstract Landscape
By Wes Olmsted
Located in Buffalo, NY
An original watercolor painting by American artist Wes Olmsted depicting an abstract landscape view.
Category
1960s American Modern Abstract Drawings and Watercolors
Materials
Archival Paper, Watercolor
A Sandstorm on the Little Colorado River, Arizona
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Watercolor on watercolor board. Study for Seeber 189. 10 3/8 x 14 1/4. Signed lower left; titled verso. An exquisitely subtl...
Category
Early 20th Century American Modern Abstract Drawings and Watercolors
Materials
Watercolor
'Evening Landscape' Bay Area Abstraction, San Francisco Museum of Fine Arts, CWS
Located in Santa Cruz, CA
Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and painted circa 1965.
Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during the 1930s. Following service during WWII, he settled in Nevada City, California where he lived and painted until shortly before his death in San Francisco. Gilberg exhibited widely and with success and was the recipient of numerous medals, prizes and juried awards, including at the San Francisco Museum of Fine Arts...
Category
1960s American Modern Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Paul Gattuso, (Abstraction)
Located in New York, NY
Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address on the ...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Watercolor
WPA Era, Industrial Scene of a Steel Mill by Artist Harold Haydon
Located in Chicago, IL
A ca. 1935 tonal, watercolor of a steel mill by artist Harold Haydon. Artwork size: 8 3/4" x 11 3/4". Archivally matted to 14" x 18". Provenance: Estate of the artist.
Harold E...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Watercolor, Paper
Abstract #2
Located in London, GB
“If it brings to me a harmonious sensation…” Walkowitz once said, “…I then try to find the concrete elements that are likely to record the sensation in visual forms.”
This philosoph...
Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
Materials
Pencil
American Modern abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic American Modern abstract drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, purple, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Abraham Walkowitz, Andre Delfau, Jerry Opper, and Pawel Kontny. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern abstract drawings and watercolors, so small editions measuring 3.75 inches across are also available. Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $132 and tops out at $243,750, while the average work sells for $1,200.